Abstract

Throughout his writings Nietzsche suggests that battles waged with and for the benefit of readers and pupils are to take a form analogous to a Greek agon, a contest. The early Nietzsche anticipates a transfiguration of culture that will be brought about by means of agonistic institutions through which greatness will be cultivated in competition. Nietzsche identifies this mode of activity as healthy human striving, as an affirmative way of claiming human meaning, and as a creative process of individual and cultural development that he identifies as Bildung. The free spirit books that Nietzsche writes following The Birth of Tragedy critique the contemporary culture for its paucity of outlets for this kind of activity. ;Nietzsche believed that education, like philosophy, occurs in observing and participating in moments of extraordinary challenge and tension. For him, significant opposition yields strengthened character because it demands active resistance to what one is not and requires the definition of personal style. Encounters with great educators communicate not simply a set of doctrines and theories, they stimulate the activity of self-creation and discovery, of becoming who or, more properly for Nietzsche, what one is. Nietzsche's works reflect a continuous concern with identifying the form of this kind of education. As a philosopher-educator, Nietzsche both exemplifies his own growth through his spiritual and intellectual agones and strives to be a worthy opponent and teacher for his readers. It is this Nietzsche, the philosophos agonistes, the exemplar and educator, that this dissertation describes