It is the purpose of this article to explicate the logical implications of a television analogy for perception, first suggested by John R. Smythies (1956). It aims to show not only that one cannot escape the postulation of qualia that have an evolutionary purpose not accounted for within a strong functionalist theory, but also that it undermines other anti-representationalist arguments as well as some representationalist ones.

This discussion takes up an attack by Jerrold Aronson (seconded by Rom Harre) on the use made by Norwood R. Hanson of the Gestalt-Switch Analogy in the philosophy of science. Aronson's understanding of what is implied in a gestalt switch is shown to be flawed. In his endeavor to detach conceptual understanding from perceptual identification he cites several examples, without realizing the degree to which such gestalt switches can affect conceptualizing or how conceptualizing can affect gestalts. In particular, he has (...) not confronted the possibility of such gestalt selection being involved in the basic identification of what we term "entities". (shrink)

Current orthodoxy in the philosophy of perception views indirect realism as misguided, wrongheaded or simply outdated. The reasons for its pariah status are variegated. Although it is surely not unreasonable to speculate that philosophical fashion is one factor that contributes to this situation, there are also solid philosophical arguments which put pressure on the indirect realist position. In this paper, I will discuss one such main objection and show how the indirect realist can face it. The upshot will be a (...) defence of a new structural account of indirect realism which is immune to a number of objections that have been traditionally levelled at such theories of perceptual consciousness. (shrink)

In standard theories of knowledge, issues like jokes, humour and laughter are not dealt with for the simple reason that these categories do not inhabit the world of true knowledge, and are hence not worthy of serious attention or study because these issues do not by their nature contribute to further generation of true knowledge. Taking a cue from Sigmund Freud, this article seeks to work on the possibilities of jokes, humour and even laughter, and their relation to the language (...) of the statement of truth. It may be seen that in spite of the superior claims of the so-called language of the statement of truth, and its not so veiled indignation at humour and jokes, one category is in dialogue with another in contexts and perhaps with itself. (shrink)