ABSTRACT In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what (...) we – as possessors of practical reason – may hope for. The main question of the third Critique is, ‘What may we hope if we act as we should, i.e. act rationally?’ Kant’s implicit answer is, ‘to attain the ideals of reason, which leads to happiness as a consequence of it.’ This novel reconstruction of the argumentative structure of the third Critique contributes to the literature by (i) explaining how the two parts of the third Critique on aesthetics and teleology are connected, (ii) clarifying how the ideals of reason are connected to hope and happiness, and (iii) showing how the spheres of nature and freedom can be synthetically unified through the faculty of judgment. (shrink)

The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of (...) disinterested pleasure. In the second part, disinterested pleasure is investigated in the light of contemporary debates on beauty. The third part is dedicated to the relation of theories of disinterested pleasure to the meta-aesthetical debate between realism and anti-realism. The volume clarifies the meaning, role, and implications of one of the most influential conceptions in traditional as well as contemporary approaches to beauty. (shrink)

In this paper, I advance a new interpretation of the argumentative structure of the third Critique, which in turn clarifies the connection between its two apparently unrelated parts. I propose to read the third Critique as a response to Kant’s question of hope, which concerns the satisfaction of reason’s practical and theoretical interests. On this proposal, while the first part on aesthetics describes what we—as possessors of theoretical reason – may hope for, the second part, on teleology, describes what we (...) – as possessors of practical reason – may hope for. The main question of the third Critique is, ‘What may we hope if we act as we should, i.e. act rationally?’ Kant’s implicit answer is, ‘to attain the ideals of reason, which leads to happiness as a consequence of it.’ This novel reconstruction of the argumentative structure of the third Critique contributes to the literature by (i) explaining how the two parts of the third Critique on aesthetics and teleology are connected, (ii) clarifying how the ideals of reason are connected to hope and happiness, and (iii) showing how the spheres of nature and freedom can be synthetically unified through the faculty of judgment. (shrink)

The article deals with Kant’s doctrine of genius, presented in the Critique of the Power of Judgment, in connection with the latest discussion of which author of that time could have a decisive influence on Kant’s conception. In the first section, I reconstruct the line of Kant’s argument in CPJ §§ 46-50 where he explicates the nature of genius and show that its characteristics such as contrast to rules, the complementarity of taste, spirit as a principle of aesthetic ideas, the (...) proportion between the power of imagination and understanding become constitutive for his theory. In the second section, I refer to opinio communis in the research literature that Kant formed his theory of genius under the influence of the Scottish philosopher Alexander Gerard’s Essay on Genius. This opinion is shared by the vast majority of contemporary researchers. Still, its origins go back to the monograph of O. Schlapp. At the same time, other researchers claim that C. F. Gellert, or merely German philosophy of the XVIII century, had a significant influence on Kant’s theory. In the third section, on the example of Kant’s four propositions about genius head, the productive power of imagination, the proportion of understanding and the power of imagination, the difference of genius and scientific talent), I claim that similar views were common among various German and foreign authors of that time. Based on this, I argue that Kant’s conception of genius as a complex theory cannot be reduced to the influence of one author or one tradition. Hence its correct reconstruction should consider the rich and diverse material from different sources from aesthetics, poetics, rhetoric, art, and literature up to metaphysics. (shrink)

The mind-body problem in philosophy is typically understood as a discourse concerning the relation of mental states to physical states, and the experience of sensation. On this level it seems to transcend issues of race and racism, but Another Mind-Body Problem demonstrates that racial distinctions have been an integral part of the discourse since the Modern period in philosophy. Reading figures such as Descartes, Leibniz, and Kant in their historical contexts, John Harfouch uncovers discussions of mind and body that engaged (...) closely with philosophical and scientific notions of race in metaphysics and the philosophy of mind, in particular in understanding how the mind unites with the body at birth and is then passed on through sexual reproduction. Kant argued that a person’s exterior body and interior psyche are bound together, that non-White people lacked reason, and that this lack of reason was carried on through reproduction such that non-Whites were an example of a union of mind and body without full being. Charting the development of this phenomenon from sixteenth-century medical literature to modern-day race discourse, Harfouch argues for new understandings of Descartes’s mind-body problem, Fanon’s experience of being ‘not-yet human,’ and the place of racism in relation to one of philosophy’s most enduring and canonical problems. -/- “Harfouch has written an important book on the intersection of race and the Western construction of the mind-body problem … This book is a significant resource for theorists dealing with race and decolonization issues, but it is more significant for the critique of philosophy itself and the continued teaching of mind-body issues. Readers will need some knowledge of philosophy, but the volume is in general accessible. It should be required reading for scholars of philosophy. Harfouch establishes a logically strong argument and makes a unique contribution to the field.” — CHOICE. (shrink)

