How much is given in perceptual experience, and how much must be constructed? John Locke's answer to this question contains two prima facie incompatible strands. On the one hand, he claims that ideas of primary qualities come to us passively, through multiple senses: the idea of a sphere can be received either by sight or touch. On the other hand, Locke seemingly thinks that a faculty he calls “judgment” is needed to create visual ideas of three‐dimensional shapes. How can these (...) accounts be made consistent? The problem comes to a head in the discussion of Molyneux's problem: can a person born blind and then made to see identify a sphere and a cube, when he had only touched them in the past? Locke's answer is no, but, as George Berkeley points out, it is hard to see why: if the ideas of shapes come to us through sight as well as touch, nothing should stop Molyneux man from instantly recognizing sphere and cube. Pace much of the existing literature, I argue that although Locke does think we receive visual ideas of primary qualities, the faculty of judgment is required to “inflate” those ideas into three dimensions and to correct for other perspectival distortions. I then show how this answer is consistent with the rest of his theory of perception. (shrink)

This paper offers an epistemic defense of empathy, drawing on John Locke's theory of ideas. Locke held that ideas of shape, unlike ideas of color, had a distinctive value: resembling qualities in their objects. I argue that the same is true of empathy, as when someone is pained by someone's pain. This means that empathy has the same epistemic value or objectivity that Locke and other early modern philosophers assigned to veridical perceptions of shape. For this to hold, pain and (...) pleasure must be a primary quality of the mind, just as shape is a primary quality of bodies. Though Locke did not make that claim, I argue that pain and pleasure satisfy his criteria for primary qualities. I consider several objections to the analogy between empathy and shape-perception and show how Locke's theory has resources for answering them. In addition, the claim that empathetic ideas are object-matching sidesteps Berkeley's influential objection to Locke's theory of resemblance. I conclude by briefly considering the prospects for a similar defense of empathy in contemporary terms. (shrink)

This paper aims to clarify Locke’s distinction between simple and complex ideas. I argue that Locke accepts what I call the “compositional criterion of simplicity.” According to this criterion, an idea is simple just in case it does not have another idea as a proper part. This criterion is prima facie inconsistent with Locke’s view that there are simple ideas of extension. This objection was presented to Locke by his French translator, Pierre Coste, on behalf of Jean Barbeyrac. Locke responded (...) to Barbeyrac’s objection, but his response, along with a passage from Chapter XV of Book II of the Essay, “Of Duration and Expansion, considered together,” has been taken to show that he did not accept the compositional criterion. I examine these passages and argue that they are not in tension with but rather affirm that criterion. (shrink)