Book synopis: A collection of more than 30 specially commissioned essays, this volume surveys the work of the 17th-century philosopher-scientist commonly regarded as the founder of modern philosophy, while integrating unique essays detailing the context and impact of his work. Covers the full range of historical and philosophical perspectives on the work of Descartes Discusses his seminal contributions to our understanding of skepticism, mind-body dualism, self-knowledge, innate ideas, substance, causality, God, and the nature of animals Explores the philosophical significance of (...) his contributions to mathematics and science Concludes with a section on the impact of Descartes's work on subsequent philosophers. (shrink)

In the Fourth Meditation, Descartes famously treats the indifference of the will (roughly, ambivalence of reasons) as the source of error, which many read as oddly suggesting that the will judges arbitrarily. In his letter to Elisabeth dated 1st September 1645, however, he expressly takes passions to be the source of error, saying that passions move the will to judge erroneously by misrepresenting the value of objects. Although these two accounts focus on different kinds of error – theoretical and practical (...) error, respectively – I argue that Descartes is best understood as extending the second account also to the source of theoretical error. On my reading, the first account does not imply that erroneous judgements are simply arbitrary, but it leaves out an explanation why we judge at the time we do, when we could (and should) continue to inquire insofar as we have not yet gathered sufficient evidence. The second account fills in this lacuna by giving an explanation in terms of passions. I further argue that the schematic nature of the first account is due partly to the structure of the Meditations, but mainly to the fact that Descartes has not yet systematically examined the nature of passions there. (shrink)

Descartes, Malebranche, and the Crisis of Perception, by OttWalter. Oxford: Oxford University Press, 2017. Pp. 272.

If we were to look caref ully at recent commentary on Descartes's theories of ideas and Sensation, we would find that a large number of commentators hold that he believes the following:.Ideas are representational,Sensations are ideas,Sensations are not representational.This is an inconsistent triad: any two of the above claims can be true together, but they cannot all be true together. The inconsistent triad can be avoided if we reject one of the claims. Some have argued that Descartes did not hold.1 (...) Some have argued that he did not hold. I believe that Descartes held and, and will argue that he did not hold.Generally, any account of Cartesian Sensation at the very least must account for sensations in terms of the ontology. The account must say whether they are modes or not, and if modes, modes of what — mind, body, both, the union, and so on. Moreover, how sensations are cast in terms of the ontology must agree with how they are cast in terms of the epistemology. (shrink)

Ideas play at least two roles in Locke's theory of the understanding. They are constituents of ‘propositions,’ and some of them ‘represent’ the qualities and sorts of surrounding bodies. I argue that each role involves a distinct kind of intentional directedness. The same idea will in general be an ‘idea of’ two different objects, in different senses of the expression. Identifying Locke's scheme of twofold ‘ofness’ reveals a common structure to his accounts of simple ideas and complex ideas of substances. (...) A consequence is a distinction among substance sorts parallel to one of his distinctions between primary and secondary qualities. (shrink)

Alison Simmons, in Simmons (1999), argues that Descartes in Meditation Six offered a teleological account of sensory representation. According to Simmons, Descartes’ view is that the biological function of sensations explains both why sensations represent what they do (i.e., their referential content) and why they represent their objects the way they do (i.e., their presentational content). Moreover, Simmons claims that her account has several advantages over other currently available interpretations of Cartesian sensations. In this paper, I argue that Simmons’ teleological (...) account cannot be sustained for both theoretical and textual reasons and that it does not have the advantages it is claimed to have. (shrink)

.In this paper, I address Descartes’ claims that sensory perceptions function to aid and preserve the subject in interacting with the world, and focus specifically on the ‘valence’, or agreeable/disagreeable quality, that characterizes many sensations. I show how Descartes considers this aspect of sensation to be a significant factor in the ecological role of sensory perception and I then turn to a kind of case that seems to pose a problem for this view: that of aesthetic pleasure. I consider Descartes’ (...) remarks on a particular kind of aesthetic pleasure – that found in musical consonance – and argue that his discussion of this phenomenon reveals that he distinguishes between two distinct kinds of valence – evaluative sensory valence and aesthetic valence – only one of which functions to report directly on ecological evaluation. Further, I suggest that the best way to understand the distinction between these is by appealing to Descartes’ three grades of sensory perception. (shrink)

