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Parmenides: A Text with Translation, Commentary, and Critical Essays

Dissertation, Princeton University (1962)

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  1. Parmenides’ Epistemology and the Two Parts of his Poem.Shaul Tor - 2015 - Phronesis 60 (1):3-39.
    _ Source: _Volume 60, Issue 1, pp 3 - 39 This paper pursues a new approach to the problem of the relation between Alētheia and Doxa. It investigates as interrelated matters Parmenides’ impetus for developing and including Doxa, his conception of the mortal epistemic agent in relation both to Doxa’s investigations and to those in Alētheia, and the relation between mortal and divine in his poem. Parmenides, it is argued, maintained that Doxastic cognition is an ineluctable and even appropriate aspect (...)
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  • Truth and Genre in Pindar.Arum Park - 2013 - Classical Quarterly 63 (1):17-36.
    By convention epinician poetry claims to be both obligatory and truthful, yet in the intersection of obligation and truth lies a seeming paradox: the poet presents his poetry as commissioned by a patron but also claims to be unbiased enough to convey the truth. In Slater's interpretation Pindar reconciles this paradox by casting his relationship to the patron as one of guest-friendship: when he declares himself a guest-friend of the victor, he agrees to the obligation ‘a) not to be envious (...)
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  • Parmenides as psychologist – Part one: fragments DK 1 and 2.Nicola S. Galgano - 2017 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 19:167-205.
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  • Induction, space and positive ethics.Marvin Eli Kirsh - 2008 - Ludus Vitalis (30):225-228.
    One may purport that ones awareness of space for scientific purposes comes about from a potential awareness of its'absence that is derived from times when ones attention is not focused on it. Yet simply one might extract the notion that space and entailed properties of it are elemental - i.e. conceptually non reducible and that from which all emanates. The words non-ethical induction, entailing the existence of ethical induction, if compared in a corresponding manner (to indivisible space and the attentive (...)
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