Abstract

A. G. Baumgarten's foundation of aesthetics as a branch of philosophical reflection is itself deeply rooted in Leibnizian metaphysics. From this starting-point Baumgarten comes to a kind of monadological concept of the work of art, that gets now an inexhaustible and thruthrepresenting meaning. This truth of the work of art however cannot be recognized rationally, for it is impossible for human beings to be aware of a beautiful object's 'metaphysical truth', which can only be perceived by the senses as - to quote Baumgarten - 'aesthetical truth'. Still it is possible, by rational and scientific hermeneutics, to transfer some aspects of aesthetical to logical truth. The interest in art is therefore at the same time an interest in the cognition of the metaphysical cosmic order, and Baumgarten's aesthetics similarly are the first foundation of philosophical hermeneutics of art.