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Sociolinguistics: Theoretical Debates

[author unknown]
(2016)

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  1. Queering critical discourse studies or/and Performing ‘post-class’ ideologies.Crispin Thurlow - 2016 - Critical Discourse Studies 13 (5):485-514.
    ABSTRACTAt the heart of this paper is a desire to queer critical discourse studies a little: jabbing at our norms and wisdoms, poking around our spiritless or dispirited spaces, and perhaps nudging us towards some new possibilities. This impulse is prompted by my collaborative research on elitist discourse and so-called luxury tourism which also serve as the thematic focus of my paper here. Throughout this work, I have struggled to manage the affective, spatial, and embodied nature of status/privilege. For all (...)
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  • Meaning change and changing meaning.Allison Koslow - 2022 - Synthese 200 (2):1-26.
    Is conceptual engineering feasible? Answering that question requires a theory of semantic change, which is sometimes thought elusive. Fortunately, much is known about semantic change as it occurs in the wild. While usage is chaotic and complex, changes in a word’s use can produce changes in its meaning. There are several under-appreciated empirical constraints on how meanings change that stem from the following observation: word use finely reflects equilibrium between various communicative pressures. Much of the relevant work in linguistics has (...)
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  • Recontextualising partisan outrage online: analysing the public negotiation of Trump support among American conservatives in 2016.Anthony Kelly - 2020 - AI and Society:1-12.
    This article conceptualises the role of audience agency in the performance of American conservative identities within a hybridised outrage media ecology. Audience agency has been under-theorised in the study of outrage media through an emphasis on outrage as a rhetorical strategy of commercial media institutions. Relatively little has been said about the outrage discourse of audiences. This coincides with a tendency to consider online political talk as transparent and "earnest," thereby failing to recognise the multi-vocality, dynamism, and ambivalence—i.e., performativity—of online (...)
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