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Switch to: References
Citations of:
Schopenhauer and the Aesthetic Standpoint: Philosophy as a Practice of the Sublime
New York: Cambridge University Press (2013)
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Optimism and pessimism are two diametrically opposed views about the value of existence. Optimists maintain that existence is better than non-existence, while pessimists hold that it is worse. Arthur Schopenhauer put forward a variety of arguments against optimism and for pessimism. I will offer a synoptic reading of these arguments, which aims to show that while Schopenhauer’s case against optimism primarily focuses on the value or disvalue of life’s contents, his case for pessimism focuses on the ways in which life (...) |
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This chapter is divided into three sections. In the first, I identify the mentions of Schopenhauer in À la recherche du temps perdu. I use an implicit reference to Schopenhauer by Swann to open a discussion of Schopenhauer’s theory of music. I attempt to downplay its identification, suggested by some commentators, with both the views about music expressed in the novel and the form of the novel itself. In the second section, I discuss Proust’s references to Schopenhauer in his essay (...) |
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Pessimism is, roughly, the view that life is not worth living. In chapter 46 of the second volume of The World as Will and Representation, Arthur Schopenhauer provides an oft-neglected argument for this view. The argument is that a life is worth living only if it does not contain any uncompensated evils; but since all our lives happen to contain such evils, none of them are worth living. The now standard interpretation of this argument (endorsed by Kuno Fischer and Christopher (...) |
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This paper aims to clarify Schopenhauer’s a priori argument for pessimism and, to an extent, rescue it from standard objections in secondary literature. I argue that if we separate out the various strands of Schopenhauer’s pessimism, we hit upon problems and counterexamples stemming from psychology. For example, instances where striving does not appear to equate to suffering, which puts pressure on the Schopenhauerian claim that human life, qua instantiation of the will, is painful. Schopenhauer’s sensitivity to the complexities of human (...) |
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In the final book of Plato’s Republic, Socrates bans the poets from his ideal city. According to Socrates, the poets bring about corruption and decadence: instead of pursuing and producing the truth, poets reproduce falsehoods – “images” as opposed to “the originals.” Only the philosophers, Socrates says, oversee the truth. However, Arthur Schopenhauer, the self-proclaimed inheritor of Platonic philosophy, seems to flip this idea on its head. Poets do manufacture images, but these images, Schopenhauer claims, are knowledge par excellence. In (...) |
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