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  1. The shifting sands of creative thinking: Connections to dual-process theory.Paul T. Sowden, Andrew Pringle & Liane Gabora - 2015 - Thinking and Reasoning 21 (1):40-60.
    Dual-process models of cognition suggest that there are two types of thought: autonomous Type 1 processes and working memory dependent Type 2 processes that support hypothetical thinking. Models of creative thinking also distinguish between two sets of thinking processes: those involved in the generation of ideas and those involved with their refinement, evaluation, and/or selection. Here we review dual-process models in both these literatures and delineate the similarities and differences. Both generative creative processing and evaluative creative processing involve elements that (...)
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  • From Something Old to Something New: Functionalist Lessons for the Cognitive Science of Scientific Creativity.Guilherme Sanches de Oliveira - 2022 - Frontiers in Psychology 12.
    An intuitive view is that creativity involves bringing together what is already known and familiar in a way that produces something new. In cognitive science, this intuition is typically formalized in terms of computational processes that combine or associate internally represented information. From this computationalist perspective, it is hard to imagine how non-representational approaches in embodied cognitive science could shed light on creativity, especially when it comes to abstract conceptual reasoning of the kind scientists so often engage in. The present (...)
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  • Measuring creativity: an account of natural and artificial creativity.Caterina Moruzzi - 2020 - European Journal for Philosophy of Science 11 (1):1-20.
    Despite the recent upsurge of interest in the investigation of creativity, the question of how to measure creativity is arguably underdiscussed. The aim of this paper is to address this gap, proposing a multidimensional account of creativity which identifies problem-solving, evaluation, and naivety as measurable features that are common among creative processes. The benefits that result from the adoption of this model are twofold: integrating discussions on creativity in various domains and offering the tools to assess creativity across systems of (...)
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  • Mechanisms for constrained stochasticity.Peter Carruthers - 2020 - Synthese 197 (10):4455-4473.
    Creativity is generally thought to be the production of things that are novel and valuable. Humans are unique in the extent of their creativity, which plays a central role in innovation and problem solving, as well as in the arts. But what are the cognitive sources of novelty? More particularly, what are the cognitive sources of stochasticity in creative production? I will argue that they belong to two broad categories. One is associative, enabling the selection of goal-relevant ideas that have (...)
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  • Gray Matter Correlates of Creativity in Musical Improvisation.Cameron Arkin, Emily Przysinda, Charles W. Pfeifer, Tima Zeng & Psyche Loui - 2019 - Frontiers in Human Neuroscience 13.