In §76 of the 3rd Critique, Kant claims that an intuitive understanding would represent no distinction between possible and actual things. Prior interpretations of §76 take Kant to claim that an intuitive understanding would produce things merely in virtue of thinking about them and, thus, could not think of merely possible things. In contrast, I argue that §76’s modal claims hinge on Kant’s suggestion that God represents things in their thoroughgoing determination, including in their connection to God’s actual will. I (...) conclude by using my interpretation to argue that §76’s modal claims do not entail Spinozism. (shrink)

In this paper, I argue that although Kant’s account of empirical schemata in the Critique of Pure Reason is primarily used to explain the shared content of intuitions and empirical concepts, it is also informed by methodological problems in natural history. I argue that empirical schemata, which are rules for determining the spatiotemporal form of objects, not only serve to connect individual intuitions with concepts, but also concern the very features of objects on the basis of which they were connected (...) and ordered in taxonomic systems based on similarity of form. I then suggest that Kant likely had scientific illustrations in mind in his discussion of empirical images in the Schematism chapter and that his account of schemata can help explain the epistemic function of these images in early modern science. (shrink)

This essay is a response to John Milbank’s comparison of Kant and Aquinas’ theories of analogy in ‘A Critique of the Theology of Right’. A critique of Milbank’s essay forms the point of departure for my reconstruction of Kant’s actual theory of analogy. I show that the usual focus on the Prolegomena for this end is insufficient; in fact, the full extent of Kant’s theory of analogy only becomes clear in the Critique of Judgment. I also consider the significance of (...) the Analogies of Experience in the Critique of Pure Reason. In conclusion, I draw on the work of Michel Guérin to designate Kantian analogy, ‘post-established harmony’. (shrink)

In 1764, Kant published his Observations on the Feeling of the Beautiful and the Sublime and in 1790 his influential third Critique, the Critique of the Power of Judgment. The latter contains two parts, the ‘Critique of the Aesthetic Power of Judgment’ and the ‘Critique of the Teleological Power of Judgment’. They reveal a new principle, namely the a priori principle of purposiveness (Zweckmäßigkeit) of our power of judgment, and thereby offer new a priori grounds for beauty and biology within (...) the framework of Kant's transcendental philosophy. They also unite the previous two Critiques, the Critique of Pure Reason and the Critique of Practical Reason. Besides contributing to general and systematic aspects within his transcendental philosophy, Kant's aesthetics also offers new insights into old problems. It deals with feeling versus experience, subjectivity versus objectivity, disinterested pleasure, aesthetic universality, free and adherent beauty, the sensus communis, genius, aesthetic ideas, beauty as the symbol of morality, beauty of nature versus beauty of art, the sublime, and the supersensible. In this article I will limit myself to this critical aesthetics of Kant. But I will also discuss the ugly and the possibility of beauty in mathematics and see whether Kant's theory can successfully explain or deal with them. I will also compare his theory with philosophical ideas from a very different tradition, namely from Confucius, not only as a challenge to Kant's theory, but also because there is a growing interest from the Chinese side in combining ideas from Confucius and Kant, an interest that might well become influential in both East and West during the 21st century. (shrink)

