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  1. Moments of realization: extending Homeworld in British-African Novelist Doris Lessing’s Four-Gated City.David Seamon - 2022 - Continental Philosophy Review 55 (4):519-535.
    For Husserl, the _homeworld_ is the tacit, taken-for-granted sphere of experiences, understanding, and situations marking out a world that is comfortable, usual, and “the way things are and should be.” Always, according to Husserl, the homeworld is in some mode of lived mutuality with an _alienworld_—a world as seen as a realm of difference, atypicality, and otherness. In this article, I draw on British-African novelist Doris Lessing’s 1969 novel, _The Four-Gated City_, to consider the shifting homeworld of protagonist Martha Quest, (...)
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  • Horizons of the word: Words and tools in perception and action.Hayden Kee - 2020 - Phenomenology and the Cognitive Sciences 19 (5):905-932.
    In this paper I develop a novel account of the phenomenality of language by focusing on characteristics of perceived speech. I explore the extent to which the spoken word can be said to have a horizonal structure similar to that of spatiotemporal objects: our perception of each is informed by habitual associations and expectations formed through past experiences of the object or word and other associated objects and experiences. Specifically, the horizonal structure of speech in use can fruitfully be compared (...)
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  • Aesthetic Horizons: A Phenomenologically Motivated Critique of Zuidervaart.Eric Chelstrom - 2016 - Journal of Aesthetics and Phenomenology 3 (1):1-14.
    One of the more ambitious and yet fruitful attempts in recent years to untangle general questions about the nature of aesthetic phenomena and their socially constituted nature rests in Lambert Zuidervaart’s critical hermeneutical theory of artistic truth. In this paper, I explore one part of Zuidervaart’s project, namely his conception of “aesthetic validity as a horizon of imaginative cogency.” I seek to develop Zuidervaart’s conception by bringing his thesis into dialogue with phenomenological analyses of “horizon” and the collective intentional approach (...)
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