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  1. As múltiplas faces do diálogo em Um certo capitão Rodrigo, de Érico Veríssimo.Ana Lúcia Macedo Novroth - 2020 - Bakhtiniana 15 (3):128-153.
    RESUMO Este ensaio tem como escopo averiguar como o dialogismo se presentifica no texto literário, especificamente em excertos do capítulo Um certo capitão Rodrigo, da obra O tempo e o vento, de Érico Verissimo. Tenciona-se examinar, na materialidade do texto, que procedimentos enunciativo-discursivos foram mobilizados na encenação dialógica da verdade e do pensamento, configurados tal como uma sátira menipeia, e de que forma as categorias da percepção carnavalesca de mundo dessacralizam e submetem ao riso o discurso do poder. ABSTRACT This (...)
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  • Verecundia, risa y decoro: Cicerón y el arte de insultar.Salvador Mas - 2015 - Isegoría 53:445-473.
    Sobre la risa puede hablarse de muchas maneras; cabe, por ejemplo, una aproximación fisiológica, otra psicológica o una tercera sociológica, que los antiguos no desatendieron por completo, si bien Cicerón prefirió investigar sus posibilidades retóricas. A nadie se le oculta la relevancia de chanzas y chistes para disponer a la audiencia de manera favorable o para ridiculizar al adversario; tampoco que esta estrategia, a despecho de su efectividad y por la misma, puede sobrepasar los límites de lo aceptable o de (...)
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  • The Tragic Mask of Comedy: Metatheatricality in Menander.Kathryn Gutzwiller - 2000 - Classical Antiquity 19 (1):102-137.
    The plays of Menander have been largely absent from the recent critical attention given the metatheatrical aspects of ancient comedy because they avoid direct reference to performance and maintain dramatic illusion. But as readings of tragic self-reflexivity have shown, even consistently illusionistic drama can make reference to itself as drama so that the audience is encouraged to view the play in double focus, as both a pretense of reality and as an evident dramatic artifice. Metatheatricality in Menander has its basis (...)
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  • Bugonia_ and the Aetiology of Didactic Poetry in Virgil, _Georgics 4.Patrick Glauthier - 2019 - Classical Quarterly 69 (2):745-763.
    Roughly half way through the fourthGeorgic, Virgil confronts a sad reality: on occasion the entire population of a hive can perish without warning and leave the bee-keeping farmer bee-less. In response to such a devastating loss, the poet describes an Egyptian procedure, to which modern critics have given the namebugonia, whereby the farmer acquires a new swarm of bees from the putrefying carcass of a dead ox (4.281–314). After the account ofbugonia, the poem takes a notoriously unexpected turn. Virgil asks (...)
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  • Protrepticus. Aristotle, Monte Ransome Johnson & D. S. Hutchinson - manuscript
    A new translation and edition of Aristotle's Protrepticus (with critical comments on the fragments) -/- Welcome -/- The Protrepticus was an early work of Aristotle, written while he was still a member of Plato's Academy, but it soon became one of the most famous works in the whole history of philosophy. Unfortunately it was not directly copied in the middle ages and so did not survive in its own manuscript tradition. But substantial fragments of it have been preserved in several (...)
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