This article aims to shed light on both the foundations and the consistency of the position regarding akrasia Xenophon attributes to Socrates in theMemorabilia.As does Plato's Socrates, Xenophon's Socrates maintains thatakrasiais impossible in the presence of knowledge. On the other hand, he differs from the platonic Socrates by granting toenkrateia,instead of knowledge, the role of foundation for virtue. If enkrateia is the very condition for acquiring knowledge and virtue, consequently the responsibility for counteringakrasiafalls toenkrateia.

Relatively little attention has been paid to Socrates' argument against akrasia in Plato's "Protagoras" as an example of Socratic method. Yet seen from this perspective the argument has some rather unusual features: in particular, the presence of an impersonal interlocutor ("the many") and the absence of the crisp and explicit argumentation that is typical of Socratic elenchus. I want to suggest that these features are problematic, considerably more so than has sometimes been supposed, and to offer a reading of the (...) argument that accounts for them. My reading revolves around the connections between Socratic method, consistency and akrasia. I argue that Socrates' discussion of akrasia aims at exposing the interlocutor's inconsistency, and to this extent is typical of Socratic inquiry; but it is also untypical, insofar as Socrates' chief concern here is with the inconsistency between an interlocutor's statements and his actions (what I call "word-deed inconsistency") rather than, as more usually, inconsistency among an interlocutor's various statements ("word-word inconsistency"). I use this reading to show how the akrasia argument, despite its untypical features, is not just a variant, but in an important way a paradigm, of Socratic method. (shrink)

En el presente trabajo intentaremos poner en evidencia un singular enfoque sobre la pólis ateniense ofrecido por Protágoras en el diálogo platónico que lleva su nombre. Dicho enfoque, soslayado por los intérpretes, hace hincapié en la dimensión visual de la praxis política de los ciudadanos y es coherente con los posicionamientos ontológicos que emergen de los fragmentos del sofista.

For several decades, scholars of Plato's dialogues have focussed their efforts on understanding Socrates’ philosophy by unravelling the arguments used to establish it. On this view, Socrates’ philosophy is presented in his arguments, and, as Gregory Vlastos says, ‘Almost everything Socrates says is wiry argument; that is the beauty of his talk for a philosopher.’ In this paper I raise questions about what can be learned about Socrates’ philosophy through analysis of his arguments. One critic of what he views as (...) traditional interpretations of Plato—‘the sole frame of reference used by most interpreters of Plato from antiquity to the present’—describes this approach as follows: reading the dialogues to discover Platonic or Socratic doctrines, andthe logic of the arguments on which these doctrines are based.While I subscribe to the first point, I have questions about, the ready contention that Plato's dogmas are based on the arguments through which they are defended in dialogues. (shrink)

Despite the fact that the theory of Forms is regarded as the hallmark of Plato’s philosophy, it has remained remarkably elusive, because it is more hinted at than explained in his dialogues. Given the uncertainty concerning the nature and extension of the Forms, this article makes no pretense to coming up with solutions to all problems that have occupied scholars since antiquity. It aims to elucidate only two aspects of that theory: the indication in certain dialogues that the Forms are (...) what in modern parlance are called functions or purposes, and the indication in other dialogues that such functions rely on harmonious structures. (shrink)

I advocate an ad hominem reading of the hedonism that appears in the final argument of the Protagoras. I that attribute hedonism both to the Many and to Protagoras, but my focus is on the latter. I argue that the Protagoras in various ways reflects Plato’s view that the sophist is an inevitable advocate for, and himself implicitly inclined toward, hedonism, and I show that the text aims through that characterization to undermine Protagoras’ status as an educator. One of my (...) objectives in the course of my arguments is to explore connections between the final argument of the Protagoras and the Man-Measure Doctrine as it is developed in the Theaetetus. (shrink)

This dissertation is a study of the relation between Aristotle’s ethics and the crafts (or technai). My thesis is that Aristotle’s argument is at key points shaped by models proper to the crafts, this shaping being deeper than is generally acknowledged, and philosophically more problematic. Despite this, I conclude that the arguments I examine can, if revised, be upheld. The plan of the dissertation is as follows – Preface: The relation of my study to the extant secondary literature; Introduction: The (...) pre-Platonic concept of technē, as evidenced in Greek philosophical and literary sources, in particular the early Hippocratic corpus; Chapter one: The Platonic concept of technē, followed by an investigation of whether Plato affirms a virtue-technē in the Protagoras and Republic; Chapter two: Aristotle’s concept of technē, followed by scrutiny of his arguments in NE VI.5 against a virtue-technē, and of his analyses of slavery and deliberation; Chapter three: An exposition of Aristotle’s function argument, followed by a dominantist interpretation of it, and an explanation of dominantism as in part a technē-influenced doctrine; Chapter four: An examination of Aristotle’s ethical mean and its problems, with a diagnosis of these in terms of influence by the Philebus, and by paradigms derived from the crafts; Chapter five: Argument that Aristotle’s theory of habituation suffers from two significant opacities, these being a function of influence both by the Republic, and by models of craft-learning; Conclusion: Response to key objection; Aristotle’s ethics revised, defended. (shrink)