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  1. Noble lies and tragedy in Nietzsche's Zarathustra.Dennis Vanden Auweele - 2013 - International Journal of Philosophy and Theology 74 (2):127-143.
    To date authors are unsure about Nietzsche's self-critical attitude regarding his Thus Spoke Zarathustra. While few doubt that the narrative reaches a dramatic climax at the end of its third part, the largely satirical fourth part invites to take this climax cum grano salis. I provide an interpretation of the dramatic structure of Thus Spoke Zarathustra by focusing on the tragic nature of Nietzsche's ideal of the Übermensch and the comical relief provided by part four. Accordingly, the completion at the (...)
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  • Nietzsche's contribution to a phenomenology of intoxication.Sonia Sikka - 2000 - Journal of Phenomenological Psychology 31 (1):19-43.
    Through a reading of Nietzsche's texts, primarily of Thus Spoke Zarathustra, this article develops a phenomenological description of the variety of intoxication exemplified in conditions of drunkenness, or in states of emotional excess. It treats Thus Spoke Zarathustra as a literary expression of such intoxication, arguing against attempts to find a coherent narrative structure and clear authorial voice behind this text's apparent disorder. Having isolated the intoxicated characteristics of Thus Spoke Zarathustra - its hyperbolic rhetoric and emotions, its lack of (...)
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  • On the difficult case of loving life: Plato's Symposium and Nietzsche's eternal recurrence.Melanie Shepherd - 2018 - British Journal for the History of Philosophy 26 (3):519-539.
    ABSTRACTA simple but significant historical fact has been overlooked in interpretations of Nietzsche's eternal recurrence. In making eternal recurrence the standard for the affirmation and love of life, Nietzsche accepts an understanding of love developed in Plato's Symposium: love means ‘wanting to possess the good forever’. I argue that Plato develops two distinct types of love, which remain in tension with one another. I then show that a corresponding tension arises in Nietzsche's work when we consider eternal recurrence as the (...)
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  • Remarks about the Nietzschean dancing God.Isabelle Madelon-Wienand - 1998 - South African Journal of Philosophy 17 (3):301-312.
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  • Eternal Recurrence, Identity and Literary Characters.David Conter - 1992 - Dialogue 31 (4):549-.
    “Think of our world,” writes Robert Nozick, “as a novel in which you yourself are a character.” As we shall see, this is easier said than done. In that case, would the project be worth the effort? Yes, says Alexander Nehamas. In Nietzsche: Life as Literature, Nehamas suggests that we would have a better grasp of some hard doctrines of Nietzsche's, if we accepted literary texts as providing a model for the world, and literary characters as yielding models of ourselves. (...)
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