Abstract Kant claims that the basis of a judgment of taste is a merely subjective representation and that the only merely subjective representations are feelings of pleasure or displeasure. Commentators disagree over how to interpret this claim. Some take it to mean that judgments about the beauty of an object depend only on the state of the judging subject. Others argue instead that, for Kant, the pleasure we take in a beautiful object is best understood as a response to its (...) qualities, and that, accordingly, feelings of pleasure or displeasure are no different from other representations, such as colors or smells. While I agree that the judgment of taste is best understood as asserting a claim about an object's qualities, I argue that the distinction Kant makes between feelings of pleasure or displeasure and other representations should not be ignored. I show that one's liking or disliking for an object is merely subjective in the sense that its significance depends on what one has made of oneself through one's aesthetic education. The judgment of taste, then, is merely subjective because one must first become the kind of person whose feelings have the right significance at the right time before one can determine whether an object's qualities make it beautiful. (shrink)

In this essay, I discuss Kant’s views on the “American race.” Robert Bernasconi has pointed out that more research on the sources of Kant’s ideas on non-white races is needed in order to have a better understanding of his racism. This essay responds to that call in order to show how Kant contributed to on-going discussions on the causes and meaning of human differences. However, I will also focus on his influence on his contemporaries. The reason for doing so is (...) two-fold. Firstly, I will question Irene Tucker’s recent attempt to show that skin color was considered a racial sign because of its supposed self-evidence and immediate legibility. By way of a presentation of Kant’s views on the “American race,” I will show that race mixing formed the core of Kant’s racial theory and not the alleged immediacy of racial sight. Secondly, I will focus on his influence in order to question the popular idea that Kant had in his late work developed second thoughts on his racial hierarchy. His appraisal of the work of one of his contemporaries clearly shows that the matter is far more complicated than suggested in these interpretations of Kant’s racial work. (shrink)

Although much attention has already been paid to Kant’s ideas on race, more research is needed to determine the sources that he used to support his portrayal of non-white races. A comprehension of the intellectual context gives us the opportunity to see the way in which Kant wished to contribute to discussions on inheritable human characteristics and the inferiority of certain races. This article will emphasize the relevance of the views of Joseph Priestley and Alexander Wilson for Kant’s hypothesis on (...) the relation between phlogiston and the black race. This allows us to comprehend the methodology that Kant prescribed for natural history and its consequences for his understanding of the inferiority of the black race. (shrink)

This article shows that Johann Gottlieb Steeb supported different aspects of Kant's theory of race. Despite the growing research on Kant's racial and biological theory, one finds no mention of Steeb in these interpretations. However, his work is relevant because of his attempt in 1785 to synthesize Kant's preformationist terminology with Blumenbach's epigenetic theory. This article aims at understanding this synthesis. Recent interpreters of Kant presuppose that preformationism excluded epigenesis. But already in 1785 Steeb saw the possibility of integrating Kant's (...) germs into a discourse that was to a large extent dominated by Blumenbach. Steeb's synthesis primarily implied that the concepts of germs and race could be amended to Blumenbach's understanding of human diversity. (shrink)

Whereas in Idea for a Universal History Kant without much hesitation resorts to biological concepts to understand history, this fundamentally changes in Critique of the Power of Judgment. In this work, history and biology are separated; they are understood as two different forms of teleological judgments. The teleological concepts that make history intelligible are divorced from their biological origins and introduced in an explicitly non-biological way of thinking. I argue that because of this shift, after the Critique of the Power (...) of Judgment Kant’s theory of history cannot any longer function as an independent confirmation of the possibility of human morality. Während es Kant in seiner Schrift Idee zu einer allgemeinen Geschichte in weltbürgerlicher Absicht für unproblematisch erachtet, biologische Konzepte auf die Geschichte anzuwenden, steht er diesem Unterfangen in der Kritik der Urteilskraft kritisch gegenüber. In seiner dritten Kritik trennt Kant Geschichte und Biologie: In ihnen treten jetzt unterschiedliche Formen teleologischer Urteile auf. Die teleologischen Konzepte, welche die Geschichte verständlich machen, werden von ihrer biologischen Herkunft getrennt und in einer explizit nicht-biologischen Weise eingeführt. Wie ich argumentiere, kann Kants Theorie der Geschichte aufgrund dieser Verschiebung nicht länger als unabhängige Bestätigung der Möglichkeit menschlicher Sittlichkeit herangezogen werden. (shrink)

