This article approaches Gilles Deleuze's notion of problems through a series of thinkers Deleuze draws on in developing this notion: Heidegger, Plato, Kant, Bergson and Nietzsche. Taking these thinkers as its guide, it sketches six broad characteristics that accompany an investment in problems, ultimately arguing that problems are attained through the activity of critique. It echoes Deleuze's essay ‘How Do We Recognise Structuralism?’ by asking: for whom do problems exist? What does Deleuze recognise in those who recognise problems? And what (...) do those who recognise problems make visible for us? (shrink)

In developing the concept of assemblages, Gilles Deleuze draws at least some inspiration from Gilbert Simondon’s concept of information. While his acknowledgement of Simondon’s influence is almost entirely positive, Deleuze explicitly distances himself from the concept of information in order to avoid its link to the field of cybernetics. However, a Deleuzian informational ontology could instead be leveraged as an alternative to cybernetics. Drawing on the Spinozan link between the work of Deleuze and Simondon, it is possible to develop a (...) hybrid informational ontology. This system can not only offer a different approach to information, data and technology than the essentialist concept of information embraced by cybernetics, but also aligns well with recent research in the biological sciences that has disrupted a long-held concept of individuals as entirely separate and autonomous. Shifting away from the Platonic Form to a Deleuzian/simondonian in-formation furthers the post-human project aimed at understanding processes of subjectivation at multiple scales, including the micro and macro. (shrink)

The modern rationalist idea of rule of law, and modern rationalism in general, owes much to Plato and to Platonism. However, Plato’s stance towards the laws of the city is all but clear. On the one hand, we have the seemingly ‘totalitarian’ Plato of the Republic, a dialogue which defends the absolute authority of philosophical wisdom over all prescriptions that are ensuing from existing cities and their laws. On the other hand, we have the ‘more liberal-democratic’ Plato of the Laws, (...) a dialogue which promotes a combination of philosophical wisdom with rule of law. This ambivalence as to the issue of laws permeates one of the most enigmatic of Plato’s works, the Politicus, a dialogue that was written after the Republic and before the Laws. The present essay rejects both the ‘totalitarian’ and the ‘liberal-democratic’ understanding of Plato’s stance towards the laws of the city. The author defends the thesis that laws in the Politicus do not constitute a static Form that works against or with philosophical wisdom and/or democratic self-legislation, but a factor that generates a series of inescapable philosophical and political ambivalences. This approach corresponds with many of the findings of the so-called ‘post-modern jurisprudence’. That is, it brings to the fore the immanent aporias of philosophical dialectics, it emphasises the irreducible un-decidability between violence and consent as foundational elements of the law, and it stresses the adiakrisia between the poisonous and the healing effects of laws as regards the attainment of conditions of social and political justice. (shrink)

Resumen Propongo interpretar la inversión de Deleuze del platonismo como la creación de conceptos nuevos a partir de elementos teóricos tomados de la filosofía del propio Platón. En primer lugar, consideraré el origen nietzscheano de la inversión y su interpretación heideggeriana, de la cual, creo, Deleuze se vale para ciertos argumentos. En segundo lugar, me basaré en la hipótesis de Francis Wolff e Isabelle Ginoux de que la filosofía platónica tiene un carácter ambiguo en la obra deleuziana para analizar esa (...) ambigüedad en términos de la pregunta por los elementos positivos que Deleuze rescata para la creación de una nueva imagen del pensamiento.I propose to interpret the deleuzian reversal of Platonism as the creation of new concepts from the same elements the French philosopher extracts from Plato’s thought. To justify this I will first examine the nietzschean origins of the reversal as well as Heidegger’s interpretation of it, which I think inspires Deleuze. Then, based on the works of Francis Wolff and Isabelle Ginoux, I will explore the ambiguity of Plato’s role in Deleuze’s philosophy, especially in those elements he recovers and exploits to build a new image of thought. (shrink)

In this paper, I will discuss Deleuze’s account of the reversal of Platonism in chapter one of Difference and Repetition, tying it together with Merleau-Ponty’s work on perception. In Difference and Repetition, there are only two references to Merleau-Ponty – one in the note on Heidegger that was added at the insistence of his examiners, and one brief mention in a footnote. Nonetheless, as we shall see, many of the discussions of the origin of representation, as well as the relation (...) of the determinate to the indeterminate in the structure of difference, and the nature of depth, draw heavily on Merleau-Ponty’s work. While there has been some recognition of this influence, I want to draw out some specific points where Deleuze draws on Merleau-Ponty within chapter one of Difference and Repetition. On the other side, as far as I am aware, there is no sustained discussion of Plato in Merleau-Ponty’s work. In showing how Deleuze takes up Merleau-Ponty in his explicit project of reversing Plato, I want to show that the move to a philosophy of the simulacrum is synonymous with Merleau-Ponty’s thesis of the primacy of perception. I will begin by talking about Plato and representation, which ends the chapter, before returning to the beginning of the chapter to look at the nature of difference, then turning to the question of how representation covers over difference. I want to conclude by looking at what Deleuze considers to be the limitations of Merleau-Ponty’s account. (shrink)

