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  1. Is a kantian Musical Formalism Possible?Thomas J. Mulherin - 2016 - Journal of Aesthetics and Art Criticism 74 (1):35-46.
    In this article, I consider whether a suitably stripped-down version of Kant's aesthetic theory could nevertheless provide philosophical foundations for musical formalism. I begin by distinguishing between formalism as a view about the nature of music and formalism as an approach to music criticism, arguing that Kant's aesthetics only rules out the former. Then, using an example from the work of musicologist and composer Edward T. Cone, I isolate the characteristics of formalist music criticism. With this characterization in mind, I (...)
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  • The intentional model in interpretation.Alex Kiefer - 2005 - Journal of Aesthetics and Art Criticism 63 (3):271–281.
  • Elucidating the Truth in Criticism.Stacie Friend - 2017 - Journal of Aesthetics and Art Criticism 75 (4):387-399.
    Analytic aesthetics has had little to say about academic schools of criticism, such as Freudian, Marxist, feminist, or postcolonial perspectives. Historicists typically view their interpretations as anachronistic; non-historicists assess all interpretations according to formalist criteria. Insofar as these strategies treat these interpretations as on a par, however, they are inadequate. For the theories that ground the interpretations differ in the claims they make about the world. I argue that the interpretations of different critical schools can be evaluated according to the (...)
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  • Meno kūrinio interpretacijos laisvės ribos.Edita Budrytė - 2014 - Žmogus ir Žodis 16 (4).
    Straipsnyje keliamas klausimas, ar kritinis pliuralizmas neatveria kelio neribotai meno kūrinio interpretatoriaus laisvei. Interpretacijos laisvės ribų problema nagrinėjama remiantis analitinės estetikos autorių argumentais bei dialogine Hanso-Georgo Gadamerio interpretacijos samprata. Atskleidžiami skirtingi požiūriai į meno kūrinio tapatybę ir su tuo susijusios išvados, kaip, kokiu būdu pats kūrinys gali riboti interpretatoriaus laisvę. Svarstoma, ar skirtingos to paties meno kūrinio interpretacijos negriauna jo tapatybės. Hermeneutinė teisingo supratimo samprata pristatoma kaip atsvara objektyvizmui bei reliatyvizmui.
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