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  1. Author Reply: Grasping the Nebula: Inelegant Theories for Messy Phenomena.Nina Strohminger - 2014 - Emotion Review 6 (3):225-228.
    Grand unified theories of messy topics like emotion tend to fail at capturing all the important dimensions of their subject. Why is this? I take on this question while responding to commentaries.
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  • Comment: Strohminger–McGinn: Deconstructing the Moral Amplification Effect.Edward Royzman - 2014 - Emotion Review 6 (3):224-225.
    I use a number of McGinn’s ideas to identify likely confounds in the induction of incidental disgust as the basis of the moral amplification effect.
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  • Comment: Scholarly Disgust and Related Mysteries.Joshua Rottman & Liane Young - 2014 - Emotion Review 6 (3):222-223.
    Strohminger is revolted by McGinn’s book, The Meaning of Disgust. We argue that her reaction of repugnance highlights one of the greatest mysteries in the psychology of disgust: this emotion is at times elicited by abstract ideological concerns rather than physical threats of infection or contamination. Here we describe the theoretical challenge of accounting for nonpathogenic disgust elicitors, which include spiritual defilement, violations of the “natural order,” and, apparently, McGinn’s latest publication.
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  • Comment: Interdiscipline.David Pizarro - 2014 - Emotion Review 6 (3):221-222.
    The Meaning of Disgust is a vivid example of how interdisciplinary research can go horribly wrong. Strohminger’s criticisms serve as a good starting point to discuss some of the issues that need to be addressed by the growing number of researchers who choose to conduct interdisciplinary research in philosophy and psychology. I argue that McGinn’s approach to science in The Meaning of Disgust serves as a useful contrast to the ideal, and that it illustrates the most important virtue necessary for (...)
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  • Disgust and Disease.Colin McGinn - 2015 - Emotion Review 7 (4):381-382.
  • Comment: Kolnai’s Disgust.Carolyn Korsmeyer & Barry Smith - 2014 - Emotion Review 6 (3):219-220.
    In his The Meaning of Disgust, Colin McGinn employs elements of the phenomenological theory of disgust advanced by Aurel Kolnai in 1929. Kolnai’s treatment of what he calls “material” disgust and of its primary elicitors—putrefying organic matter, bodily wastes and secretions, sticky contaminants, vermin—anticipates more recent scientific treatments of this emotion as a mode of protective recoil. While Nina Strohminger charges McGinn with neglecting such scientific studies, we here attempt to show how Kolnai goes beyond experimental findings in his careful (...)
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  • The Pig’s Squeak: Towards a Renewed Aesthetic Argument for Veganism.A. G. Holdier - 2016 - Journal of Agricultural and Environmental Ethics 29 (4):631-642.
    In 1906, Henry Stephens Salt published a short collection of essays that presented several rhetorically powerful, if formally deficient arguments for the vegetarian position. By interpreting Salt as a moral sentimentalist with ties to Aristotelian virtue ethics, I propose that his aesthetic argument deserves contemporary consideration. First, I connect ethics and aesthetics with the Greek concepts of kalon and kalokagathia that depend equally on beauty and morality before presenting Salt’s assertion: slaughterhouses are disgusting, therefore they should not be promoted. I (...)
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  • Comment: Strohminger versus McGinn and The Meaning of Disgust.Rachel S. Herz - 2014 - Emotion Review 6 (3):218-219.
    Strohminger gives a lively and accurate critique of McGinn’s book but is somewhat inaccurate herself in describing the current theoretical state of the science on disgust. My comment primarily focuses on the issues I have with McGinn’s and Strohminger’s discussions and briefly offers a possible unifying account of the function and meaning of disgust.
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  • The Meanings of Disgusting Art.Filippo Contesi - 2016 - Essays in Philosophy 17 (1):68-94.
    It has been recently argued, contrary to the received eighteenth-century view, that disgust is compatible with aesthetic pleasure. According to such arguments, what allows this compatibility is the interest that art appreciators sometimes bestow on the cognitive content of disgust. On this view, the most interesting aspect of this cognitive content is identified in meanings connected with human mortality. The aim of this paper is to show that these arguments are unsuccessful.
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  • Comment: From the Armchair to the Toilet: McGinn’s Evolutionary Tale of Disgust.Jason A. Clark - 2014 - Emotion Review 6 (3):217-218.
    Strohminger criticizes McGinn for his lack of attention to recent scientific findings, and for ignoring common sense. This commentary deepens both of these criticisms via an exploration of McGinn’s account of the evolution of disgust.
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  • Epistemic Trespassing.Nathan Ballantyne - 2019 - Mind 128 (510):367-395.
    Epistemic trespassers judge matters outside their field of expertise. Trespassing is ubiquitous in this age of interdisciplinary research and recognizing this will require us to be more intellectually modest.
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