The quarrel between Plato and the poets in the Utopia and try to exclude them from there is a very important subject in the Republic. He in the book III explains the limits for poems and determines the poems that can be read for youths and the poems that cannot be read for them. This radical Platonic approach to the poets and their poems can be linked today to the many different media especially TV and its programs. In Plato's view, (...) our reaction to the different events in the everyday life is a copy of our reaction to the poem. This problem is today linked to the TV and other social media like cinema. TV in only an instrument for distribution and transmission, and does not present any new method for interpreting reality. In another word, TV only present reality as it is and TV is like the Platonic poet in this respect. We can recite the Platonic objection on poem, also on the TV and its functions. In the present article we will try to survey the nature and the functions of TV by the Platonic method of critiquing poets in the Utopia. (shrink)

In the last quarter-century, the emergence of argumentation theory has spurred the development of an extensive literature on the study of argument. It encompasses empirical and theoretical investigations that often have their roots in the different traditions that have studied argument since ancient times – most notably, logic, rhetoric, and dialectics. Against this background, I advocate a “thick” theory of argument that merges traditional theories, weaving together their sometimes discordant approaches to provide an overarching framework for the assessment of arguments (...) in a broad range of contexts. In sketching such a theory, I propose six steps that can “thicken” traditional approaches to argument in the interests of a comprehensive theory. (shrink)

Hans-Georg Gadamer, en su conferencia Plato und die Dichter (1934), desarrolló una investigación fenomenológica excepcional de filosofía ético-política de Platón y del lugar que el arte ocupa en ella. En mediados de la década de 1990, la escritora mexicana Teresa Orozco publicó una serie de escritos en los cuales acusa a Gadamer de haberse colocado, a través de la exhibición y publicación de este trabajo, a servicio del nacional-socialismo. Este artículo busca discutir los argumentos presentados por Orozco y otros autores, (...) en primer lugar, investigando la heterogeneidad de la recepción del texto en cuestión entre 1934 y 1944, dentro y fuera de Alemania; en segundo lugar, recuperando datos biográficos relevantes que fueron omitidos por sus detractores; y, finalmente, ofreciendo pruebas documentales que refuten los fundamentos de la acusación mencionada anteriormente. Al final, haré una propuesta de lectura metodológica para analizar el trabajo de referencia en relación a su contexto histórico, lo que puede contribuir para verificar en qué sentido esta conferencia expresaría la disidencia de Gadamer con la hegemonía Nacional-Socialista. (shrink)