Upon first encountering Immanuel Kant’s 1766 essay Dreams of a Spirit-Seer Elucidated by Dreams of Metaphysics, one is immediately struck by its literary style. Indeed, Dreams constitutes a unique moment in Kant’s literary development—never before had he thrown himself with such fervor into the attempt to express his thoughts in a provocative manner, and never again would he indulge his poetic tendencies with such reckless abandon. Unsurprisingly, then, Kant’s poetic rhetoric in Dreams has long puzzled readers. Immediately following the essay’s (...) publication, Moses Mendelssohn voiced his perplexity about Kant’s mode of writing in it. In the early twentieth century, Ernst Cassirer noted this essay’s unorthodox... (shrink)

Many historical studies tend to underline two central Kantian themes frequently emerging in Georges Canguilhem’s works: (1) a conception of activity, primarily stemming from the Critique of Pure Reason, as a mental and abstract synthesis of judgment; and (2) a notion of organism, inspired by the Critique of Judgment, as an integral totality of parts. Canguilhem was particularly faithful to the first theme from the 1920s to the first half of the 1930s, whereas the second theme became important in the (...) early 1940s. With this article, I will attempt to show that a third important theme of technique arose in the second half of the 30s also in the wake of Kant’s philosophy, especially Sect. 43 of the Critique of Judgment. This section, which states that technical ability is distinguished from a theoretical faculty, led Canguilhem to a more concrete and practical conception of activity. I will then suggest that it was by considering technique that the concept of normativity, which characterizes Georges Canguilhem’s philosophy of life, also took shape. (shrink)

This essay explores the phenomenon of common sense through a contextual analysis of Hannah Arendt’s political application of Kant’s Critique of Judgment. I begin by tracing the development of Arendt’s thinking on judgment and common sense during the 1950s which led her to turn to the third Critique. I then consider the justification of her move by examining the philosophical context and political applications of the third Critique, arguing that within it Kant made an original and profound discovery: that the (...) phenomenon of common sense contains a hidden faculty that may anchor moral and political judgments. I conclude by arguing that Arendt was on firmer ground than is often thought in adapting Kantian common sense to politics, a fact that may afford new possibilities for the practice of moral and political thought. (shrink)

This article presents a new argument concerning the relation between Kant’s theory of race and aspects of the critical philosophy. It argues that Kant’s treatment of the problem of the systematic unity of nature and knowledge in the Critique of Pure Reason and the Critique of the Power of Judgment can be traced back a methodological problem in the natural history of the period – that of the possibility of a natural system of nature. Kant’s transformation of the methodological problem (...) from natural history into a set of philosophical problems proceeds by way of the working out of his own problem in natural history – the problem of the natural history of the human races – and specifically the problem of the unity in diversity of the human species, in response to which he develops a theory of race. This theory of race is, further, the first developed model of the use of teleological judgment in Kant’s work. The article thus argues that Kant’s philosophical position on the sy... (shrink)

In this paper I argue for a strong continuity between the transcendental deduction of the principle of purposiveness of nature and the transcendental deduction of the ideas from the first critique. On these grounds, I provide an interpretation of the transcendental deduction of the principle of purposiveness of nature in which I argue that: 1) the necessity of the principle of purposiveness of nature does not derive from its role in solving some specific philosophical problem but from its relation to (...) a cognitive goal; 2) the representation of nature as conforming to the maxims of judgement is a direct, immediate consequence of a certain cognitive goal that the necessity of the empirical laws mentioned by Kant in the transcendental deduction of the principle of purposiveness of nature is not so much their nomic necessity, but their necessity as consequences of higher laws. (shrink)

