In this paper, a survey of 180 inscriptions in Tamil between 1346 CE and 1400 CE is analysed for its notions and visualization of astral themes present in the epigraphical inscriptions as well as for the calendrical practices implicit in those inscriptions. I demonstrate the rich diversity of calendrical practices employed in this period. Although there are clear local usages, the applied methods of identification show that in several cases methods from other Indian calendrical traditions have also been used. This (...) applies both to the year and the month. In contrast, the use of the weekday is not widely seen in the inscriptions of this region following the local system. The study also clarifies that the inscriptions are a useful documentary source for other astronomical observations such as eclipses and solstices undertaken in southern Indian locations in the fourteenth and fifteenth centuries. (shrink)

The Chhoti Sadri inscription of the Mānavāyaṇi king Gauri of Malwa is a most unusual specimen of a Sanskrit verse praśasti. Its remarkably poor Sanskrit has attracted the most attention, but its rhetorical structure is also quite abnormal. It is proposed here that such unusual features as the first person presentation and the fronting of subjects with demonstrative pronouns suggest a setting involving an actual, or perhaps only an imagined, presentation of a royal portrait gallery, such as are attested both (...) in Sanskrit literature and in Indian archaeology. (shrink)

This paper presents evidence to suggest that the highly aberrant Old Khotanese version of the popular Sūtra of the Master of Medicine Beryl-Shine may have been translated from a Chinese text, the twelfth fascicle of the so-called Consecration Sūtra, T1331. As a possible explanation for the hybrid nature of the Khotanese text, which shares in features of the Consecration Sūtra and of the mainstream version, I suggest the possibility that the Sanskrit version may have originated in Khotan as a revision (...) of the Khotanese text. Lastly I explore the greater consequences that these scenarios would have in our understanding of the pre-Islamic cultures of the Tarim Basin, underscoring the role of China as a significant cultural influence. (shrink)

Aśvaghoṣa’s Buddhacarita contains two sharply argumented critiques of the non-Buddhists’ self: one against Arāḍa Kālāma’s (proto-)Sāṅkhya version of the ātman in Canto 12, and one of a more general import in Canto 16. Close scrutiny of the latter?s narrative environment reveals Aśvaghoṣa’s indebtedness, in both contents and wording, to either a Mahāsāṅghika(/Lokottaravādin) or—much more plausibly—a (Mūla)sarvāstivāda account of the events that saw the Buddha preach selflessness to King Bimbasāra and his Magadhan subjects. Besides hinting at this genetic relationship, the present (...) essay aims at exhibiting the structure and contents of Aśvaghoṣa’s arguments against the self, some of which can pride themselves of a long posterity in the controversy over the self. (shrink)

In the fifth–sixth century CE the rulers of the Kadamba dynasty claimed the town of Halsi in modern Karnataka as the northern capital of their expanding polity. Their investments in this locale are recorded in a corpus of copper-plate inscriptions spanning four generation of kings. The plates record the growth of a thriving Jain community at Palāśikā and are revelatory of their relationships with the Kadamba rulers and their agents. This study of the donative and political processes converging in Palāśikā (...) shows that the use of Sanskrit inscriptions as media for royal representation and public self-fashioning was highly developed in the Kadamba polity, where idioms and trends developed independent of the Gupta royal model. Moreover, the evidence from Halsi is indicative of the centrality of Jain religious communities, ideologies, and institutions in the administration of the Kadamba polity and the expression of a lineage identity. (shrink)