This article tries to elucidate the Deleuzian project of the reversal of Platonism in relation to that of Nietzsche. To this aim, I have made a predominantly historiographic sketch of the question in both authors. In the case of Nietzsche, I inquired about both the relationship that the reversal of Platonism presents in his philosophy with the problem of nihilism and the evolution that the topic undergoes throughout his vast intellectual production, until it reaches its final formulation. With regard to (...) Deleuze, I offer a broad overview of his work aimed at tracing the subject, from his interpretation of the Nietzschean formulation, as opposed to that of Heidegger, to the meticulous way in which it fits into his own philosophy as a shift of the essence in favour of the event as a source of singularities. (shrink)

In this article I critically assess Deleuze’s interpretation of Spinoza’s metaphysics of modes. I argue that the conception of modal essence that Deleuze attributes to Spinoza is untenable in terms of Spinoza’s metaphysics. I further show that the idea that modal essences are eternally static degrees of power is incompatible with Spinoza’s ethics, wherein modes strive to increase their power by means of positive interactions with others. I suggest that Deleuze’s interpretation of this crucial aspect of Spinozism runs the risk (...) of reinstating Platonic idealist and moralistic themes, of the kind that both Spinoza and Deleuze are committed to overcoming. (shrink)

Deleuze adopts Nietzsche's manifesto for an overturning of Platonism. However, the consensus view is that Deleuze's project is best understood as a revision not a repudiation of Platonism. Deleuze's engagement with Platonism centres on The Sophist. Out of Plato's concept of phantasm, Deleuze fashions a new concept: simulacrum. In Difference and Repetition, simulacra are invited to rise and affirm their rights; and yet Deleuze later abandons the concept entirely. Why? Although suitable for the purposes of critique, it became otiose in (...) wider applications. More generally, and against the consensus view, I argue that the trajectory of the concept of the simulacrum is emblematic of Deleuze's anti-Platonism. (shrink)

This paper explores the case of using robots to simulate evolution, in particular the case of Hamilton’s Law. The uses of robots raises several questions that this paper seeks to address. The first concerns the role of the robots in biological research: do they simulate something or do they participate in something? The second question concerns the physicality of the robots: what difference does embodiment make to the role of the robot in these experiments. Thirdly, how do life, embodiment and (...) social behavior relate in contemporary biology and why is it possible for robots to illuminate this relation? These questions are provoked by a strange similarity that has not been noted before: between the problem of simulation in philosophy of science, and Deleuze’s reading of Plato on the relationship of ideas, copies and simulacra. (shrink)

While many of the most important figures in the history of philosophy have employed the concept of the simulacrum in one way or another, a detailed study of this usage has yet to be written. In this essay, I will attempt to tell the story of a sequence in that history of that usage, by focusing on one of Deleuze's case studies of the concept of the simulacrum. To do so, I will focus primarily on one the appendices to The (...) Logic of Sense: ‘Lucretius and the Simulacrum’. In order to understand what I will call the Deleuze–Lucretius encounter, I will proceed as follows. After a few initial guiding remarks regarding the general project of the ‘inversion of Platonism’, we will outline some of the most fundamental features of atomistic physics. This will allow us to discuss Lucretius’ thoughts on the clinamen, the swerve. This, in turn, leads directly to the concept of the simulacrum. With such a picture of Lucretian physics in hand, I will pivot to a discussion of Lucretius’ ethics. The ethics consists of a critique of superstition in terms of a general project of demystification. Although this sequence will concentrate mostly on what became one of the appendices to The Logic of Sense, I will end by looking at the more general usage of Lucretian atomism, especially as it functions in Difference and Repetition and The Logic of Sense. (shrink)

In the wake of a series of corporate scandals, there has been a growing call for authentic leadership in order to ensure ethical conduct in contemporary organizations. Authentic leadership, however, depends upon the ability to draw a distinction between the authentic and inauthentic leader. This paper uses Deleuze’s discussion of Platonism as a point of departure for critically scrutinizing the problem of authenticating the leader—drawing a distinction between authentic and inauthentic leaders. This will be done through a reading of Bill (...) George’s book Authentic Leadership. Informed by Deleuze’s inverted Platonism, the paper challenges the practice by which authentic leaders are distinguished from inauthentic leaders. In conclusion, the paper suggests that an adequate concept of authentic leadership should consider how ethics can occur when the authentic leader is able to critically reflect his or her own value-commitments. (shrink)

