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Artistic Truth: Aesthetics, Discourse, and Imaginative Disclosure

New York: Cambridge University Press (2004)

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  1. How Not To Be an Anti-realist: Habermas, Truth, and Justification.Lambert Zuidervaart - 2012 - Philosophia Reformata 77 (1):1-18.
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  • Scientific Facts and Methods in Public Reason.Karin Jønch-Clausen & Klemens Kappel - 2016 - Res Publica 22 (2):117-133.
    Should scientific facts and methods have an epistemically privileged status in public reason? In Rawls’s public reason account he asserts what we will label the Scientific Standard Stricture: citizens engaged in public reason must be guided by non-controversial scientific methods, and public reason must be in line with non-controversial scientific conclusions. The Scientific Standard Stricture is meant to fulfill important tasks such as enabling the determinateness and publicity of the public reason framework. However, Rawls leaves us without elucidation with regard (...)
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  • Adorno’s ‘addendum’.Aaron Jaffe - 2017 - Philosophy and Social Criticism 43 (8):855-876.
    Adorno’s ‘addendum’ names the experience by which socially constrained agents are jolted into resistance against their suffering. The impulse to action is simultaneously intra-mental and somatic, and thus forms the locus of a jointly conscious and bodily impetus to confronting the ideological and material forces that produce contemporary unfreedom. In this way the ‘addendum’ is a historically developing, indeterminate, yet inexhaustible glimmer of hope for both agents and theorists who make social suffering central to their critical analysis. This article explores (...)
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  • Aesthetic Horizons: A Phenomenologically Motivated Critique of Zuidervaart.Eric Chelstrom - 2016 - Journal of Aesthetics and Phenomenology 3 (1):1-14.
    One of the more ambitious and yet fruitful attempts in recent years to untangle general questions about the nature of aesthetic phenomena and their socially constituted nature rests in Lambert Zuidervaart’s critical hermeneutical theory of artistic truth. In this paper, I explore one part of Zuidervaart’s project, namely his conception of “aesthetic validity as a horizon of imaginative cogency.” I seek to develop Zuidervaart’s conception by bringing his thesis into dialogue with phenomenological analyses of “horizon” and the collective intentional approach (...)
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