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  1. Everyone Can Change a Musical Work.Caterina Moruzzi - 2022 - British Journal of Aesthetics 62 (1):1-13.
    This paper explores how a new theory on the ontology of musical works, Musical Stage Theory, can address the problem of change in musical works. A natural consequence of the ontological framework of this theory is that musical works change intrinsically through a change in the sonic-structural properties of performances. From this a surprising consequence follows: everyone can change a musical work. Still, it seems that some changes matter more than others. The article offers a revisionary reply to this concern (...)
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  • Can the dead be brought into disrepute?Malin Masterton, Mats G. Hansson, Anna T. Höglund & Gert Helgesson - 2007 - Theoretical Medicine and Bioethics 28 (2):137-149.
    Queen Christina of Sweden was unconventional in her time, leading to hypotheses on her gender and possible hermaphroditic nature. If genetic analysis can substantiate the latter claim, could this bring the queen into disrepute 300 years after her death? Joan C. Callahan has argued that if a reputation changes, this constitutes a change only in the group of people changing their views and not in the person whose reputation it is. Is this so? This paper analyses what constitutes change and (...)
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  • The Criterion or Criteria of Change.Xiaoqiang Han - 2009 - Metaphysica 10 (2):149-156.
    In this paper, I offer an examination of the two existing criteria of change, one indicated, implicitly, by Aristotle and the other proposed, quite formally, by Russell. Both criteria engender problems. While the Aristotelian criterion is both too narrow and too broad, as it includes bogus changes and excludes subjectless changes, the Russellian criterion avoids the distinction between genuine changes and bogus changes completely. The aim of the paper is to address these problems and to show how these two existing (...)
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  • Act or Object.John Butterworth - 2021 - Informal Logic 42 (4):335-358.
    Many standard definitions of ‘argument’ that recognise an ambiguity between its active and objective senses seek to subsume these in various ways into a single, composite whole. This, it is argued, glosses over the distinction instead of exploiting its elucidatory potential. Whilst optimistic about the prospects of theory integration, the paper recommends a methodology of differentiation as a first necessary step towards any such goal. It starts by assuming that ‘argument’ refers —simultaneously and independently— to two different things, making space (...)
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