Existentialism is compatible with a broadly biological vision of who we are. This thesis is grounded in an analysis of “concrete” or “individual” possibility, which differs from standard conceptions of possibility in that it allows for possibilities to come into being or disappear through time. Concrete possibilities are introduced both in individual life and by major transitions in evolution. In particular, the advent of ultrasociality and of language has enabled human goals to be formulated in partial independence from the vestigial (...) “goal” of biological replication. The existentialist stance is validated by the necessity of choice grounded in emotion, in a way that does not require a commitment to a Kantian Will. (shrink)

This article provides an analysis of Muhammad Iqbal’s views on the notion of action in the context and light of Charles Taylor’s philosophy of action and attempts at constructing Iqbal’s own theory of action. Despite the fact that the Notion of action is one of the central issues of Iqbal’s philosophy, the literature on Iqbal lacks in the studies dealing with this notion in a philosophical context. The notion of action has also become one of the popular topics of modern (...) philosophy since the second half of the twentieth century. However, current discussions in this field present a narrow understanding of the term by ignoring non-western philosophers’ contribution to the field. Therefore, it is aimed at this study to contribute to the literature in three fields: to the literature of contemporary philosophy of action by highlighting the views of a Muslim philosopher on the notion of action, to the literature on Iqbal by examining one of his central concepts that deserves to be taken more seriously in a philosophical context, and finally to comparative philosophical studies by comparing the views of these two philosophers who have never been brought together in a study, and by developing a dialogue between them. (shrink)

Need and Desire have obvious affinities. In this lecture I shall consider how they are to be distinguished, and how they may be confused: distinguished, that is, within philosophy, and confused in life itself. I shall then consider, very briefly, how this possibility of confusion bears upon morality and moral assessment.

What could someone represent that would enable her to track, at least within limits, others' perceptions, knowledge states and beliefs including false beliefs? An obvious possibility is that she might represent these very attitudes as such. It is sometimes tacitly or explicitly assumed that this is the only possible answer. However, we argue that several recent discoveries in developmental, cognitive, and comparative psychology indicate the need for other, less obvious possibilities. Our aim is to meet this need by describing the (...) construction of a minimal theory of mind. Minimal theory of mind is rich enough to explain systematic success on tasks held to be acid tests for theory of mind cognition including many false belief tasks. Yet minimal theory of mind does not require representing propositional attitudes, or any other kind of representation, as such. Minimal theory of mind may be what enables those with limited cognitive resources or little conceptual sophistication, such as infants, chimpanzees, scrub‐jays and human adults under load, to track others' perceptions, knowledge states and beliefs. (shrink)

Depuis 1963, le causalisme a été l'approche dominante en théorie de l'action. Il est possible, cependant, de distinguer diverses sortes de causalisme. La version dominante, que j'appelle CTA, essaie de trouver une analyse causale de l'action. Une version plus restreinte — le causalismeR — se montre récalcitrante à ce genre d'entreprise et se contente d'essayer d'expliquer en quel sens on peut traiter comme causales les explications par les raisons. J'examine ici les motivations sous-jacentes à CTA, ainsi que plusieurs de ses (...) formulations les plus influentes, et je soutiens que cette approche n'a pas été très heureuse et que le projet, du reste, n'est pas au départ terriblement convaincant. Il y a beaucoup à attendre, en revanche, du causalismeR. (shrink)

In this paper I discuss Hegel's views on the determination of intentions. The main point is that it pays to distinguish sufficiently clearly four perspectives to human action: 1) The agent's "moral" perspective and the understanding and description under which the agent acted; from this perspective we can thematize the operative intention-in-action and distinguish "action" from "deed". 2) The agent's retrospective awareness and appropriation of the action: was what I did really justified and did it express my true goals? 3) (...) The retrospective takes of others concerning the action, from within relevant social practices and the prevailing Sittlichkeit. 4) The perspective of Reason or Idea as emerging in the world history. In this paper I use this differentiation of perspectives to discuss Hegel's views on action. I defend the primacy of the individual herself in the first aspect mentioned, in what Hegel calls the "moral" perspective. Robert Pippin's idea of "retrospective" determination of intentions is analyzed and (on some readings) criticized. (shrink)

This study examines the philosophical question of how it is possible to appreciate music aesthetically as an expressive art form. First it examines a number of general theories that seek to make sense of expressiveness as a characteristic of music that can be considered relevant to our aesthetic appreciation of the latter. These include accounts that focus on resemblances between music and human behaviour or human feelings, on music's powers of emotional arousal, and on various ways in which music may (...) be imaginatively construed by listeners. It argues that none of these are entirely satisfactory. Then it proposes an alternative account, focusing on what is involved when our appreciation of music as an expressive art is informed by our awareness of it as something that is expressively interpreted in performance. It is claimed that this offers the basis for a better understanding of at least some aspects of expressiveness in music and its relevance to aesthetic appreciation. (shrink)