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Time and Becoming in Nietzsche's Thought

Continuum (2010)

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  1. Time and Personal Identity in Nietzsche’s Theory of Eternal Recurrence.Scott Jenkins - 2012 - Philosophy Compass 7 (3):208-217.
    Friedrich Nietzsche’s theory of eternal recurrence is an essential part of his mature philosophy, but the theory’s metaphysical commitments and practical implications are both obscure. In this essay I consider only the metaphysical elements of the theory, with the aim of determining whether it is possible that we live our lives infinitely many times, as the theory maintains. I argue that the possibility of eternal recurrence turns on issues in personal identity and the metaphysics of time. As I proceed, I (...)
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  • Nietzsche and Levinas on time.Nibras Chehayed - 2019 - Continental Philosophy Review 52 (4):381-395.
    Despite the criticisms that Levinas addresses to Nietzsche throughout his writing, he also praises Nietzsche’s legacy. In Humanism of the Other, he indicates how the Nietzschean man is “‘reducing’ being, […] undoing by the non-saying of dance and laughter […] the worlds that weave the aphoristic verb that demolishes them; retiring from the time of aging […] by the thought of the eternal recurrence”. Interpreting Nietzsche’s ambiguous thought of the eternal recurrence as a source of youth, Levinas brings to light (...)
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  • Tragic Rhythms: Nietzsche and Agamben on Rhythm and Art.Conor Heaney - 2019 - Rhuthmos.
    This text has already been published, in La Deleuziana – online journal of philosophy – n. 10 / 2019 – rhythm, chaos and nonpulsed man.: This paper explores the question of the relationship between art, rhythm, and life through a mobilisation of Giorgio Agamben's discussion, first, of Nietzsche and the active nihilist's relation-ship to art, and second, on his diagnosis of rhythm as pertaining to the “original structure” of the work of art in The Man Without Content. Agamben's notion - (...)
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  • Tragic Rhythms: Nietzsche and Agamben on Rhythm and Art.Conor Heaney - 2019 - la Deleuziana 10.
    This paper explores the question of the relationship between art, rhythm, and life through a mobilisation of Giorgio Agamben’s discussion, first, of Nietzsche and the active nihilist’s relationship to art, and second, on his diagnosis of rhythm as pertaining to the “original structure” of the work of art in The Man Without Content. Agamben’s notion of the “rhythmic” and “poietic” encounter is one which situates the experience of rhythm as the experience of the originary dimension of temporality and of the (...)
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  • Idealist Origins: 1920s and Before.Martin Davies & Stein Helgeby - 2014 - In Graham Oppy & Nick Trakakis (eds.), History of Philosophy in Australia and New Zealand. Dordrecht, Netherlands: Springer. pp. 15-54.
    This paper explores early Australasian philosophy in some detail. Two approaches have dominated Western philosophy in Australia: idealism and materialism. Idealism was prevalent between the 1880s and the 1930s, but dissipated thereafter. Idealism in Australia often reflected Kantian themes, but it also reflected the revival of interest in Hegel through the work of ‘absolute idealists’ such as T. H. Green, F. H. Bradley, and Henry Jones. A number of the early New Zealand philosophers were also educated in the idealist tradition (...)
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  • O Devir E o Lugar da Filosofia: Alguns Aspectos da Recepção E da Crítica de Nietzsche Ao Idealismo Transcendental Via Afrikan Spir.William Mattioli - 2013 - Kriterion: Journal of Philosophy 54 (128):321-348.
    A recepção de Nietzsche da filosofia transcendental de Kant é intermediada por diversos autores de diferentes tendências filosóficas que se viam em continuidade com o projeto kantiano de uma filosofia crítica. Um desses autores é Afrikan Spir, filósofo que levou a cabo um programa de renovação da filosofia crítica que ia na contramão da tendência hegemônica na segunda metade do século XIX de naturalização do kantismo. A influência de Spir na construção de algumas das teses epistemológicas centrais do pensamento de (...)
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  • "El carácter total del mundo". Esbozo de una ontología del caos en Nietzsche.Luis Eduardo Gama - 2017 - Ideas Y Valores 66 (165).
    Largamente desatendida o malinterpretada, la noción de caos en la filosofía de Nietzsche es una pieza constitutiva de la particular concepción del ser que este autor habría dejado apenas esbozada. El artículo se propone elaborar este concepto en la obra nietzscheana, siguiendo algunas de las metáforas que lo iluminan. Desde allí se busca plantear los rasgos centrales de una ontología del caos, de sesgo no metafísico, que, al afirmar el carácter acontecimental de larealidad, puede verse como precursora de la ontología (...)
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