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  1. Holomovement metaphysics and theology.Kevin J. Sharpe - 1993 - Zygon 28 (1):47-60.
    The holomovement metaphysics of David Bohm emphasizes connections and continuous change. Two general movements through space‐time extend Bohm's ideas. One is that the universe was nonlocal when it started but increases in locality. (With nonlocality, two simultaneous but distant events affect each other.) The other is the opposite movement or evolution toward increasingly complex systems exhibiting internal connections and a type of nonlocality. This metaphysics produces a theology when the holomovement is a model for God. Several topics follow, including global (...)
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  • Late night thoughts on the cosmic self-new and old: A reflection on the cosmic self:. A penetrating look at today's new age movements by Ted Peters.Alan Riddiford - 1994 - Zygon 29 (3):437-446.
    Responding to Ted Peters's The Cosmic Self, the author finds parallels and dissonances between New Age assertions and traditional mysticism, East and West. The comprehensive consciousness and interconnectedness of life are addressed by various mysticisms in their search for spiritual realities. However, many of the most recent movements are distinguished by superficiality.
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  • The Early History of David Bohm’s Quantum Mechanics Through the Perspective of Ludwik Fleck’s Thought-Collectives.Christian Forstner - 2008 - Minerva 46 (2):215-229.
    This paper analyses the early history of David Bohm’s mechanics from the perspective of Ludwik Fleck’s thought-collectives and shows how the thought-style of the scientific community limits the possible modes of thinking and what new possibilities for the construction of a new theory arise if these limits are removed.
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  • Who Speaks?Willem B. Drees - 2010 - Zygon 45 (1):3-6.
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  • Immersive ideals / critical distances : study of the affinity between artistic ideologies in virtual Reality and previous immersive idioms.Joseph Nechvatal (ed.) - 2010 - Berlin: LAP Lambert Academic Publishing AG & Co KG.
    My research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant key to the understanding of contemporary culture as well as considerable aspects of previous culture as detected in the histories of philosophy and the visual arts. The fundamental change in aesthetic perception engendered by immersion, a perception which is connected to the ideal of total-immersion in virtual space, identifies certain shifts in ontology which are relevant (...)
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  • Who Speaks?Arthur Peacocke - 2010 - Zygon 45 (1).
     
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