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  1. Paths from the Philosophy of Art to Everyday Aesthetics.Oiva Kuisma, Sanna Lehtinen & Harri Mäcklin (eds.) - 2019 - Helsinki, Finland: Finnish Society for Aesthetics.
    During the past few decades, everyday aesthetics has established itself as a new branch of philosophical aesthetics alongside the more traditional philosophy of art. The Paths from Philosophy of Art to Everyday Aesthetics explores the intimate relations between these two branches of contemporary aesthetics. The essays collected in this volume discuss a wide range of topics from aesthetic intimacy to the nature of modernity and the essence of everydayness, which play important roles both in the philosophy of art and everyday (...)
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  • Defending the Hypothetical Author.Szu-Yen Lin - 2023 - British Journal of Aesthetics 63 (4):579-599.
    In contemporary analytic philosophy of art, the intentionalist debate is about whether the author’s intention is relevant to the interpretation of her work. Various positions have been proposed, and in this paper I defend what I call hypothetical author-hypothetical intentionalism, the position that interpretation is based on the intention attributed to the author constructed from the work. There are three aims to achieve: (1) to give a general account of hypothetical author-hypothetical intentionalism; (2) to present a moderate version of hypothetical (...)
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  • A plea for an epistemology of evidence: randomifed clinical trials and post-truth.Juan Bautista Bengoetxea - 2021 - Veritas – Revista de Filosofia da Pucrs 48:79-101.
    Resumen En este artículo propongo un análisis crítico de varias tendencias filosóficas contrarias al uso de la noción de verdad en el ámbito epistemológico, especialmente la de Rorty. En particular, sostengo que la verdad es un concepto clave para el estudio del conocimiento, especialmente el científico, en cuanto toma una forma concisa en los procedimientos experimentales de carácter probatorio-empírico. Gracias a este enfoque, busco socavar varias tesis de los enfoques de la ‘posverdad’ por medio del uso de un conjunto de (...)
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