The present paper aims to shed light on some post-oedipal moments of the Freudian-Lacanian psychoanalysis. Going beyond the stereotypical opposition between the oedipal psychoanalysis and the anti-oedipal schizoanalysis, it endeavors to reinvestigate the semiotic nature of theknotenpunktand thesinthomeby applying some Deleuzian and Bakhtinian concepts. Thus, theknotenpunktis described as a grotesque knot bringing together some heterogeneous elements. The involved disparate components establish a rhizomatic multiplicity irreducible to a common determiner. As far as thesinthomeis concerned, it is also illustrated as a grotesque (...) knot quilting the disseminated heterogeneous orders. In contrast to the dominant conception of the symptom with a complex mode of signifying (that is mainly bound to the oedipal topography), theknotenpunktand thesinthomehold a kind of hyper-formative mode of signifying. As a result, the latter may be regarded as pure formators irreducible to a meaning or a certain interpretation. Finally, the paper sets out to analyze and evaluate the relationship between thesinthomeand the foreclosure from a semiotic perspective. Accordingly, thesinthomeis explained as a reply to foreclosure which is specifically a perceptive-imperative (retroactive) contemplation (in the light of law according to the Peircean phaneroscopy) on the rhizomatic multiplicity of psychosis (the case of schizophrenia). (shrink)

While Deleuze and Guattari's passion for certain literature is well known, the nature of a ‘Deleuzian’ literary criticism remains an open question. However, most critics appear to agree that Deleuze and Guattari's comments on meaning and interpretation offer an ontological alternative to the textual focus of deconstruction. Through an interrogation of the difficult style of their books in relation to Plato, Nietzsche and Derrida, this paper offers a different reading of Deleuze and Guattari in relation to literary criticism. Despite appearances, (...) transcendental empiricism and the project of ‘overturning Platonism’ provide a Deleuzian theory of reading that attends to textuality. (shrink)

The trope of Kuwait runs through numerous stories by Palestinian writer Ghassan Kanafani, including his well-known novella, Men in the Sun. Using Deleuze's clinical methodology, this paper maps Kanafani's Kuwait stories symptomatically to determine what the legacy of the Kanafani effect might be for contemporary Kuwait. It considers what his textual conjunction of affects and percepts did at the time and whether they can do anything now. Kanafani's position as a seminal figure within Palestinian national and resistance literature is well-recognised; (...) however, his specific location in Kuwait at a key period of its development is generally overlooked. His clinical diagnosis of the relationship between Kuwait and Palestinians in the 1940s and 1950s can provoke a reconsideration of that early period, especially relevant in light of post-1991 events. In addition to his writing, his actual presence in Kuwait in the second half of the 1950s expresses an early promise of Kuwait as an open and cosmopolitan place soon betrayed and today mostly forgotten. (shrink)