This paper examines the elusive concept of Xu in Zhuangzi’s philosophy to find out how specifically Xu addresses relationality through its distinct cultivation of ambiguity in this Daoist philosopher’s theory. The paper chooses liubai and body as two examples to unravel the ways in which the concept of Xu is manifested. Embedded in the meanings of blandness and lack of substance, Xu enlivens change, transformation and process. Evident in liubai, Xu creates a unique ecological space of metamorphosis that nourishes mutual (...) becoming. For Zhuangzi, body is neither understood as the object to be acquired nor as the means to acquire knowledge. Rather, body is a void to become. The political implication of Xu suggests a politics of indeterminacy – an alienation from preordained power structures and a reconstruction of power relations. (shrink)

This paper considers Western approaches at different time periods to Chinese landscape painting, with a focus on the eleventh century Chinese painter Guo Xi’s Essay on landscape painting. First, brief information will be given about the artist and his work. A brief scrutiny of a review published in 1936 will show how the Essay became influential in the West. Later publications, which appeared in 1969, 2007, and 2009 respectively, will show some changes in Western approaches to Chinese landscape painting, revealing (...) the main rhetoric of their times along with changing debates and approaches within Western art history. (shrink)