Descartes first invokes the errors of the senses in the Meditations to generate doubt; he suggests that because the senses sometimes deceive, we have reason not to trust them. This use of sensory error to fuel a sceptical argument fits a traditional interpretation of the Meditations as a work concerned with finding a form of certainty that is proof against any sceptical doubt. If we focus instead on Descartes's aim of using the Meditations to lay foundations for his new science, (...) his appeals to sensory error take on a different aspect. Descartes's new science is based on ideas innate in the intellect, ideas that are validated by the benevolence of our creator. Appeals to sensory error are useful to him in undermining our naïve faith in the senses and guiding us to an appreciation of innate ideas. However, the errors of the senses pose problems in the context of Descartes's appeals to God's goodness to validate innate ideas and natural propensities to belief. A natural tendency to sensory error is hard to reconcile with the benevolence of our creator. This paper explores Descartes's responses to the problems of theodicy posed by various forms of sensory error. It argues that natural judgements involved in our visual perception of distance, size and shape pose a problem of error that resists his usual solutions. (shrink)

Leibniz is unclear about the nature of pleasure. In some texts, he describes pleasure as a perception of perfection, while in other texts he describes pleasure as being caused by a perception of perfection. In this article, I disambiguate two senses of “perception of perfection”, which clarifies Leibniz’s considered position. I argue that pleasure is a perception of an increase in a substance’s power which is caused by a substance’s knowledge of a perfection of the universe or God. This reading (...) helps clarify the nature of Leibnizian happiness. Happiness is a cognitive process (akin to a mood), constituted fundamentally out of pleasure, which is grounded in increases in a substance’s power. A rational substance will sustain its happiness so long as it is more powerful than it is weak, and it is engaging in activities that increase its power. (shrink)

A revisionary reading of Descartes's epistemology has emerged in the literature. Some commentators have argued that Descartes subscribes to passionate epistemology, which claims that epistemic progress in the Meditations requires contributions from the meditator's passions. This paper argues that the passions cannot perform any epistemic work in the Meditations. As such, the meditator's passions do not require us to revise our canonical understanding of the Meditations as an exercise of pure thought. Furthermore, we need not abandon the standard claim that (...) ethical practice emerges in the tree of philosophy only after metaphysics and epistemology have been established. (shrink)

Like their contemporary counterparts, early modern philosophers find themselves in a predicament. On one hand, there are strong reasons to deny that sensations are representations. For there seems to be nothing in the world for them to represent. On the other hand, some sensory representations seem to be required for us to experience bodies. How else could one perceive the boundaries of a body, except by means of different shadings of color? I argue that Nicolas Malebranche offers an extreme -- (...) and ultimately unworkable -- attempt to solve this riddle. Most commentators claim that Malebranche defends an adverbial theory of sensation, according to which a sensation is merely a way in which an act of sensing happens. The adverbial reading is wrong, or so I argue. Once we arrive at a more accurate reading, we shall see that his position is much more strange than is currently thought. Nevertheless, Malebranche’s view is similar to the adverbial theory in one respect, albeit it at a very high level of generality. His view thus inherits two of the main problems that afflict adverbial theories. Although Malebranche fails to solve them, his ingenious attempts to do so are instructive. (shrink)

While Descartes’s Passions of the Soul has been taken to hold a place in the history to human physiology, until recently philosophers have neglected the work. In this research summary, I set Descartes’s last published work in context and then sketch out its philosophical significance. From it, we gain further insight into Descartes’s solution to the Mind--Body Problem -- that is, to the problem of the ontological status of the mind--body union in a human being, to the nature of body--mind (...) causation, and to the way body-caused thoughts represent the world. In addition, the work contains Descartes’s developed ethics, in his account of virtue and of the passion of générosité in particular. Through his taxonomy of the passions and the account of their regulation, we also learn more about his moral psychology. (shrink)

Descartes claims that the passions of the soul are “all in their nature good” even though they exaggerate the value of their objects, have the potential to deceive us, and often mislead us. What, then, can he mean by this? In this paper, I argue that these effects of the passions are only problematic when we incorrectly take their goodness to consist in their informing us of harms and benefits to the mind-body composite. Instead, the passions are good in their (...) motivational function, which they carry out by representing objects and situations as having various properties and thereby appearing to be “reasons of goodness.” Further, I argue that the main way in which the passions are problematic is merely an occasional physiological byproduct of a well- functioning system. I show, therefore, that the passions’ motivational function, representationality, and accompanying physiology are all significant and interrelated aspects of their goodness. (shrink)

