Colloquy (10):69-82 (2005)

Authors
Emmanuel Alloa
Université de Fribourg
Abstract
The article explores the striking coincidences in Heidegger's and Blanchot's account of the image as death mask. The analysis of the respective theories of the image brings forth two radically divergent conceptions of thinking as "laying patent" (Heidegger) and of thinking as "laying bare" (Blanchot).
Keywords Blanchot  Heidegger  death  image
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