In the third Critique Kant shifts the focus in his enquiry from the status of factual statements in the Critique of Pure Reason and the grounding of moral imperatives in the Critique of Practical Reason to investigating two methods of considering the world which go beyond the strictly verifiable. This is a move from evaluating the interplay of a ‘determinate’ set of facts and intellectual preconditions to forming what Kant calls ‘reflective’ judgements on these facts. There are two major questions (...) which the Critique of Judgement tackles. On the one hand Kant ambitiously considers how we might properly interpret a set of facts as comprising a larger teleological system and, on the other hand, he is interested in the seemingly quite separate issue of the appreciation of objects as beautiful. It is this latter issue which shall concern us here. Consistent with the reflective stand in the third Critique, Kant argues from the very outset that beauty is not an empirical concept with which we might describe the world. Beauty is not objective in the sense that size, colour or weight might be. Objective properties of this kind belong to the world of scientific understanding. Instead, he holds that judgements of aesthetic merit should be based upon the subjective pleasure we take in experiencing works of art and natural objects. (shrink)

This paper examines the issue of the unity of the critical philosophy in Kant’s Critique of Judgment through a careful consideration of the actual bridge that joins nature and freedom. Kant argues that this bridge is made under the demand for the furtherance of life, and is accordingly to be equated with the demand of freedom. This article specifically focuses on this demand that is, in effect, carried out by the principle of purposiveness. It is argued that this demand is (...) somewhat artificial since it does not fully take into account the real struggle between nature and freedom. (shrink)

In this essay, I argue that a genius's creation consists of a special unity of free human activity and nature, whereby ‘nature’ signifies not just another aspect of, but rather something that transcends, creative subjectivity. This interpretation of a genius's creative process throws a new light on a special normative status of a genius's rule, i.e. its originality and exemplarity. With respect to the former, I demonstrate that because the organizing principle of the works of genius remains inscrutable to our (...) limited human understanding, a work of genius appears to the observer's limited cognitive capacities as undetermined and, hence, as contingent and original. With respect to the latter, I show how a genius must evolve within the context of her own tradition and how this ‘humbleness’ of a genius still allows for a multiplicity of co-existent schools or genres with their own distinct standards of excellence. -/- http://journals.cambridge.org/abstract_S1369415411000343. (shrink)

El objetivo principal de este artículo es sostener que el sentimiento de lo sublime - tal como es planteado por Kant en la Crítica de la facultad de juzgar- supone el vínculo de la mente con el cuerpo propio. De otro modo, no podríamos explicar la variación de las fuerzas vitales que caracteriza al sentimiento de lo sublime. Ahora bien, la conciencia de la propia corporalidad constituye una condición necesaria - aunque no suficiente- del sentimiento de lo sublime. Consideramos que (...) además de la conciencia de las propias fuerzas vitales, el sentimiento de lo sublime supone la referencia a un principio espiritual. Por estos motivos, creemos que el sentimiento de lo sublime implica una superposición del sentimiento de vida y el sentimiento del espíritu. Con el fin de iluminar algunos aspectos problemáticos presentes en la Crítica de la facultad de juzgar, analizaremos algunos pasajes pertenecientes a la Antropología en sentido pragmático. The principal aim of this article is to support that the feeling of the sublime -as it is considered by Kant in the Critique of the power of Judgment- supposes the link of the mind with the own body. Otherwise, we might not explain the variation of the vital forces that characterizes the feeling of the sublime. However, the conscience of the own corporeality constitutes a necessary condition -though not sufficient- of the feeling of the sublime. We think that besides the conscience of the own vital forces, the feeling of the sublime supposes the reference to a spiritual principle. For these reasons, we think that the feeling of the sublime implies an overlapping of the feeling of life and the feeling of the spirit. In order to illuminate some problematic aspects in the Critique of the Power of Judgment, we will analyze some passages belonging to the Anthropology from a Pragmatic Point of View. (shrink)