Descartes analysed the mind into various faculties or powers, including pure intellect, imagination, senses, and will. This article focuses on his account of the sensory power, in relation to its Aristotelian background. Descartes accepted from the Aristotelians that the senses serve to preserve the body by detecting benefits and harms. He rejected the scholastic Aristotelian sensory ontology of resembling species, or ‘forms without matter’. For the visual sense, Descartes offered a mechanistic ontology and a partially mechanized account of sensory processes, (...) including some previously ascribed to judgement. He did this in the context of his theory of brain signs that prompt sensations. The article contends that Descartes’s use of the sign-relation was modelled on standard discussions of non-resembling signs in commentaries on Aristotle’s De interpretatione. It follows three uses of the sign-relation: brain states that cause colour sensations; brain states that cause experiences of spatialized contents, such as shapes; and brain states that realize a ‘natural geometry’. It argues that Descartes’s natural geometry does not involve mental operations but physiological mechanisms that co-vary with the distance to seen objects. While retaining the language of sensory powers, Descartes offered a partial mechanization of those powers. (shrink)

We propose a novel reading of Descartes' views on the nature of pain, thirst, and hunger: imperativism. According to imperativism, rather than (exclusively) having intentional contents individuated by a set of correctness conditions specifying the way the world is, pain thirst, and hunger have contents individuated by satisfaction conditions, which specify the way the world ought to be. Unlike representationalist treatments, the imperativist reading satisfies the unique health-preserving role Descartes sets out for pain, thirst, and hunger, without inflating his austere (...) metaphysics of res extensa. (shrink)

Hume is a naturalist in many different respects and about many different topics; this paper argues that he is also a naturalist about intentionality and representation. It does so in the course of answering four questions about his theory of mental representation: (1) Which perceptions represent? (2) What can perceptions represent? (3) Why do perceptions represent at all? (4) Howdo perceptions represent what they do? It appears that, for Hume, all perceptions except passions can represent; and they can represent bodies, (...) minds, and persons, with their various qualities. In addition, ideas can represent impressions and other ideas. However, he explicitly rejects the view that ideas are inherently representational, and he implicitly adopts a view according to which things (whether mental or non-mental) represent in virtue of playing, through the production of mental effects and dispositions, a significant part of the causal and/or functional role of what they represent. It is in virtue of their particular functional roles that qualitatively identical ideas are capable of representing particulars or general kinds; substances or modes; relations; past, present, or future; and individuals or compounds. (shrink)

The definition of love given by Descartes in the Passions of the Soul has never stopped puzzling commentators. If the first Cartesian textbooks discreetly evoke or even fail to discuss Descartes’s account of love, Spinoza harshly criticizes it, pointing out that it is ‘on all hands admitted to be very obscure’. More recently several scholars have noticed the puzzling character of the articles of the Passions of the Soul on love and hate. In this paper, I would like to propose (...) a reassessment of the definition of love provided by the Passions of the Soul and the Letters to Elisabeth and Chanut. By tracing back Descartes’s scholastic sources, I will demonstrate how Descartes builds up his definition of love by displacing or subverting the meaning of several major elements of the thomistic vulgata on love. Hence, a significant part of the obscurity of the definition given by the Passions of the Soul possibly finds its ultimate rationale in this attempt to recover some traditional questions of the scholastic debate on love, while advancing new answers to them. (shrink)

Descartes endorses the two prima facie inconsistent claims that sensory ideas are innate and caused in us by bodies. Most scholars believe that Claims A and B can be reconciled by appealing to the notion of occasional or triggering causation. I claim that this notion does not solve the theoretical problems it is introduced to solve and it generates additional difficulties. I argue that these difficulties result from conflating two questions that need to be kept distinct while inquiring about the (...) origin of ideas: the psychological question of the mechanisms by which we acquire ideas and the metaphysical question of how the content of these ideas is determined. I conclude by proposing a new way of reconciling Descartes's Claims A and B in light of this distinction. On my account, Descartes's very views on innateness explain why bodily states must be causes of sensory ideas. (shrink)

Alison Simmons, in Simmons (1999), argues that Descartes in Meditation Six offered a teleological account of sensory representation. According to Simmons, Descartes’ view is that the biological function of sensations explains both why sensations represent what they do (i.e., their referential content) and why they represent their objects the way they do (i.e., their presentational content). Moreover, Simmons claims that her account has several advantages over other currently available interpretations of Cartesian sensations. In this paper, I argue that Simmons’ teleological (...) account cannot be sustained for both theoretical and textual reasons and that it does not have the advantages it is claimed to have. (shrink)

