Despite the criticisms that Levinas addresses to Nietzsche throughout his writing, he also praises Nietzsche’s legacy. In Humanism of the Other, he indicates how the Nietzschean man is “‘reducing’ being, […] undoing by the non-saying of dance and laughter […] the worlds that weave the aphoristic verb that demolishes them; retiring from the time of aging […] by the thought of the eternal recurrence”. Interpreting Nietzsche’s ambiguous thought of the eternal recurrence as a source of youth, Levinas brings to light (...) the fertility of Nietzsche’s concept of temporality. The aim of this paper is first to render Nietzsche’s thought on time more explicit, focusing on his approach to eternal recurrence, and then to study Levinas’ own approach to time. In the end, it will be possible to understand better Levinas’ interpretation of Nietzsche, and to shed light on some important similarities between these two different approaches to time. (shrink)

This text has already been published, in La Deleuziana – online journal of philosophy – n. 10 / 2019 – rhythm, chaos and nonpulsed man.: This paper explores the question of the relationship between art, rhythm, and life through a mobilisation of Giorgio Agamben's discussion, first, of Nietzsche and the active nihilist's relation-ship to art, and second, on his diagnosis of rhythm as pertaining to the “original structure” of the work of art in The Man Without Content. Agamben's notion - (...) Philosophie – Nouvel article. (shrink)

This paper explores the question of the relationship between art, rhythm, and life through a mobilisation of Giorgio Agamben’s discussion, first, of Nietzsche and the active nihilist’s relationship to art, and second, on his diagnosis of rhythm as pertaining to the “original structure” of the work of art in The Man Without Content. Agamben’s notion of the “rhythmic” and “poietic” encounter is one which situates the experience of rhythm as the experience of the originary dimension of temporality and of the (...) human’s relationship to the world. Turning to Nietzsche, this paper seeks to complicate Agamben’s picture by discussing Nietzsche’s under-discussed explorations of rhythm and its connection to art. Three distinct rhythms will be identified: Apollonian, Dionysian, and the tragic or joyful rhythms of the Apollo-Dionysus relation. Reading Agamben through Nietzsche, it will be discussed how Agamben’s notion of rhythm blends Apollonian and Dionysian elements; does not through this blending however offer a tragic or joyful notion of rhythm, which, for Nietzsche, follows from their double affirmative rhythmisation. Instead of a rhythmic-poietic encounter opening an originary and authentic experience of temporality and dwelling, Nietzsche offers an account of tragic and joyful rhythms which continually create new worlds. (shrink)

This paper explores early Australasian philosophy in some detail. Two approaches have dominated Western philosophy in Australia: idealism and materialism. Idealism was prevalent between the 1880s and the 1930s, but dissipated thereafter. Idealism in Australia often reflected Kantian themes, but it also reflected the revival of interest in Hegel through the work of ‘absolute idealists’ such as T. H. Green, F. H. Bradley, and Henry Jones. A number of the early New Zealand philosophers were also educated in the idealist tradition (...) and were influential in their communities, but produced relatively little. In Australia, materialism gained prominence through the work of John Anderson, who arrived in Australia in 1927, and continues to be influential. John Anderson had been a student of Henry Jones, who might therefore be said to have influenced both main strands of Australian philosophical thought. (shrink)

A recepção de Nietzsche da filosofia transcendental de Kant é intermediada por diversos autores de diferentes tendências filosóficas que se viam em continuidade com o projeto kantiano de uma filosofia crítica. Um desses autores é Afrikan Spir, filósofo que levou a cabo um programa de renovação da filosofia crítica que ia na contramão da tendência hegemônica na segunda metade do século XIX de naturalização do kantismo. A influência de Spir na construção de algumas das teses epistemológicas centrais do pensamento de (...) Nietzsche é variada, assim como sua importância no que tange à recepção e à crítica nietzscheana ao idealismo transcendental. Nietzsche se apropriou e reinterpretou várias teses e temas presentes na reformulação da teoria kantiana do transcendental proposta por Spir. O objetivo do presente trabalho é investigar o alcance e a importância dessa apropriação e suas consequências para a crítica de Nietzsche ao transcendentalismo. Esta crítica é formulada a partir do pensamento do devir, que constitui a base do seu programa de uma filosofia histórica. Nietzsche's reception of Kant's transcendental philosophy is mediated by various authors from different philosophical tendencies who saw themselves in continuity with the kantian project of critical philosophy. One of these authors is Afrikan Spir, a philosopher who undertook a program of renovation of critical philosophy that went against the tendency of naturalization of kantianism which was hegemonic in the second half of the 19th century. Spir's influence on some of Nietzsche's central epistemological theses is variegated, as well as his importance concerning Nietzsche's reception and criticism of transcendental idealism. Nietzsche appropriated and reinterpreted many theses and themes that featured Spir's reformulation of Kant's theory of the transcendental. The objective of this paper is to investigate the reach and the importance of this appropriation and their consequences for Nietzsche's criticism of transcendentalism. This critique is formulated on the basis of the thought of becoming, which provides, on its part, the basis for his program of a historical philosophy. (shrink)

Largamente desatendida o malinterpretada, la noción de caos en la filosofía de Nietzsche es una pieza constitutiva de la particular concepción del ser que este autor habría dejado apenas esbozada. El artículo se propone elaborar este concepto en la obra nietzscheana, siguiendo algunas de las metáforas que lo iluminan. Desde allí se busca plantear los rasgos centrales de una ontología del caos, de sesgo no metafísico, que, al afirmar el carácter acontecimental de larealidad, puede verse como precursora de la ontología (...) hermenéutica contemporánea. (shrink)