Film Review: Celebrating Old Age in Music - Quartet, directed by Dustin Hoffman, 2012
Journal of Medical Humanities 35 (3):353-354 (2014)
Abstract
This is an excerpt from the contentRecently older people have been the target of filmmakers and marketing campaigns; the concept of the “grey pound” has become a potentially significant attraction encouraging filmmakers to explore issues relating to age and ageing in mainstream films. The recent success of films such as Mamma Mia and The Best Exotic Marigold Hotel have made a significant impact on the box office, and Amour securing the 2013 Palm D’Or at the Cannes Film Festival, proved that an older audience is eager to watch films with mature characters and about issues that are relevant and meaningful to them.Actor Dustin Hoffman chose the play, Quartet by Ronald Harwood, to make his directorial debut. Set in “Beecham House,” a residential home for retired musicians, Hoffman explores brilliantly the diversity of octogenarians. The home is under the threat of closure unless the residents raise a substantial amount of money to keep it open, and their cunning plan to do that is by organizing a charitable evening gala feaMy notes
Similar books and articles
Creating the film music in The Rapture of Fe: The poetics of the tambuleleng’s resonances.Jema M. Pamintuan - 2012 - Thesis Eleven 112 (1):156-162.
Music in narrative film. On motion and stasis : Photography, "moving pictures," music / David Neumeyer, Laura Neumeyer ; the topos of "evil medieval" in american horror film music / James deaville ; la leggenda Del pianista sull'oceano : Narration, music, and cinema / Rosa Stella cassotti ; music in Aki kaurismäki's film the match factory girl / Erkki pekkilä ; it's a little bit funny : Moulin rouge's sparkling postmodern critique.Susan Ingram - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
Understanding the score: Film music communicating to and influencing the audience.Jessica Green - 2010 - Journal of Aesthetic Education 44 (4):81-94.
Celebrating with children: Volume 1 resources, volume 2 readings [Book Review].Sue Moffat - 2013 - The Australasian Catholic Record 90 (4):493.
Mark Slobin, ed. (2008) Global Soundtracks: Worlds of Film Music.Aparna Sharma - 2010 - Film-Philosophy 14 (2):125-130.
Musical emotions in the context of narrative film.Matthew A. Bezdek & Richard J. Gerrig - 2008 - Behavioral and Brain Sciences 31 (5):578-578.
Music, postmodernism, and George Rochberg's third string quartet.Mark Berry - 2002 - In Judith Irene Lochhead & Joseph Henry Auner (eds.), Postmodern Music/Postmodern Thought. Routledge. pp. 235--248.
Contemporary independent film producing in the Philippines: The case of Ang Panggagahasa kay Fe (The Rapture of Fe).Alvin B. Yapan - 2012 - Thesis Eleven 112 (1):147-155.
Film, music, and the redemption of the mundane.Giorgio Biancorosso - 2004 - In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
Amour: Written and directed by Michael Haneke, 2012, produced by Wega Film, Les Films du Losange, and X-Filme Creative Pool. [REVIEW]Katrina A. Bramstedt - 2013 - Journal of Bioethical Inquiry 10 (4):525-526.
Response to Roger Mantie, “Bands and/as Music Education: Antinomies and the Struggle for Legitimacy,” Philosophy of Music Education Review 20, no 1 : 63–81. [REVIEW] Kanellopoulos - 2012 - Philosophy of Music Education Review 20 (2):191-197.
Analytics
Added to PP
2014-07-12
Downloads
28 (#419,425)
6 months
1 (#455,463)
2014-07-12
Downloads
28 (#419,425)
6 months
1 (#455,463)
Historical graph of downloads