This paper defends Hegel’s positive contribution in the Subjective Logic and argues that it can be understood as presenting a compelling account of the space of reasons as a form of second nature. Taking Hegel’s praise of Kant’s conception of internal purposiveness and its connection to what he calls the Idea as a point of departure, I argue that Hegel’s theory of the Idea that concludes theLogicmust be understood in direct reference to Kant’s argument in the thirdCritiquethat purposiveness defines the (...) space of judgement’s power. I take up two arguments that help to understand Hegel’s appropriation and transformation of Kant’s purposiveness thesis: first, Hegel’s contention that internal purposiveness must have primacy over external purposiveness when considered in relation to judgement; and second, Hegel’s presentation of a logical concept of life as the immediate form of the Idea. (shrink)

(1999). Sublime Waste: Kant on the Destiny of the ‘Races’. Canadian Journal of Philosophy: Vol. 29, Supplementary Volume 25: Civilization and Oppression, pp. 99-125.

Este artículo propone una lectura de la Crítica del Juicio a partir de los conceptos psicoanalíticos de idealización y de sublimación. La idealización se refleja en la noción kantiana de un fin final, el sumo bien, como el ideal que permite pensar la realización del mundo moral en el mundo de la naturaleza; por su parte, el proceso de sublimación aparece como el “reverso” del enjuiciamiento sobre el gusto. Esa correspondencia entre la sublimación y el enjuiciamiento permite describir una función (...) normativa de la sublimación análoga en el arte y en la moral. La perspectiva psicoanalítica de la sublimación explica así la lectura ético-política de la obra que ha venido haciendo la ética contemporánea, a partir del enjuiciamiento estético. (shrink)

Kant’s late essay ‘The End of All Things’ (1794) establishes a distinctly modern field of inquiry that has fittingly been called ‘philosophical eschatology’ by asking, ‘why do human beings expect an end of the world at all?’ (AA 8:330) Interpretation of the essay’s purpose and argument have usually taken one of two routes: Kant is either understood as writing an esoteric political critique under the guise of the philosophy of religion, or as being focused largely on problems related to the (...) immortality of the soul as a postulate of pure practical reason. In contrast, I argue that the essay presents the end of all things as a cosmological idea of reason. In this essay I trace Kant’s idea of an end as its preconditions are established through the three Critiques, and finally made explicit in his late work. (shrink)

In this paper, I attempt to reconstruct Schelling’s theory of organism, primarily as it is elaborated in the First Outline of a System of the Philosophy of Nature and the Introduction to the Outline. First, I discuss the challenge that the properties of organisms presented to the dominant scientific viewpoint by the end of the eighteenth century. I present different responses to this challenge, including reductive materialism, metaphysical and heuristic vitalism, and the Kantian response, and I situate Schelling’s account of (...) organism with respect to these responses. I argue that while Schelling agrees with vitalism in that he wants to preserve the specificity of organic phenomena, he rejects principles such as vital forces or the formative drive postulated by vitalism, even for purely heuristic purposes. I argue that Schelling understands organisms fundamentally in terms of the coordinated functioning of their organs. I further clarify Schelling’s account of problematic organic phenomena by focusing on his treatment of the relation between organic activity and organic receptivity. For Schelling, organic activity and organic receptivity mutually condition each other. I provide a detailed account of how this is supposed to work. (shrink)

This paper argues that Kant presents two different accounts of beauty, one that applies properly to art and one that applies properly to nature. The judgment of beauty that applies properly to nature can be free and thus judged without concepts. The work of art, however, is judged beautiful when it expresses aesthetic ideas. This distinction then enables me to explain several problematic passages in Kant's text: those that serve to distinguish these two conceptions of beauty from one another as (...) well as those passages in which Kant views them as overlapping. With respect to the latter, I argue that Kant lays especial significance on cases where we apply the conception of artistic beauty to natural objects, as in doing so we view nature as expressing ideas that step beyond nature. (shrink)

I defend an interpretation of the first Critique’s category of totality based on Kant’s analysis of totality in the third Critique’s Analytic of the mathematical sublime. I show, firstly, that in the latter Kant delineates the category of totality — however general it may be — in relation to the essentially singular standpoint of the subject. Despite the fact that sublime and categorial totality have a significantly different scope and function, they do share such a singular baseline. Secondly, I argue (...) that Kant’s note (in the first Critique’s metaphysical deduction) that deriving the category of totality requires a special act of the understanding can be seen as a ‘mark’ of that singular baseline. This way, my aesthetical ‘detour’ has the potential of revealing how the subjective aspects of object-constitution might be accounted for in the very system of the categories (of quantity) itself. (shrink)

