Se realiza un estudio comparativo del problema de la percepción en Aristóteles y Maurice Merleau-Ponty, considerando el marco antropológico en el que se inscriben sus propuestas. Se establecen sus posibles puntos de contacto y sus diferencias más importantes. Se presta especial atención al vínculo entre el acto senso-perceptual yel movimiento, así como al problema de la conciencia perceptual y a la cuestión de la actualidad común entre el sentiente y el sensible.

RESUMEN Se realiza un estudio comparativo del problema de la percepción en Aristóteles y Maurice Merleau-Ponty, considerando el marco antropológico en el que se inscriben sus propuestas. Se establecen sus posibles puntos de contacto y sus diferencias más importantes. Se presta especial atención al vínculo entre el acto senso-perceptual y el movimiento, así como al problema de la conciencia perceptual y a la cuestión de la actualidad común entre el sentiente y el sensible. ABSTRACT The article provides a comparative study (...) of the problem of perception in Aristotle and Maurice Merleau-Ponty, taking into account the anthropological context that frames their proposals. It establishes their possible points of convergence and their main differences. The study also pays special attention to the link between the sensory-perceptual act and movement, as well as to the problem of perceptual consciousness and the issue of the actuality common to the sentient and sensible aspects. (shrink)

In the largely historical and aporetic first book of theDe Anima (DA), Aristotle makes what appear to be some rather disturbing remarks about the soul's status as a subject of mental states. Most notably, in a curious passage which has aroused the interest of commentators, he seems to suggest that there is something wrong with regarding the soul as a subject of mental states:Thus, saying that the soul is angry is the same as if one were to say that the (...) soul builds houses and weaves: for it is perhaps better to say not that the soul pities or learns or thinks, but that the man does [these things] with his soul. (DA408bll–15). (shrink)

Depuis fort longtemps le matérialisme – ou, si l'on veut, la physique – se présente comme la théorie universelle, celle qui dévoile la vraie nature de toute chose et est done capable de tout expliquer. Cette prétention grandiose s'est toujours butée contre certains phénomènes psychiques qu'il paraissait invraisemblable de croire réductibles à la simple matière. Mais au cours de ce siècle un grand nombre de ces phénomènes psychiques ont été conquis par le matérialisme. Ainsi labiologie moléculairea intégré la vie à (...) la physique; linformatiquenous a montré que la simple matière peut être capable de faire des ealculs rationnels et lacybernétiquela dote de comportements finalisés. Ce sont là des progrès importants et qui s'accélèrent: la victoire du matérialisme semble assurée. (shrink)

In the largely historical and aporetic first book of the De Anima , Aristotle makes what appear to be some rather disturbing remarks about the soul's status as a subject of mental states. Most notably, in a curious passage which has aroused the interest of commentators, he seems to suggest that there is something wrong with regarding the soul as a subject of mental states: Thus, saying that the soul is angry is the same as if one were to say (...) that the soul builds houses and weaves: for it is perhaps better to say not that the soul pities or learns or thinks, but that the man does [these things] with his soul. (shrink)

This paper examines Pomponazzi's arguments against Averroes in his De Immortalitate Animae, focusing on the question whether thought is possible without a body. The first part of the paper will sketch the history of the problem, namely the interpretation of Aristotle's remarks about the intellect in De Anima 3.4-5, touching on Alexander, Themistius, and Averroes. The second part will focus on Pomponazzi's response to Averroes, including his use of arguments by Aquinas. It will conclude by suggesting that Pomponazzi's discussion stands (...) as the first properly modern account of Aristotle's psychology. (shrink)

El presente artículo trata de reconstruir la eventual continuidad doctrinal en el tratamiento aristotélico entre el alma y el cuerpo. Primeramente, trataremos de problematizar las clásicas dicotomías en las que se ha intentado encajar la teoría hilemórfica con vistas a demostrar la imposibilidad de defender bien sea un dualismo o bien un monismo que resuma, con exactitud suficiente, el tratamiento aristotélico del alma. Finalmente, y a la luz de los planteamientos definitivos que parecen recogerse en De Anima, abordaremos un análisis (...) comparado entre este tratado tardío y el examen de la relación entre el alma y el cuerpo contenido en los textos morales del Estagirita. (shrink)

In this paper I hope to show that a particular modern approach to Aristotle's philosophy of mind is untenable and, out of that negative discussion, develop some tentative suggestions concerning the interpretation of two famous and puzzling Aristotelian maxims. These maxims are, first, that the soul is the form of the body and, second, that perception is the reception of form without matter. The fashionable interpretation of Aristotle which I wish to criticize is the attempt to assimilate him to certain (...) modern philosophies of mind by making him into a functionalist. I shall therefore begin by explaining this modern term of art. (shrink)

