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  1. Oracles of Orpheus? The Orphic Gold Tablets.Crystal Addey - 2012 - International Journal of the Platonic Tradition 6 (1):115-127.
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  • The Gaze in the Mirror: Human Self and the Myth of Dionysus in Plotinus.Panayiota Vassilopoulou - 2021 - Archiv für Geschichte der Philosophie 103 (4):634-669.
    At the core of Plotinus’ exploration of human selfhood, lies a reference to the myth of Dionysus-Zagreus and his mirror, one of the toys the Titans used to seduce the young Dionysus. In interpreting the myth within this context, the mirror has been invariably regarded by scholars as a symbol for matter, an external surface on which the soul is projected and becomes embodied as a human individual by dispersing in the material depths. This paper challenges this established view and (...)
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  • Sages at the Games: Intellectual Displays and Dissemination of Wisdom in Ancient Greece.Håkan Tell - 2007 - Classical Antiquity 26 (2):249-275.
    This paper explores the role the Panhellenic centers played in facilitating the circulation of wisdom in ancient Greece. It argues that there are substantial thematic overlaps among practitioners of wisdom , who are typically understood as belonging to different categories . By focusing on the presence of σοφοί at the Panhellenic centers in general, and Delphi in particular, we can acquire a more accurate picture of the particular expertise they possessed, and of the range of meanings the Greeks attributed to (...)
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  • Περι απιστων.Reina Marisol Troca Pereira - 2016 - Journal of Ancient Philosophy 10 (2):140-302.
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  • Tearing Apart the Zagreus Myth: A Few Disparaging Remarks on Orphism and Original Sin.Radcliffe Edmonds - 1999 - Classical Antiquity 18 (1):35-73.
    In this essay, I distinguish between the ancient tales relating to the dismemberment or sparagmos of Dionysos and the modern fabrication which I call the "Zagreus myth." This myth is put together from several elements: 1) the dismemberment of Dionysos; 2) the punishment of the Titans; 3) the creation of mankind from the Titans; and 4) the inheritance humans receive from the first three parts - the burden of guilt from the Titans' crime and the divine spark from the remains (...)
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  • A Curious Concoction: Tradition and Innovation in Olympiodorus' "Orphic" Creation of Mankind.Radcliffe G. Edmonds Iii - 2009 - American Journal of Philology 130 (4):511-532.
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  • Das Wahre, das Gute, das Schöne: Beiträge zur Philosophie.Holger Leerhoff & Thomas Wachtendorf (eds.) - 2005 - Oldenburg: Bibliotheks- und Informationssystem der Universität Oldenburg.
    Dieser Band versammelt Beiträge zu den drei klassischen Disziplinen der Philosophie – dem Wahren, dem Guten, dem Schönen. Ihre Autoren zeichnet aus, dass sie aus dem akademischen Umfeld Michael Sukales zu seiner Zeit am Institut für Philosophie an der Carl-von-Ossietzky-Universität Oldenburg stammen. Ihm ist dieses Buch zum Abschied von seiner aktiven Lehrtätigkeit in Oldenburg gewidmet. Die thematische Vielfalt der enthaltenen Texte spiegelt die Bandbreite seines philosophischen Schaffens wider.
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  • ¿ Hubo ritos de paso cruentos en el orfismo?Ana Isabel Jiménez San Cristóbal - 2009 - Synthesis (la Plata) 16.
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  • Law and Drama in Ancient Greece.María del Pilar Fernández Deagustini - 2012 - Synthesis (la Plata) 19:150-156.
    Este trabajo se propone estudiar las características de los paralogismos de composición y división (Retórica II 24.II, 1401a), de la consecuencia (Retórica II 24.VI, 1401b20-30) y de la causa aparente (Retórica II 24.VII, 1401b30-34), de modo de analizar si Eurípides los utiliza en el agón de Andrómaca de los versos 577 a 746 This paper intends to study the characteristics of paralogisms due to composition and division (Rhetoric II 24.II, 1401a), due to consequent (Rhetoric II 24.VI, 1401b20-30), and due to (...)
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  • Tearing apart the Zagreus myth: A few disparaging remarks on Orphism and original sin.Radcliffe G. Edmonds Iii - 1999 - Classical Antiquity 18 (1):35.
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  • Platón y el orfismo: Diálogos entre religión y filosofía.Ivana Costa - 2012 - Synthesis (la Plata) 19:142-150.
    Este trabajo se propone estudiar las características de los paralogismos de composición y división (Retórica II 24.II, 1401a), de la consecuencia (Retórica II 24.VI, 1401b20-30) y de la causa aparente (Retórica II 24.VII, 1401b30-34), de modo de analizar si Eurípides los utiliza en el agón de Andrómaca de los versos 577 a 746 This paper intends to study the characteristics of paralogisms due to composition and division (Rhetoric II 24.II, 1401a), due to consequent (Rhetoric II 24.VI, 1401b20-30), and due to (...)
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  • Orfeo y Eleusis.Alberto Bernabé - 2008 - Synthesis (la Plata) 15:13-36.
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