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  1. Phenomenology, abduction, and argument: avoiding an ostrich epistemology.Jack Reynolds - 2022 - Phenomenology and the Cognitive Sciences 22 (3):557-574.
    Phenomenology has been described as a “non-argumentocentric” way of doing philosophy, reflecting that the philosophical focus is on generating adequate descriptions of experience. But it should not be described as an argument-free zone, regardless of whether this is intended as a descriptive claim about the work of the “usual suspects” or a normative claim about how phenomenology ought to be properly practiced. If phenomenology is always at least partly in the business of arguments, then it is worth giving further attention (...)
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  • Phenomenology, Abduction, and Argument: Avoiding an Ostrich Epistemology.Jack Reynolds - 2022 - Phenomenology and the Cognitive Sciences (3):1-18.
    Phenomenology has been described as a “non-argumentocentric” way of doing philosophy, reflecting that the philosophical focus is on generating adequate descriptions of experience. But it should not be described as an argument-free zone, regardless of whether this is intended as a descriptive claim about the work of the “usual suspects” or a normative claim about how phenomenology ought to be properly practiced. If phenomenology is always at least partly in the business of arguments, then it is worth giving further attention (...)
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  • Merleau-Ponty’s Gordian knot: Transcendental phenomenology, science, and naturalism.Jack Reynolds - 2016 - Continental Philosophy Review 50 (1):81-104.
    In this paper I explore a series of fertile ambiguities that Merleau-Ponty’s work is premised upon. These ambiguities concern some of the central methodological commitments of his work, in particular his commitment to transcendental phenomenology and how he transforms that tradition, and his relationship to science and philosophical naturalism and what they suggest about his philosophical methodology. Many engagements with Merleau-Ponty’s work that are more ‘analytic’ in orientation either deflate it of its transcendental heritage, or offer a “modest” rendering of (...)
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