This paper explores a novel analysis of adjectives in the comparative and the positive based on the notion of a trope, rather than the notion of a degree. Tropes are particularized properties, concrete manifestations of properties in individuals. The point of departure is that a sentence like ‘John is happier than Mary’ is intuitively equivalent to ‘John’s happiness exceeds Mary’s happiness’, a sentence that expresses a simple comparison between two tropes, John’s happiness and Mary’s happiness. The analysis received particular support (...) from various parallels between adjectival constructions and corresponding adjective nominalizations which make reference to tropes. (shrink)

In order to avoid the problems faced by standard realist analyses of the “relation” of instantiation, Baxter and, following him, Armstrong each analyze the instantiation of a universal by a particular in terms of their partial identity. I introduce two related conceptions of partial identity, one mereological and one non-mereological, both of which require at least one of the relata of the partial identity “relation” to be complex. I then introduce a second non-mereological conception of partial identity, which allows for (...) both relata to be simple. I take these three conceptions to exhaust the plausible ways of construing two entities as being partially identical. I then argue that there is no analysis (including those offered by Baxter and Armstrong) of a universal and a particular as being partially identical consistent with any of these three conceptions that (i) is coherent, (ii) is consistently realist, (iii) does not lead to absurd consequences, and (iv) offers a “solution” to the problem of instantiation that avoids the problems with the other standard realist responses. In so arguing, I offer a criticism of the analysis of instantiation as partial identity that is independent of the standard criticism that it entails the necessity of predication. (shrink)

G. F. Stout is famous as an early twentieth century proselyte for abstract particulars, or tropes as they are now often called. He advanced his version of trope theory to avoid the excesses of nominalism on the one hand and realism on the other. But his arguments for tropes have been widely misconceived as metaphysical, e.g. by Armstrong. In this paper, I argue that Stout’s fundamental arguments for tropes were ideological and epistemological rather than metaphysical. He moulded his scheme to (...) fit what is actually given to us in perception, arguing that our epistemic practices would break down in an environment where only universals were given to us. (shrink)