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  1. Filosofie en de kering naar kunst.Tine Wilde - 2023 - Algemeen Nederlands Tijdschrift voor Wijsbegeerte 115 (3):247-251.
    How do the pictures Wittgenstein and his relatives took during his life relate to his philosophical work? The exhibition at the Leopold Museum in Vienna in 2021 demonstrated a complex network of resemblances, overlaps, and cross-references between Wittgenstein’s way of working and the pictures he collected. In this essay, the network is used as an example to argue that a combination of philosophy and artistic sensibility might be a fruitful enrichment for a philosophical practise.
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  • Evaluating palliative care: Facilitating reflexive dialgoues about an ambiguous concept. [REVIEW]Tineke A. Abma - 2001 - Medicine, Health Care and Philosophy 4 (3):261-276.
    Palliation is a relatively new concept that is used in connection with the integral care provided to those who are unable to recover from their illness. The specific meaning of the concept has not been clearly defined. This article explores the possibilities offered by a responsive approach to evaluation that can facilitate a reflexive dialogue on this ambiguous concept. In doing so it draws on a case study of a palliative care project in a Dutch health care authority. The article (...)
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  • The most valuable discussion about the nature of language that never took place from Wittgenstein to Baldwin via Calvino.Warmhold Jan Thomas Mollema - 2023 - European Journal of Language and Literature 9 (2):192–212.
    James Baldwin and Ludwig Wittgenstein were both concerned with what language use is capable of and what the duty of the thinker should be. This essay examines, via Italo Calvino’s ideas on the relationship between writing and world, what the contrast Wittgenstein/Baldwin tells us about the ethics of meaning. Wittgenstein’s ‘leaves everything as it is’ conception of thought is contrasted with Baldwin’s thoughts on racism, language and the duty of the writer. It is concluded that Baldwin drives Wittgenstein’s philosophical position (...)
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