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  1. What's in and what's out in branding? A novel articulation effect for brand names.Sascha Topolinski, Michael Zürn & Iris K. Schneider - 2015 - Frontiers in Psychology 6.
  • Necker’s smile: Immediate affective consequences of early perceptual processes.Sascha Topolinski, Thorsten M. Erle & Rolf Reber - 2015 - Cognition 140 (C):1-13.
    Current theories assume that perception and affect are separate realms of the mind. In contrast, we argue that affect is a genuine online-component of perception instantaneously mirroring the success of different perceptual stages. Consequently, we predicted that the success (failure) of even very early and cognitively encapsulated basic visual Processing steps would trigger immediate positive (negative) affective responses. To test this assumption, simple visual stimuli that either allowed or obstructed early visual processing stages without participants being aware of this were (...)
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  • Can I cut the Gordian tnok? The impact of pronounceability, actual solvability, and length on intuitive problem assessments of anagrams.Sascha Topolinski, Giti Bakhtiari & Thorsten M. Erle - 2016 - Cognition 146 (C):439-452.
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  • Getting the Joke: Insight during Humor Comprehension – Evidence from an fMRI Study.Fang Tian, Yuling Hou, Wenfeng Zhu, Arne Dietrich, Qinglin Zhang, Wenjing Yang, Qunlin Chen, Jiangzhou Sun, Qiu Jiang & Guikang Cao - 2017 - Frontiers in Psychology 8.
  • Facial mimicry in its social setting.Beate Seibt, Andreas Mühlberger, Katja U. Likowski & Peter Weyers - 2015 - Frontiers in Psychology 6.
  • Approach and Avoidance During Routine Behavior and During Surprise in a Non-evaluative Task: Surprise Matters and So Does the Valence of the Surprising Event.Achim Schützwohl - 2018 - Frontiers in Psychology 9.
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  • Empathy in Facial Mimicry of Fear and Disgust: Simultaneous EMG-fMRI Recordings During Observation of Static and Dynamic Facial Expressions.Krystyna Rymarczyk, Łukasz Żurawski, Kamila Jankowiak-Siuda & Iwona Szatkowska - 2019 - Frontiers in Psychology 10.
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  • The Cognitive‐Evolutionary Model of Surprise: A Review of the Evidence. [REVIEW]Rainer Reisenzein, Gernot Horstmann & Achim Schützwohl - 2019 - Topics in Cognitive Science 11 (1):50-74.
    Research on surprise relevant to the cognitive-evolutionary model of surprise proposed by Meyer, Reisenzein, and Schützwohl is reviewed. The majority of the assumptions of the model are found empirically supported. Surprise is evoked by unexpected events and its intensity is determined by the degree if schema-discrepancy, whereas the novelty and the valence of the eliciting events probably do not have an independent effect. Unexpected events cause an automatic interruption of ongoing mental processes that is followed by an attentional shift and (...)
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  • Surprise: unfolding of facial expressions.Marret K. Noordewier & Eric van Dijk - 2019 - Cognition and Emotion 33 (5):915-930.
    ABSTRACTResponses to surprising events are dynamic. We argue that initial responses are primarily driven by the unexpectedness of the surprising event and reflect an interrupted and surprised state in which the outcome does not make sense yet. Later responses, after sense-making, are more likely to incorporate the valence of the outcome itself. To identify initial and later responses to surprising stimuli, we conducted two repetition-change studies and coded the general valence of facial expressions using computerised facial coding and specific facial (...)
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  • Editors’ Introduction and Review: An Appraisal of Surprise: Tracing the Threads That Stitch It Together.Edward L. Munnich, Meadhbh I. Foster & Mark T. Keane - 2019 - Topics in Cognitive Science 11 (1):37-49.
    This special issue presents developments in research on the cognitive mechanisms and consequences of surprise. Amidst much progress, surprise research has often been siloed, so, as editors, we have sought to juxtapose insights, theories, and findings, to support cross‐fertilization in future research. The present paper sets the stage by presenting a historical summary, highlighting contrasts in definitions, and tracing major threads running through this issue and the larger surprise literature.
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  • Positive fEMG Patterns with Ambiguity in Paintings.Martina Jakesch, Juergen Goller & Helmut Leder - 2017 - Frontiers in Psychology 8.
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  • Naturalistic Emotion Decoding From Facial Action Sets.Sylwia Hyniewska, Wataru Sato, Susanne Kaiser & Catherine Pelachaud - 2019 - Frontiers in Psychology 9.
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  • Multiversionality: Considering multiple possibilities in the processing of narratives.Ben Hiskes, Milo Hicks, Samuel Evola, Cameron Kincaid & Fritz Breithaupt - 2022 - Review of Philosophy and Psychology 14 (3):1099-1124.
    This paper proposes a conceptual framework of multiversional narrative processing, or multiversionality. Multiversionality is the consideration of multiple possible event sequences for an incomplete narrative during reception, from reading a novel to listening to the story of a friend’s day. It occurs naturally and is experienced in a wide range of cases, such as suspense, surprise, counterfactuals, and detective stories. Receiving a narrative, we propose, is characterized by the spontaneous creation of competing interpretive models of the narrative that are then (...)
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  • Shades of surprise: Assessing surprise as a function of degree of deviance and expectation constraints.Judith Gerten & Sascha Topolinski - 2019 - Cognition 192:103986.
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  • Affective responses to coherence in high and low risk scenarios.David M. Gamblin, Adrian P. Banks & Philip J. A. Dean - 2019 - Cognition and Emotion 34 (3):462-480.
    ABSTRACTPresenting information in a coherent fashion has been shown to increase processing fluency, which in turn influences affective responses. The pattern of responses have been explained by two...
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  • Fact vs. Affect in the Telephone Game: All Levels of Surprise Are Retold With High Accuracy, Even Independently of Facts.Fritz Breithaupt, Binyan Li, Torrin M. Liddell, Eleanor B. Schille-Hudson & Sarah Whaley - 2018 - Frontiers in Psychology 9:375712.
    When people retell stories, what guides their retelling? Most previous research on story retelling and story comprehension has focused on information accuracy as the key measure of stability in transmission. This paper suggests that there is a second, affective, dimension that provides stability for retellings, namely the audience affect of surprise. In a large-sample study with multiple iterations of retellings, we found evidence that people are quite accurate in preserving all degrees of surprisingness in serial reproduction – even when the (...)
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