In this paper I hope to show that a particular modern approach to Aristotle's philosophy of mind is untenable and, out of that negative discussion, develop some tentative suggestions concerning the interpretation of two famous and puzzling Aristotelian maxims. These maxims are, first, that the soul is the form of the body and, second, that perception is the reception of form without matter. The fashionable interpretation of Aristotle which I wish to criticize is the attempt to assimilate him to certain (...) modern philosophies of mind by making him into a functionalist. I shall therefore begin by explaining this modern term of art. (shrink)

Aristotle’s typical procedure is to identify something's four causes. Intentional action has typically been treated as an exception: most think that Aristotle has the standard causalist account, according to which an intentional action is a bodily movement efficiently caused by an attitude of the appropriate sort. I show that action is not an exception to Aristotle’s typical procedure: he has the resources to specify four causes of action, and thus to articulate a powerful theory of action unlike any other on (...) offer. (shrink)

Aristotle’s broad characterization of the soul has been challenged on account of its reliance on the notion of a “potentially alive body”. J. L. Ackrill famously claimed that no body can meet this description without being already actually alive. By a close inspection of both metaphysical and embryological texts, this paper argues that (1) it is embryos (and not fully-formed organic bodies) who provide the right kind of potentially alive subjects and that (2) the schematic character of the soul’s common (...) formula accounts for its seemingly intractable features. It also holds that (3) once the homonymous nature of life is brought into the picture, the κοινότατος λόγος appears unproblematic – at least for some of its most troublesome instances. (shrink)

In L. Frank Baum's story, Ozma of Oz, which is a sequel to Baum's much more famous story, The Wonderful Wizard of Oz, Dorothy and her companion come upon a wound-down mechanical man bearing a label on which are printed the following words: Smith and Tinker's Patent Double-Action, Extra-Responsive, Thought-Creating Perfect-Talking MECHANICAL MAN Fitted with our Special Clock-Work Attachment Thinks, Speaks, Acts, and Does Everything but Live As Dorothy and her companion are made to discover when they wind up this (...) man, he is indeed capable of doing all the things of which his label boasts—acting, speaking and even thinking. But as Tik-Tok himself insists, and no one in the story casts doubt on the matter, he is not alive. (shrink)

The paper aims to show that Philoponus’ theory of sense-perception does not fit in with the spiritualist claim that the sensory process does not involve an extra material change in the sense-organ. Both the specific sense-organs and the primary sense-organ contract or expand in the perceptual process. On the other hand, the literalist claim needs to be modified as well since only the tactile sense-organ takes on the relevant qualities. Contraction or expansion in the sense-organ is triggered, not by physical (...) changes in the medium, but by the formal activities arising from the perceptible objects: colours make the visual sense-organ contract or expand. At the level of sense-organs, the physiological process underlying sense-perception has three stages. The change in specific sense-organ will be transmitted to the primary sense-organ of the particular sense , and then reaches the common sense-organ, the pneuma. The primary sense-organs are spatially distinguishable parts of the common sense-organ which is otherwise homogeneous, not allowing for qualitative differences. The homogeneity of the pneuma establishes the unity of sense-perception at the level of physiological processes. (shrink)

In an attempt to reject Cartesian Dualism, some philosophers and scientists of the late twentieth century proposed a return to the ancient position that Descartes had opposed, i.e., Aristotle’s psychological hylomorphism, which applied to living beings the ontological thesis, according to which every substance is a compound of matter (hyle) and form (morphe). In this perspective, the soul is actual possession of the body’s capacity to perform a series of life functions. Therefore, according to Aristotle, soul and body are reciprocally (...) interdependent aspects of the living being, so that we must consider the former as an enmattered form, and the latter as an enformed or ensouled matter. This means that, for Aristotle, all the functions of the soul, even the highest ones like thought, are essentially connected with the body, since they ultimately require sensations. This paper illustrates and supports this doctrine in detail, especially in relation to the cognitive processes of the human mind. (shrink)

In this paper I consider two related issues raised by Aristotle 's treatment of hearing and sounds. The first concerns the kinds of changes Aristotle takes to occur, in both perceptual medium and sense organs, when a perceiver hears a sounding object. The second issue concerns Aristotle 's views on the nature and location of the proper objects of auditory perception. I argue that Aristotle 's views on these topics are not what they have sometimes been taken to be, and (...) that when rightly understood they compare favourably in many respects with leading contemporary accounts. (shrink)

