The paper borrows from recent work by classicists on satyr play and demonstrates significant parallels between Plato’s Republic and the structure, theme and stereotypical contents that characterize this newly studied genre of ancient Greek drama. Like satyr play, the Republic includes repeated passages where metatheatricality can reverse the meaning. The frequent occurrence of all the stereotypical elements of satyr play in Plato’s Republic also suggests to readers that they should be responding to Socrates’ narration as they would to a satyr (...) play, again reversing meaning by communicating a set of literary expectations to Plato’s readers over the heads of Socrates’ interlocutors. As is frequently the case with satyr play, the political purpose of the drama is the critique of tyrannical government. The need for a systematically ironic interpretation of the dialogue is raised. (shrink)

The present paper aims to discuss how the Socratic method oper­ates with Euthyphro inside the Euthyphro. The first part of the article focuses on the character’s description, upon which it moves to analyz­ing the very method itself not only in terms of its argumentative form but also in terms of its psychological and social aspects. Euthyphro is shown to have been a supporter of religion that was entirely incapable of living up to the religious ideals that he so confidently advocated (...) for. Through his portrayal of Socrates’ refutation of Euthyphro, Plato seeks not only to redeem his teacher but also to criticize the then society. When describing the Socratic method, the present paper proposes to view it with a “calm distance” on the grounds of the fact that the distinc­tive feature of the method consists in creating an emotional distance between Socrates and Euthyphro. The purpose of such a strategy is to make Euthyphro realize the weakness of his position and embrace the purification through the socratic elenchos. (shrink)