The logical analysis of Nāgārjuna’s catuṣkoṭi has remained a heated topic for logicians in Western academia for nearly a century. At the heart of the catuṣkoṭi, the four corners’ formalization typically appears as: A, Not A, Both, and Neither. The pulse of the controversy is the repetition of negations in the catuṣkoṭi. Westerhoff argues that Nāgārjuna in the Mūlamadhyamakakārikā uses two different negations: paryudāsa and prasajya-pratiṣedha. This paper builds off Westerhoff’s account and presents some subtleties of Nāgārjuna’s use of these (...) negations regarding their scope. This is achieved through an analysis of the Sanskrit and Tibetan Madhyamaka commentarial tradition and through a grammatical analysis of Nāgārjuna’s use of na and a- within a diverse variety of the catuṣkoṭi within the Mūlamadhyamakakārikā. (shrink)

Este ensayo está dedicado a la serie grey paintings del artista norteamericano Cy Twombly. A partir de un análisis de Panorama y Cold Stream, planteo que la serie se vincula a formas de inscripción asociadas, simultáneamente, a lo verbal y lo pictórico. Si bien no es posible identificar letras ni palabras, estas obras manifiestan un estrecho vínculo con una dimensión gestual y corporal de la escritura. En mi análisis establezco relaciones con inscripciones arcaicas, con la criptografía, y con procesos de (...) alfabetización escolar. (shrink)