Anyone who comes to read some of Aquinas' works and at the same time looks around for modern discussions of them will be struck by two things: first, the greater part of the latter is the product of American and European Catholic neo-scholasticism; and second, that, with a few distinguished exceptions,1 what is contributed by writers of the analytical tradition is often a blend of uninformed generalizations and some suspicion that what Aquinas presents is not so much independent philosophy as (...) propaganda for the cause of Christian theology. (shrink)

Aristotle sometimes claims that the perception of special perceptibles by their proper sense is unerring. This claim is striking, since it might seem that we quite often misperceive things like colours, sounds and smells. Aristotle also claims that the perception of common perceptibles is more prone to error than the perception of special perceptibles. This is puzzling in its own right, and also places constraints on the interpretation of. I argue that reading Alexander of Aphrodisias on perceptual error can help (...) to make good sense of both of Aristotle’s claims. (shrink)

Berkeley’s capacity to conceive of mind-independent bodies was corrupted by his theory of representation. He thought that representation of things outside the mind depended on resemblance. Since ideas can resemble nothing than ideas, and all ideas are mind dependent, he concluded that we couldn’t form ideas of mind-independent bodies. More generally, he thought that we had no inner resembling proxies for mind-independent bodies, and so we couldn’t even form a notion of such things. Because conception is a suggestible faculty, Berkeley’s (...) arguments actually made it the case that he himself couldn’t conceive of mind-independent bodies. (shrink)

This article considers whether and how there can be for Aristotle a genuine science of ‘pure’ psychology, of the soul as such, which amounts to considering whether Aristotle’s model of science in the Posterior Analytics is applicable to the de Anima.

This paper aims to identify several interpretive problems posed by the final part of DA II.11, where Aristotle intertwines the thesis that a sense is like a ‘mean’ and an explanation for the existence of a ‘blind spot’ related to the sense of touch, adding the further contention that we are capable of discriminating because the mean ‘becomes the other opposite’ in relation to the perceptible property being perceived. To solve those problems, the paper explores a novel interpretation of Aristotle’s (...) claims, arguing that they describe a homeostatic physiological reaction by which the sensory apparatus responds to perceptible stimuli. According to the proposed interpretation, such homeostatic reaction constitutes a necessary condition for perceiving what Aristotle refers to as ‘proper’ perceptible features, which include properties like ‘hot’ and ‘cold’ as well as colors and sounds. (shrink)

Modern songs, films, novels and daily speech often use heart imagery to illustrate ‘inner self’ experiences, such as deeply felt emotions. Where do these ideas come from and what relevance do they have for medicine today? This article explores some of the key origins and periods of development of heart/‘inner self’ ideas before considering the significance of heart/‘inner self’ interactions in modern clinical practice: from Aristotelian anatomy and the translated Hebrew Scriptures; through Shakespeare, William Harvey and the Protestant Reformation; to (...) theories of emotion and modern-day cardiology. I conclude that heart/‘inner self’ interactions exist in clinically significant ways, but are poorly understood and under-recognised in healthcare settings. Greater integration of cardiovascular and psychosocial medicine would improve patient care. (shrink)

I argue that a study of the Nicomachean Ethics and of the Parva Naturalia shows that Aristotle had a notion of attention. This notion captures the common aspects of apparently different phenomena like perceiving something vividly, being distracted by a loud sound or by a musical piece, focusing on a geometrical problem. For Aristotle, these phenomena involve a specific selectivity that is the outcome of the competition between different cognitive stimuli. This selectivity is attention. I argue that Aristotle studied the (...) common aspects of the physiological processes at the basis of attention and its connection with pleasure. His notion can explain perceptual attention and intellectual attention as voluntary or involuntary phenomena. In addition, it sheds light on how attention and enjoyment can enhance our cognitive activities. (shrink)

I must admit that I was long tempted to choose a different title for this lecture—one which seemed to give a better idea of its contents. On the other hand, the title I found so attractive did not seem suited to the note of solemnity which normally accompanies an inaugural lecture. I was forced to suppress it—until today, at any rate; for today I have the opportunity of justifying it, and I hope to make the most of it. The title (...) I wanted to use was ‘The Thing with the Thing’. (shrink)