The present work proposes to examine the problem of the empirical thing in itself and the objective sensation as an access route to the concrete content of empirical reality in Kant’s transcendental philosophy. The main notion of ‘empirical thing in itself’, offered by Gerold Prauss’ interpretation, provides a key to understand and solve central problems of transcendental philosophy. Nevertheless Prauss’s position still exhibits certain imperfections that might lead any lecture of Kant towards a phenomenalist understanding. In order to avoid this (...) misleading, it will be intended to complement Prauss’s interpretation, analyzing the objectivity of sensation, trying within to restore the objectivity of appearance. Finally, it will be possible to make an evaluation about advantages and limits of Prauss’s hermeneutical reconstruction of this problematic. (shrink)

Reconstructions of Romantic-era life science in general, and epigenesis in particular, frequently take the Kantian logic of autotelic “self-organization” as their primary reference point. I argue in this essay that the Kantian conceptual rubric hinders our historical and theoretical understanding of epigenesis, Romantic and otherwise. Neither a neutral gloss on epigenesis, nor separable from the epistemological deflation of biological knowledge that has received intensive scrutiny in the history and philosophy of science, Kant’s heuristics of autonomous “self-organization” in the third Critique (...) amount to the strategic capture of epigenesis from nature, for thought, in thought’s critical transcendence of nature. This essay looks to Jean-Baptiste Lamarck and his English contemporary Erasmus Darwin to begin to reconstruct the rigorously materialist, naturalist, and empiricist theories of epigenesis marginalized by Kantian argumentation. As theorists of environmental and social collaboration in the ontogeny of viable forms, Lamarck and Darwin illuminate features of our own epigenetic turn obscured by the rhetoric of “self-organization,” allowing us to glimpse an alternative Romantic genealogy of the biological present. (shrink)

Reconstructions of Romantic-era life science in general, and epigenesis in particular, frequently take the Kantian logic of autotelic “self-organization” as their primary reference point. I argue in this essay that the Kantian conceptual rubric hinders our historical and theoretical understanding of epigenesis, Romantic and otherwise. Neither a neutral gloss on epigenesis, nor separable from the epistemological deflation of biological knowledge that has received intensive scrutiny in the history and philosophy of science, Kant’s heuristics of autonomous “self-organization” in the third Critique (...) amount to the strategic capture of epigenesis from nature, for thought, in thought’s critical transcendence of nature. This essay looks to Jean-Baptiste Lamarck and his English contemporary Erasmus Darwin to begin to reconstruct the rigorously materialist, naturalist, and empiricist theories of epigenesis (still) marginalized by Kantian argumentation. As theorists of environmental and social collaboration in the ontogeny of viable forms, Lamarck and Darwin illuminate features of our own epigenetic turn obscured by the rhetoric of “self-organization,” allowing us to glimpse an alternative Romantic genealogy of the biological present. (shrink)

This article explores the surprisingly decisive role that Kant’s “incongruity theory” of laughter plays in his aesthetic and broader critical philosophy. First, laughter constitutes a highly specific form of aesthetic judgment in Kant. Laughter involves a discordant relation between the cognitive faculties characteristic of the sublime, but this relation obtains between the understanding and the imagination, the two faculties at play in judgments of taste on the beautiful. Second, laughter is the transcendental condition of possibility for both the beautiful and (...) the sublime. While most commentators dismiss laughter as an afterthought of Kant’s aesthetics, laughter in fact constitutes the most basic aesthetic judgment in Kant. Third, an account of aesthetic judgment that begins with laughter transforms how we understand Kant’s argument that judgment unites nature and freedom. Namely, it reveals how an empirical world at odds with the subject’s purposes can nevertheless advance the subject’s rational vocation to think and act beyond the empirical. I conclude by arguing that Kantian critical philosophy is itself a philosophy of laughter. (shrink)

