Abstract

Many forms of printmaking involve drawing or painting onto a plate to produce a matrix and then producing prints from that matrix by mechanical processes. One might be skeptical about the artistic significance of such prints, on the basis that only the process of drawing or painting the matrix enables printmakers to exercise intentional control over the features of the resultant prints. This might lead one to think that such forms of printmaking lack artistic significance independent of drawing and painting. I examine whether or not such skepticism is warranted and argue that it is not. Nevertheless, I identify limitations on the independent artistic significance of another form of printmaking, namely that which involves producing prints from multiple matrices