In Making Sex (1990), Thomas Laqueur argued for a dramatic shift in Western medical understandings of sex difference circa 1800, falsely claiming that before then women were generally understood as imperfect men, their genitals trapped inside their bodies by their lack of complexional heat. In fact, the period before 1800 saw the coexistence of competing traditions relating to genital anatomy and function, in which Arabic medical compendia, largely ignored by Laqueur, played an important role. European interest in the inside/out model (...) of the genitals was initially specific to the late medieval Latin surgical tradition. Later elaborated by several sixteenth-century medical writers, including the surgeons Jacopo Berengario of Carpi and Ambroise Paré, it was moribund in learned European medicine by 1600, though it continued to flourish for several decades in vernacular literature, medical and nonmedical, in large part because it invited an explicit discussion of sexual practices. (shrink)

In the history of zoology the English anatomist Morrison Watson (1845-1885) is considered to be the discoverer of the masculinized sexual organs of the spotted hyena. Beginning in 1877, Watson had published a series of anatomical studies on the spotted hyena (Watson, 1877, 1878, 1881, Watson and Young, 1879), in which he, in which he for the first time made public the anatomical peculiarities of the female spotted hyena's genitalia. This scientific achievement is well documented. But now we can also (...) state that a hundred years before Watson the Dutch amateur zoologist Robert Jacob Gordon (1743-1795), while serving in the Scots Brigades at the Cape of Good Hope, had already made the same discovery and merely unfortunate personal circumstances prevented publication. During his stay at the Cape, Gordon had studied spotted hyenas intensively and recorded his observations in accurate drawings and comments. These drawings have been preserved as part of a large collection of animal drawings entitled Gordon Atlas. With his discovery, Gordon actually was the first to provide empirical evidence of a '' curious and inexplicable case of dimorphism" (Darwin on a beetle) in mammalians, long before Etienne Geoffrey Saint-Hilaire (Cours de l'histoire naturelle des mammifères, 1829) started examining masculinized sexual organs in the mole or Darwin recognized the importance of sexual dimorphism (Descent of Man, 1871). In this paper we reproduce for the first time all hyena drawings from the Gordon Atlas, including Gordon's handwritten notes in the margins in the original Dutch and in translation. Additionally, we briefly delineate the knowledge about the South African spotted hyena in Gordon's time and indicate that we doubt Watson's explanation for the age-old confusion about the hyena. (shrink)

Early feminist or pro-woman works often combine the claim that the rational souls of men and women are the same with an argument for the superiority of women. This article considers two such works, Lucrezia Marinella's The Nobility and Excellence of Women and the Defects and Vices of Men (Venice, 1601 [1999]) and Marguerite Buffet's In Praise of Illustrious Learned Women, both Ancient and Modern (Paris, 1668), in order to show the continuities and distinctive features of feminist arguments for superiority, (...) to emphasize the differences in the conceptions of reason and physiology that distinguish them, and to demonstrate that claims of superiority persisted even as those defending women's worth began to adopt egalitarian positions. (shrink)

: This article analyses some of the anatomical waxes in the Museo della Specola in Florence. Executed in at least two different periods in the history of Florentine wax modelling (in the late 17th century and between the 18th and 19th centuries), they project culturally determined images of the body which are analysed from a historico-semiotic perspective. "Rotten corpses," a "disembowelled woman" and a "flayed man" emerge as salient figures in the collection and reveal the close tie between anatomical representations (...) and aesthetics, social relations and religious scruples, in other words, the culture tout court which produced them. (shrink)

This article analyses some of the anatomical waxes in the Museo della Specola in Florence. Executed in at least two different periods in the history of Florentine wax modelling , they project culturally determined images of the body which are analysed from a historico-semiotic perspective. "Rotten corpses," a "disembowelled woman" and a "flayed man" emerge as salient figures in the collection and reveal the close tie between anatomical representations and aesthetics, social relations and religious scruples, in other words, the culture (...) tout court which produced them. (shrink)

. This article analyses some of the anatomical waxes in the Museo della Specola in Florence. Executed in at least two different periods in the history of Florentine wax modelling, they project culturally determined images of the body which are analysed from a historico-semiotic perspective. “Rotten corpses,” a “disembowelled woman” and a “flayed man” emerge as salient figures in the collection and reveal the close tie between anatomical representations and aesthetics, social relations and religious scruples, in other words, the culture (...) tout court which produced them. (shrink)