Traditional interpretations of Aristotle’s theory of perception mainly focus on uncovering the underlying mechanisms that are at stake when perceivers are affected by sensible qualities. Investigating the nature of sense perception is one of Aristotle’s main worries and one that he explicitly relates to the question of its causes (e. g.Sens. 436a16–17, 436b9) and its ends (e. g.de An. 434a30 ff.). Therefore I suggest that, in order to fully explain Aristotle’s view of perceptual phenomena, the possibilities, the constraints, and the (...) goals defined by the embodied and situated engagement of perceivers with the external world must be taken into account. Accordingly, in this paper, I provide an affective reading of Aristotle’s theory of perception. I shall ask what, in addition to functioning sense organs and appropriate response mechanisms, the perceiver contributes to perceptual content. Specifically, I propose to shed light on the significance of perceptual experience for the perceiver and I aim to show that, according to Aristotle, one’s biological and personal qualities are perceptually relevant, meaning that they underpin perception, rather than coming into play after perception has occurred and its objects have been discerned. The paper is divided into two parts, respectively dealing with sensory affections and more complex affective phenomena. As regards the domain of primal sense perception, I will focus on smell as a representative example: since Aristotle identifies it as the least developed of human sensory faculties, it will serve as a revealing illustration of how sense perception is informed and qualified by what, drawing on contemporary philosophical terminology, I will call ‘perceptual interests’, viz. the affective sense of what is at stake in the living being’s interaction with the environment. I will then proceed to consider the way more complex affective phenomena underpin perception by examining the case of emotions and that of virtues of character. By showing how perception is affectively inflected and how emotion is rooted in perception’s bodily nature, I aim to sketch out the general lines along which I believe that the Aristotelian theory of perception should be approached. (shrink)

This essay explores some of the central aspects of Aquinas's account of mental representation, focusing in particular on his views about the intentionality of concepts (or intelligible species). It begins by demonstrating the need for a new interpretation of his account, showing in particular that the standard interpretations all face insurmountable textual difficulties. It then develops the needed alternative and explains how it avoids the sorts of problems plaguing the standard interpretations. Finally, it draws out the implications of this interpretation (...) with the aim of correcting some persistent misunderstandings of the connection between Aquinas's views and those developed by contemporary philosophers of mind. (shrink)

Aristotle's Rhetoric defines fear as a kind of pain or disturbance and pity as a kind of pain . In his Poetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ . The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in connection with catharsis. Catharsis, however, raises more problems than it solves. Aristotle says nothing at all (...) about the tragic catharsis in the Poetics except to state that tragedy accomplishes it. Though he gives a more complete account of catharsis in the Politics, the context of this passage is so different from that of the Poetics that its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of the Poetics according to which a tragedy is pleasurable in one respect and painful in another, and pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of the oikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view of catharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works. (shrink)

Aristotle'sRhetoricdefines fear as a kind of pain (lypē) or disturbance (tarachē) and pity as a kind of pain (2.5.1382 a 21 and 2.8.1385 b 13). In hisPoetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ (τ⋯ν ⋯π⋯ ⋯λέου κα⋯ ɸόβου δι⋯ μιμήσεως δεῖ ⋯δον⋯ν παρασκευάζειν14.1453 b 12–13). The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in (...) connection withcatharsis.Catharsis, however, raises more problems than it solves. Aristotle says nothing at all about the tragiccatharsisin thePoeticsexcept to state that tragedy accomplishes it. Though he gives a more complete account ofcatharsisin thePolitics, the context of this passage is so different from that of thePoeticsthat its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of thePoeticsaccording to which (1) a tragedy is pleasurable in one respect and painful in another, and (2) pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of theoikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view ofcatharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works. (shrink)

Aristotle’s Naïve Somatism is a re-interpretation of Aristotle’s cognitive psychology in light of certain presuppositions he holds about the living animal body. The living animal body is presumed to be sensitive, and Aristotle grounds his account of cognition in a rudimentary proprioceptive awareness one has of her body. With that presupposed metaphysics under our belts, we are in a position to see that Aristotle in de Anima (cognition chapters at least) has a di erent explanatory aim in view than that (...) which the literature generally imputes to him. He is not explicating what we would call the “mental”—the private, inner realm which some take to be of a di erent kind than the physical—as most take him to be. His explanandum is content acquisition; the explanans is showing how the body becomes like various aspects of objects. Although he famously describes the mind (nous) as unmixed with the body, he is guided by functional constrains—nous cannot be limited or qualified if it is to potentially think all things. Thus, his inquiry into cognition is philosophically limited from a contemporary perspective. Aristotle is not doing philosophy of mind, for he doesn’t seem to find the “mental” philosophically perplexing. (shrink)

