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  1. The representation of violence as evil in contemporary art: the power of the image in Kiefer, Richter, and Bin Laden.Wessel Stoker - 2017 - International Journal of Philosophy and Theology 78 (4-5):432-443.
    ABSTRACTHow can violence as evil be represented in art and what do works of art evoke in the viewer? Two closely related questions on the representation of violence as evil are discussed. The first is whether there is an ethical limit to the representation of evil, that is, the issue posed with respect to the possibility of Holocaust art. Works by Anselm Kiefer are compared to Holocaust art in the exhibition Mirroring Evil: Nazi Imagery /Recent Art. The second question concerns (...)
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  • Inertie hoort bij Kunst als de Dood bij het Leven.Rob van Gerwen - 2008 - In Kabinet: Inertie & Kunst (even pages Russian translation). St. Petersburgh: pp. 238-263.
    In this article I propose to understand inertia in art as a “disposition to meaning”. I compare inertia in art with that of a face of a person recently deceased. To acquaintances, i.e. to family and friends, it holds a promise of memories (of the deceased); to all the others the corpse offers the possibility of a projection of meanings. Art is made of plain, or extra-ordinary stuff, which is turned into artistic material. The artist is to bring the inert (...)
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