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The Science of Ethics

Freeport, N.Y.,: Cambridge University Press (1882)

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  1. Marking the Centenary of Samuel Alexander’s Space, Time and Deity.A. R. J. Fisher (ed.) - 2021 - Basingstoke: Palgrave Macmillan.
    Samuel Alexander was an important figure in the rise of realism in the early twentieth century. Alongside Moore and Russell he forwarded the cause of realism in England with a systematic exposition of a realist metaphysics in his magnum opus Space, Time and Deity (1920). This volume is a collection of essays on Alexander’s philosophy, ranging from his metaphysics of spacetime, theory of categories, epistemology and account of perception, naturalism, and interpretations of reactions by R.G. Collingwood and John Anderson.
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  • Samuel Alexander's Early Reactions to British Idealism.A. R. J. Fisher - 2017 - Collingwood and British Idealism Studies 23 (2):169-196.
    Samuel Alexander was a central figure of the new wave of realism that swept across the English-speaking world in the early twentieth century. His Space, Time, and Deity (1920a, 1920b) was taken to be the official statement of realism as a metaphysical system. But many historians of philosophy are quick to point out the idealist streak in Alexander’s thought. After all, as a student he was trained at Oxford in the late 1870s and early 1880s as British Idealism was beginning (...)
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  • On the appreciation of cinematic adaptations.Paisley Nathan Livingston - unknown
    This article explores basic constraints on the nature and appreciation of cinematic adaptations. An adaptation, it is argued, is a work that has been intentionally based on a source work and that faithfully and overtly imitates many of this source's characteristic features, while diverging from it in other respects. Comparisons between an adaptation and its source are essential to the appreciation of adaptations as such. In spite of many adaptation theorists' claims to the contrary, some of the comparisons essential to (...)
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