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  1. Simple lines and shapes are associated with, and communicate, distinct emotions.Alejandro Salgado-Montejo, Carlos José Salgado, Jorge Alvarado & Charles Spence - 2017 - Cognition and Emotion 31 (3):511-525.
  • Contextualizing Facial Activity.Brian Parkinson - 2013 - Emotion Review 5 (1):97-103.
    Drawing on research reviewed in this special section, the present article discusses how various contextual factors impact on production and decoding of emotion-related facial activity. Although emotion-related variables often contribute to activation of prototypical “emotion expressions” and perceivers can often infer emotional meanings from these facial configurations, neither process is invariant or direct. Many facial movements are directed towards or away from events in the shared environment, and their effects depend on these relational orientations. Facial activity is not only a (...)
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  • Advances in the Study of Facial Expression: An Introduction to the Special Section.José-Miguel Fernández-Dols - 2013 - Emotion Review 5 (1):3-7.
    For more than a century expressions have been approached as bidimensional, static, instantaneous, self-contained, well-defined, and universal signals. These assumptions are starting to be empirically reconsidered: this special section of Emotion Review includes reviews on the physical, social, and cultural dynamics of expressions, and on the complex ways in which, throughout the lifespan, facial behavior and emotion are perceived and categorized by primates’ and humans’ brain. All these advances are certainly paving the way for new exciting approaches to facial behavior (...)
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  • Chimpanzees (Pan troglodytes) show subtle signs of uncertainty when choices are more difficult.Matthias Allritz, Emma Suvi McEwen & Josep Call - 2021 - Cognition 214 (C):104766.
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