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  1. Are the sources of interest the same for everyone? Using multilevel mixture models to explore individual differences in appraisal structures.Paul J. Silvia, Robert A. Henson & Jonathan L. Templin - 2009 - Cognition and Emotion 23 (7):1389-1406.
    How does personality influence the relationship between appraisals and emotions? Recent research suggests individual differences in appraisal structures: people may differ in an emotion's appraisal pattern. We explored individual differences in interest's appraisal structure, assessed as the within-person covariance of appraisals with interest. People viewed images of abstract visual art and provided ratings of interest and of interest's appraisals (novelty–complexity and coping potential) for each picture. A multilevel mixture model found two between-person classes that reflected distinct within-person appraisal styles. For (...)
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  • The appraisal basis of anger occurrence and intensity revisited.Iven Van Mechelen & Kristien Hennes - 2009 - Cognition and Emotion 23 (7):1373-1388.
  • Does interest broaden or narrow attentional scope?Billy Sung & Jennifer Yih - 2016 - Cognition and Emotion 30 (8).
  • The Impact of Specific Psychological Characteristics on Decision-Making Under the Different Conditions of Risk Self-Assessment.Zhijuan Liang, Ximing Liao & Huajian Cai - 2022 - Frontiers in Psychology 13.
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  • Alternatives to the fixed-set model: A review of appraisal models of emotion. [REVIEW]Julian W. Fernando, Yoshihisa Kashima & Simon M. Laham - 2017 - Cognition and Emotion 31 (1):19-32.
  • Nuanced aesthetic emotions: emotion differentiation is related to knowledge of the arts and curiosity.Kirill Fayn, Paul J. Silvia, Yasemin Erbas, Niko Tiliopoulos & Peter Kuppens - 2017 - Cognition and Emotion 32 (3):593-599.
    The ability to distinguish between emotions is considered indicative of well-being, but does emotion differentiation in an aesthetic context also reflect deeper and more knowledgeable aesthetic experiences? Here we examine whether positive and negative ED in response to artistic stimuli reflects higher fluency in an aesthetic domain. Particularly, we test whether knowledge of the arts and curiosity are associated with more fine-grained positive and negative aesthetic experiences. A sample of 214 people rated their positive and negative feelings in response to (...)
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  • Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure.Kirill Fayn, Carolyn MacCann, Niko Tiliopoulos & Paul J. Silvia - 2015 - Frontiers in Psychology 6.