This paper aims at exploring a particular dimension of the affinity between Gilles Deleuze and pragmatism: his ontology of the virtual, which results in a metaphysics of power. In Deleuze’s reading of Spinoza, the essence of an entity is identical to its power: what can it do? substitutes the Socratic ti esti? as the leading philosophical question. This shift, operated by Spinoza and given a new and adequate ontology by Deleuze, is very close to Peirce’s pragmatic revolution: if Deleuze’s virtual (...) ideas are identical to the range of variations in power and affects that a body may go through, Peirce defines meaning in terms of the whole range of possible effects that an idea would produce if taken to be true. Contradictory as it may sound, the concept of the virtual entails something like a pragmaticism of the singular, which informs every aspect of Deleuze’s philosophy: his doctrine of faculties and his theory of praxis will be used as instances of this pervasiveness. This pragmatist reading of Deleuze could possibly shape an alternative path for contemporary pragmatism: instead of valorising its “edifying” (linguistic, historicistic, humanistic) tendency, Deleuze allows to highlight the vitality of the second vein of pragmatism, the “constructive,” empiricist, speculative, even metaphysical one. (shrink)

A standard approach to examining Deleuze's concept of difference in Difference and Repetition is to follow his critique of representation through an overturning of Platonism, which Deleuze finds to be the definitive task of philosophy after Nietzsche. While engaging this largely critical project, however, there is a tendency to overlook the dimensions of Platonism that Deleuze rehabilitates in a differential and immanent register. This paper aims to recover the essential dimensions of Platonism at the very heart of Deleuze's philosophy of (...) difference. This recovery is accomplished by distinguishing Nietzsche's overturning of Platonism through his evaluation of the reactive politics of the Idea from Deleuze's own reversal of Platonism through his evaluation of the active politics of simulacra. (shrink)

This study creates and develops a concept called the untimely-image including two sub-concepts called contours of the new and the untimely-site. The untimely-image concerns the clearing for and the expression of figures of “potential” in thought in the form of moving-images. The aim of these concepts is to form a critical framework for evaluating and conceptualizing political film as expressive, not of the new itself but of its “untimely” contours. The untimely-image, and its many implications, is developed over the course (...) of six chapters. Chapter 1 extensively defines “contours” and “new” as operative in this study, and also introduces a theme that runs through all the chapters: how to think the contours of the new in relation to the cult of the new in consumer culture and in relation to the larger mechanisms of advanced capitalism. Chapter 2 defines the parameters of the untimely-image as specifically regarding moving images, and continues the development of this concept. In Chapters 3 to 6, The Wire serves the double function of complicating and giving specification to the elaboration of the untimely-image as well as a case in which the untimely-image is used as a critical framework. The Wire and the untimely-image relate in processes of juxtaposition, wherein they meet, cross over, separate, and reproblematize each other. An untimely-image is fully defined in relation to concrete political issues. The untimely-image is therefore advanced by articulating the components and characteristics that, independently of the concrete issue, remain in every case, as well as by putting the concept to work regarding two specific problems in The Wire: its expression of blackness and its mapping of advanced capitalism. (shrink)

This paper offers an introduction to poststructuralist interpretivist research in information systems, through a poststructuralist theoretical reading of the phenomenon and experience of social networking websites, such as Facebook. This is undertaken through an exploration of how loyally a social networking profile can represent the essence of an individual, and whether Platonic notions of essence, and loyalty of copy, are disturbed by the nature of a social networking profile, in ways described by poststructuralist thinker Deleuze’s notions of the reversal of (...) Platonism. In bringing a poststructuralist critique to such hugely successful and popular social information systems, the paper attempts to further open up the black box of the computer ‘user’, extend interpretive approaches to information systems research to embrace poststructuralism, and explore how notions of the Self might be reflected through engagement with information system (IS), and how an IS appreciation of the phenomenon of global social networking may benefit from embracing such a poststructuralist approach. (shrink)

This thesis argues, contrary to Gilles Deleuze’s critique of method and disavowal of textuality, that there is a re-constructive textual method at work in Deleuze’s 1968 treatise Différence et répétition. It is a method not for interpretation, representation, or deconstruction but for prolonging and reactivating historical and contemporary texts into the present and for the future. It is demonstrated how Deleuze’s method synthesises temporally and thematically heterogeneous texts and make them resonate with each other. The analysis is conducted, first, through (...) a notion of telling stories as a complementary device to Deleuze’s definition of philosophy as the creation of concepts. Second, by showing how Deleuze – instead of offering solutions – connects, develops, and repeats problems from which the new is drawn. Third, by discussing his positive and re-constructive concept of critique and by arguing that his use of free indirect discourse should be understood as a metaphysical and political tool. Finally, by claiming that Deleuze’s concept of multiplicity can be viewed as a synthetic and methodological device that brings a heterogeneous given together. In concluding, it is proposed that Deleuze draws on tools and technics developed in literature and mathematics, specifically differential calculus and geometry, to develop methods for philosophy. Studying Deleuze’s method in Différence et répétition not only offers a prism for throwing new light on Deleuze’s philosophy through his understudied methodology, but also contributes to the development of innovative philosophically inspired methods for re-constructing the present. In addition, this study shows that while Deleuze pushed continental philosophy beyond its hermeneutic, structuralist, and existentialist heritage, he also contributed to the development of novel methodologies. (shrink)