This paper looks at the theoretical practice of “critique” in the work of Michel Serres and Anna Lowenhaupt Tsing, focusing especially on the notion of parasitism and femininity. The co-reading shines a light on the crossings of their approaches, like a critique of “laboratory” - like conditions and a masculinist understanding of rationalism. Furthermore, it brings attention to some productive divergences. With Tsing’s approach, this paper reflects critically on Serres’s understanding of femininity and extents his philosophical elaboration of parasites and (...) fungi with a feminist, ecological and anthropological perspective. Serres, on the other hand, contributes with his multi-faceted figure of the “third” crucially to structural reflections on the relation between fungi and femininity, as well as to an understanding of “critique” from the “middle”, beyond the “battle of the two”. (shrink)

The aim of this chapter is to show how Francophone PS, or what is called French (historical) epistemology, embodies this interconnectedness. Moreover, a novel approach to what constitutes French epistemology will be developed here, going beyond a purely historical survey or a reevaluation of a range of concepts found in this tradition.7 The aim is instead to highlight two methodological principles at work in French epistemology that are often in tension with one another, but are not recognized as such in (...) the literature. (shrink)

Gaston Bachelard occupies a unique position in the history of European thinking. As a philosopher of science, he developed a profound interest in genres of the imagination, notably poetry and novels. While emphatically acknowledging the strength, precision and reliability of scientific knowledge compared to every-day experience, he saw literary phantasies as important supplementary sources of insight. Although he significantly influenced authors such as Lacan, Althusser, Foucault and others, while some of his key concepts are still widely used, his oeuvre tends (...) to be overlooked. And yet, as I will argue, Bachelard’s extended series of books opens up an intriguing perspective on contemporary science. First, I will point to a remarkable duality that runs through Bachelard’s oeuvre. His philosophy of science consists of two sub-oeuvres: a psychoanalysis of technoscience, complemented by a poetics of elementary imagination. I will point out how these two branches deal with complementary themes: technoscientific artefacts and literary fictions, two realms of human experience separated by an epistemological rupture. Whereas Bachelard’s work initially entails a panegyric in praise of scientific practice, he becomes increasingly intrigued by the imaginary and its basic images, such as the Mother Earth archetype. (shrink)