Christopher Lasch's True and Only Heaven and Michael Sandel 's Democracy's Discontent are similarly motivated criticisms of consumer society. However, Lasch identifies the ideals animating American consumer society as stemming from a broader humanist impulse, the roots of which he explores and criticizes. This strategy allows Lasch to place his critique of consumerism alongside criticisms of a full range of humanist ideals. Sandel, who articulates a more narrowly focused criticism of consumer society, never links its underlying imperatives to a broader (...) humanism, thus failing to recognize how his alternative, civic republicanism, might share some of the same problems. (shrink)

The phenomena, processes and states related to the field of environment have been developed within complex contexts. Similarly, the meanings given to concepts in the context of environment too have gone into problematic situations. This leads to a dispute over meanings between environmentalist and philosophers within the same school of philosophy and among different schools such as western and eastern thoughts. This, further, has led to crippling of both the national and the international programs and plans that have been aimed (...) at solving environmental problems and conserving the environment. The broader objective of this paper is to inquire theoretical and historical evolutionary process of the concept of environment in the field of philosophy. In particular, this study discusses theoretical positions that were created in the history of philosophy in the context of modernity. In conclusion, this paper problematizes some issues which create ‘crisis in meaning’ in the context of environment and suggests practical and realistic orders to search a solution for the said crisis. (shrink)

Ernest Becker’s work addresses the implications that arise from being aware of our own mortality. Like Sartre, Becker recognises that human beings have the potential to transcend and look beyond their immediate situation, but his work also confronts the darker aspects of human existence that arise from our self-awareness. The aim of the paper is to provide an overview of Becker’s work and to show the potential of Becker’s theory of evil to inform a number of contemporary debates in the (...) social sciences. Although Becker’s work directly examines why human beings can act so inhumanly towards one another, his theory is not altogether pessimistic. The paper concludes by arguing that Becker’s theory intended to create new possibilities for living in more creative and humane world. (shrink)

ABSTRACTThis paper compares Margaret Archer’s morphogenetic critical realism and Michel Foucault’s implicit discursive realism. It argues that there is a surprisingly high degree of correspondence between the two social ontologies. Specifically, both ontologies suggest that there are three largely autonomous domains in operation: cultural, structural, and agentive. Yet, while each of these domains have a level of independence, yet they are also partially constituted by the content and form of the others. This paper discusses the potential to integrate the two (...) approaches in such a way as to overcome their respective short-comings, namely the underdevelopment of culture in Archer’s ontology, and the underdevelopment of social agency in Foucault’s ontology. (shrink)

Recent critiques of normative universalism have helped entrench a dichotomy between formalist universal egalitarian claims (typical of the liberal tradition) and particularist attention to cultural difference (in contemporary communitarianism, and in more or less postmodernist approaches). Focusing on the work of Richard Rorty and Iris Marion Young, this article explores whether, and how, we might find space for a universalism which avoids problems encountered by the formalist model. I argue that, while both Rorty and Young reject ‘Enlightenment’ universalism, the approaches (...) of both contain covert universalist assumptions. They thus represent different forms of ‘soft’ universalism: approaches which are fallibilist about current moral knowledge but which hold out the possibility of genuinely inclusive pan‐human normative frameworks. The trouble with both is that neither, in the end, provides a persuasive basis for their own position – one which avoids an ultimate arbitrariness about the winning out of one normative conception (be it humanitarian or not) over another. I suggest that recourse to ontology, and the kinds of metaphysical claim deemed outmoded in the mainstream of social and moral philosophy, provide such a basis. I argue too that a conception of human being as relational, and of the flourishing of the individual as requiring relations with others, is the best‐placed candidate to do the work required. (shrink)

The hegemonic discourse on humanism in the contemporary academy – a critical discourse in the form of a theoretical anti-humanism – is marked by a certain degree of impoverishment. This impoverishment is the result of many contextual factors, including the ideological purposes to which the discourse has been put, but also the effects of internal workings of the paradigm associated with anti-humanism itself. In this article, I trace the development of this discourse in its foundational early- and mid-twentieth century manifestations, (...) outlining its central characteristics as well as its tensions and aporias, both theoretical and political. I argue that the critical discourse, which has informed our contemporary understanding of humanism, needs to be meaningfully sublated and that a new discourse – one that has reflected deeply upon the anti-humanist discourse: its strengths and its weaknesses – should take its place. (shrink)

Creations of many contemporary artists indicate the emergence of technoculture. Although artistic manifestations of technoculture may appear to be a provocation, they encourage fundamental ontological questions, such as whether a person has unchanging nature; what was and is our relationship to the Other, and what it should be; to what extent can body and mind be altered before they stop being “human”; what is the future of our species. To properly understand the works of technoculture artists, it appears necessary to (...) have a thorough grasp post- and transhumanism as their key sources of inspiration. As a result, the developed tools will be employed to indicate which aspects of technoculture are a manifestation of post- and transhumanist ideas. This analysis is based primarily on the works of Stelarc and Orlan – two widely commented artists of technoculture. (shrink)

I distinguish the ethics of transhumanism from a related metaphysical position which I refer to as “speculative posthumanism.” Speculative posthumanism holds that posthumans might be radically non-human and thus unintelligible in human terms. I claim that this transcendence can be viewed as analogous to that of the thing-in-itself in Kantian and post-Kantian European philosophy. This schema implies an impasse for transhumanism because, while the radically non-human or posthuman would elude evaluation according to transhumanist principles such as personal autonomy or liberal (...) freedom, it is morally unacceptable for transhumanists to discount the possible outcomes of their favoured policies. I then consider whether the insights of critical posthumanists, who employ a cyborg perspective on human-technology couplings, can dissolve this impasse by “deconstructing” the opposition between the human and its prospective posthuman successors. By exhibiting its logical basis in the postructuralist philosophies of Derrida and Deleuze, I show that the cyborg perspective is consistent with both cyborg humanism and a modified speculative posthumanism. This modified account treats the alterity of the posthuman as a historically emergent feature of human and posthuman multiplicities that must be understood through their technical or imaginative synthesis, not in relation to a transcendental conception of the human. (shrink)