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Stesichorus

Classical Quarterly 21 (02):302- (1971)

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  1. Mousikoi Agones and the Conceptualization of Genre in Ancient Greece.Andrea Rotstein - 2012 - Classical Antiquity 31 (1):92-127.
    This article inquires into the shaping force that competition at musical contests exercised on ancient perceptions of literary genres, particularly for the non-choral and non-dramatic kinds of the Classical Period. Three musical contests of the fourth century BCE, the Panathenaia, the Amphiaraia, and the Artemisia, are taken as case studies. After a reconstruction of their programs, principles of categorization that spectators might have inferred from the contests are deduced, and modes in which categories of competition and literary genres interacted are (...)
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  • Epinician Variations: Music and Text in Pindar, Pythians 2 and 12.Tom Phillips - 2013 - Classical Quarterly 63 (1):37-56.
    The importance of music for epinician, as for all other types of choral performance in Archaic and Classical Greece, has long been recognized, but the exiguousness of the evidence for the compositional principles behind such music, and for what these poems actually sounded like in performance, has limited scholarly enquiries. Examination of Pindar's texts themselves for evidence of his musical practices was for a long time dominated by extensive and often inconclusive debate about the relations between metres and modes. More (...)
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  • The politics of habrosune in archaic Greece.Leslie Kurke - 1992 - Classical Antiquity 11 (1):91-120.
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  • The Politics of ἁβϱοσύνη in Archaic Greece.Leslie Kurke - 1992 - Classical Antiquity 11 (1):91-120.
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  • The Shield of Heracles and the legend of Cycnus.R. Janko - 1986 - Classical Quarterly 36 (01):38-.
    Much has been written on the genesis of the pseudo-hesiodic Shield of Heracles — so much, that true progress is difficult to discern among the welter of theories. But some has been made, although the conclusions that have been reached must be regarded as likely hypotheses rather than proven facts. In this article I propose to proceed from some of these conclusions, ensuring that they are as firmly grounded as possible, to an assessment of how this poem's version of the (...)
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  • Mules, Mysteries, and Song in Pindar's "Olympia" 6.Richard Garner - 1992 - Classical Antiquity 11 (1):45-67.
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  • Jocasta in the West: The Lille Stesichorus.Anne Burnett - 1988 - Classical Antiquity 7 (2):107-154.
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