Descartes held the following view of declarative memory: to remember is to reconstruct an idea that you intellectually recognize as a reconstruction. Descartes countenanced two overarching varieties of declarative memory. To have an intellectual memory is to intellectually reconstruct a universal idea that you recognize as a reconstruction, and to have a sensory memory is to neurophysiologically reconstruct a particular idea that you recognize as a reconstruction. Sensory remembering is thus a capacity of neither ghosts nor machines, but only of (...) human beings qua mind-body unions. This interpretation unifies Descartes’s various remarks (and conspicuous silences) about remembering, from the 1628 Rules for the Direction of the Mind through the suppressed-in-1633 Treatise of Man to the 1649 Passions of the Soul. It also rebuts a prevailing thesis in the current secondary literature—that Cartesian critters can remember—while incorporating the textual evidence for that thesis—Descartes’s detailed descriptions of the corporeal mechanisms that construct sensory memories. (shrink)

After resolving the dreaming doubt at the end of the Sixth Meditation, Descartes concedes to Hobbes that one could apply the criterion for waking experience in a dream and thus be deceived, but he no longer considers this possibility to have skeptical force. I argue that this is a legitimate response by Descartes since 1) the dreaming doubt in the Sixth Meditation is no longer a global skeptical hypothesis as it is in the First, and 2) the level of certainty (...) that sensory experience must meet in the Sixth Meditation is lower than it must meet in the First. (shrink)

This version has been superseded by the one published in Spring, 2014.

This dissertation examines the significance of Johann Nikolas Tetens, a German empiricist philosopher working in the 1770's, to the theoretical philosophy of Immanuel Kant. I begin by examining Tetens' discussion of philosophical methodology in his 1775 essay \textit{Über die allgemeine speculativische Philosophie}. I make the case that Tetens' criticism of the methodology of the Scottish common sense philosophers and his subsequent attempt to incorporate what he takes to be their valuable insights into the approach of the broadly Wolffian philosophical tradition (...) provides important context for interpreting Kant's methodology in the \textit{Critique of Pure Reason}. I then examine two different cases of Tetens' applying this methodology in his 1777 text \textit{Philosophische Versuche über die menschliche Natur und ihre Entwickelung}. I argue that Tetens' discussion and critique of Humean causation in the fourth essay of the \textit{Philosophische Versuche} heavily influenced Kant's understanding of ``Hume's Problem'' and that many of the more obscure issues about the Kant-Hume relationship can be greatly clarified by giving sufficient attention to Tetens. I then examine Tetens' engagement with Thomas Reid's account of perception. I argue that Tetens' attempt to develop a representationalist account of perception which withstands Reid's objections leads him toward the view that representation requires object concepts and the problem of accounting for the origin of these concepts pushes Tetens to articulate an account of synthesis. In the final chapter, I examine Kant's proof that the real of appearances has intensive magnitude in the Anticipations of Perception. I raise several difficulties for the interpretation of the proof and then argue that Tetens' discussion of perception can provide us with the context for such a proof and the nature of the ``correspondence'' between sensation and objects. (shrink)

Mikä tarkalleen ottaen on aistimusten rooli ulkoisten objektien havaitsemisessa Descartesin mukaan? Descartes esittää, ettei ulkoisia olioita havaita aistien avulla, vaan pelkästään mielen tarkastelulla. Yksi tapa ymmärtää Descartesin väite on ajatella, että suhde havaitsijan ja objektin välillä edellyttää päättelyä aistimuksista itse olion läsnäoloon. Toinen mahdollisuus on ajatella, että itse asiassa aistimukset ovat suhteellisen yhdentekeviä havainto-relaatiolle, ja että tämä relaatio muodostuu tietyllä tapaa syvemmän maailman rakenteen ymmärtämisestä. Tässäkin näkemyksessä aistimuksilla on tietty rooli, mutta kyse ei ole päättelystä aistimuksista objektin läsnäoloon, kuten edellisessä (...) näkemyksessä, vaan päättelykyvyn käyttäminen kohdistuu pikemmin ajattelijan ja objektin välisten suhteiden ymmärtämiseen laajemman metafyysisen viitekehyksen avulla. Tämä kirjoitus tarkastelee tätä jälkimmäistä vaihtoehtoa mahdollisena tulkintana Descartesin havaintokäsityksessä ja pohtii samalla erityisesti aistimusten toimintoa havainnossa. (shrink)

Argues that Descartes's commitment to mind-body causation leads to a commitment to body-body causation.