This dissertation explores Aristotle’s use of teleology as a principle of explanation, especially as it is used in the natural treatises. Its main purposes are, first, to determine the function, structure, and explanatory power of teleological explanations in four of Aristotle’s natural treatises, that is, in Physica (book II), De Anima, De Partibus Animalium (including the practice in books II-IV), and De Caelo (book II). Its second purpose is to confront these findings about Aristotle’s practice in the natural treatises with (...) the theoretical picture of the structure of teleological explanations gained from Aristotle’s theory of scientific demonstration. For this purpose a new interpretation of Analytica Posteriora II.11 is presented. This study thereby contributes to recent scholarship on the relation between Aristotle’s philosophy of science and his philosophy of nature, while at the same time adding to our knowledge of Aristotle’s notion of teleology in terms of its explanatory merits and limits. (shrink)

Images share a common feature with all phenomena of imagination, since they make us aware of what is not present or what is fictional and not existent at all. From this perspective, the philosophical approach of Kendall Lewis Walton—born in 1939 and active since the 1960s at the University of Michigan—is perhaps one of the most notable contributions to image theory. Walton is an authoritative figure within the tradition of analytical aesthetics. His contributions have had a considerable influence on a (...) broad range of topics, such as the role of categories in the understanding of the arts (Walton, “Categories of Art”. Philosophical Review, 79(3): 334–367, 1970), the ambiguous nature of emotions in the experience of fictional stories (Walton, “Fearing Fictions”. The Journal of Philosophy, 75(1): 5–25, 1978), the transparency of photographic images compared to other depictions (Walton, “Transparent Pictures: On the Nature of Photographic Realism”. Noûs, 18(1): 67–72, 1984) and, above all, the development of a general theory of fiction as imaginative activity. His 1990 book Mimesis as Make-believe: On the Foundations of the Representational Arts collects and re-elaborates articles Walton published on the subject since the 1970s. Though he does not attempt to give a definitive answer for what imagination is, Walton thoroughly investigates its role in all cases of representational works, describing depictions as a specific case of “make-believe” activity: images, in short, are specific props of a visual and perceptual “make-believe” game. (shrink)

The main aim of my thesis is to ascertain whether empathy has the required qualities of an emotion. Disagreement is rife regarding the process leading to the arousal of an emotion, which creates uncertainty as to what exactly an emotion is, and how it appears. This is the first issue I tackle in my work, as I concentrate on examining some of the significant cognitive and feeling theories of emotions. My study of these theories outlines their downsides, and I instead (...) propose to retain a hybrid definition that combines the advantages of both families of theories to provide a balanced approach that recognises the importance of both physical changes and cognitions. The focus of my work then moves specifically onto empathy, with the intention of precisely defining this term too, its functioning, as well as the meaning of the expression ‘feeling empathy for someone’. The existing literature on empathy fails to provide a clear understanding of empathy’s classification as an emotion or a skill. My work is original in that I avoid assertions and clearly establish that empathy constitutes an emotion based on the definition of emotion I advance in the first part of my work. (shrink)

My dissertation explores some issues of Aristotle’s philosophy, regarding the functionalist interpretation developed by Hilary Putnam and Martha C. Nussbaum as a valuable starting point. In Chapter One, I analyze some families of interpretations of Aristotle’s “psuchology” proposed in the second half of the 20th century in the context of the philosophy of mind. I show how some aspects of Aristotle’s thought, which are correctly grasped by the dualistic as well as by the physicalist interpretation, are later resumed and harmonized (...) by functionalism into a coherent doctrine. In Chapter Two it is worth to set out an analysis of Aristotle’s hylomorphism. I take into account homonymy, which is traditionally conceived as being in conflict with hylomorphism. I show not only how homonymy is rather a consequence of hylomorphism, but also how it allows to highlight that hylomorphism, if properly conceived, should be regarded as an ontological thesis with predicative consequences. In this regard, I suggest my own definition of hylomorphism. In Chapter Three, I take into account Aristotle’s final causation, comparing it with contemporary naturalism. I hold that teleology demonstrates Aristotle’s anti-reductionism and, in particular, the fact that he attributes causal efficacy to natural forms and ends. I criticize functionalism for having regarded Aristotle’s formal and final causes as being just explanatory, whereas, on the contrary, Aristotle conceives such explanatory character to derive from their genuine causal role. I formulate my own position, which I label as “logical compatibilism”. I hint at how the functional analysis of living organism may establish some points of contact between Aristotle’s and Darwin’s analysis. I recognize that functionalism correctly grasps the functional roles Aristotle attributes to matter and form and that it translates such an account in a valuable philosophical doctrine. Nevertheless, functionalism confines itself within the framework of contemporary philosophy of mind and fails to comprehend Aristotle’s anti-reductionist naturalism as regards biological life and nature in general. (shrink)