The following article aims to consider the problem of the empirical consummation of the teleological programme of practical reason in Kant. In other words, it highlights the question about the possibility of achieving the final end in the world. Nature is the domain of mechanical causality, but also of free causality and the highest good. Specifically, I will focus on the field of Kantian philosophy of history, examining it with regard to the possibility of biological evolution and the possibility of (...) moral evolution of humankind. (shrink)

El presente trabajo analiza algunas de las estrategias por medio de las cuales la reflexión estética de finales del siglo XVIII intentó dar respuesta al problema de la legitimación de la representación artística. Entre ellas es considerada con particular atención la redefinición del concepto de belleza que propone Immanuel Kant en la Crítica de la facultad de juzgar. A partir de la revisión de la postura kantiana, se pone en evidencia la conexión existente entre la crisis de fundamentación de la (...) belleza artística y la debacle de la historia natural clásica, por una parte. Por la otra, se procura dar cuenta de la modificación del estatuto y de las funciones de la esfera estética que introduce el vuelco kantiano hacia el ámbito de la subjetividad. (shrink)

What is the highest good actually good for in Kant’s third Critique? While there are well-worked out answers to this question in the literature that focus on the highest good’s practical importance, this paper argues that there is an important function for the highest good that has to do exclusively with contemplation. This important function becomes clear once one notices that coherent [konsequent] thinking, for Kant, was synonymous with "bündiges" thinking, and that both are connected with the highest good in (...) the third Critique’s moral proof for God’s existence. I show that the original meaning of "bündig," which is from the carpentry trade and has been forgotten, illuminates the stakes of the highest good in Kant’s system. For us, as proverbial carpenters of reason, coherence is essential for the intellectual activity of constructing a philosophical worldview in his transcendental idealism. I motivate the reading further by showing how this function can neatly reconstruct Kant’s proof for God’s existence in the third Critique. I conclude by sketching Kant’s reasons for why the project of creating a coherent worldview grounded in the highest good is worth the labor costs. (shrink)

A growing number of commentators have, in recent years, noted the important affinities in the views of Immanuel Kant and Niels Bohr. While these commentators are correct, the picture they present of the connections between Bohr and Kant is painted in broad strokes; it is open to the criticism that these affinities are merely superficial. In this essay, I provide a closer, structural, analysis of both Bohr's and Kant's views that makes these connections more explicit. In particular, I demonstrate the (...) similarities between Bohr's argument, on the one hand, that neither the wave nor the particle description of atomic phenomena pick out an object in the ordinary sense of the word, and Kant's requirement, on the other hand, that both ‘mathematical’ (having to do with magnitude) and ‘dynamical’ (having to do with an object's interaction with other objects) principles must be applicable to appearances in order for us to determine them as objects of experience. I argue that Bohr's ‘complementarity interpretation’ of quantum mechanics, which views atomic objects as idealizations, and which licenses the repeal of the principle of causality for the domain of atomic physics, is perfectly compatible with, and indeed follows naturally from a broadly Kantian epistemological framework. (shrink)

While Kant introduces his critical philosophy in continuity with the experimental tradition begun by Francis Bacon, it is widely accepted that his Copernican revolution places experimental physics outside the bounds of science. Yet scholars have recently contested this view. They argue that in Critique of the Power of Judgment Kant’s engagement with the growing influence of vitalism in the 1780s leads to an account of nature’s formative power that returns experimental physics within scientific parameters. Several critics are sceptical of this (...) revised reading. They argue that Kant’s third Critique serves precisely to deflate the epistemological status of experimental physics, thereby protecting science from the threat of vitalism. In this paper I examine Kant’s account of science in the context of the experimental tradition of philosophy, particularly in relation to the generation dilemma of the eighteenth century. I argue that Kant does not deflate the epistemological status of experimental physics but rather introduces systematicity to the experimental tradition. By identifying the reflective use of reason to organize laws of experience into a systematic whole, Kant aims to ground experimental inquiry on the secure course of a science, opening a conception of science as a research programme. (shrink)