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  1. Confessing Feminist Theory: What's "I" Got to Do with It?Susan David Bernstein - 1992 - Hypatia 7 (2):120 - 147.
    Confessional modes of self-representation have become crucial in feminist epistemologies that broaden and contextualize the location and production of knowledge. In some versions of confessional feminism, the insertion of "I" is reflective, the product of an uncomplicated notion of experience that shuttles into academic discourse a personal truth. In contrast to reflective intrusions of the first person, reflexive confessing is primarily a questioning mode that imposes self-vigilance on the process of self positioning.
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  • Confessing Feminist Theory: What's “I” Got to Do with It?Susan David Bernstein - 1992 - Hypatia 7 (2):120-147.
    Confessional modes of self-representation have become crucial in feminist epistemologies that broaden and contextualize the location and production of knowledge. In some versions of confessional feminism, the insertion of “I” is reflective, the product of an uncomplicated notion of experience that shuttles into academic discourse apersonal truth. In contrast to reflective intrusions of the first person, reflexive confessing is primarily a questioning mode that imposes self-vigilance on the process of self positioning.
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  • The Powers of the False: Reading, Writing, Thinking Beyond Truth and Fiction.Doro Wiese - 2014 - Northwestern University Press.
    Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...)
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