There is a straightforward view of perception that has not received adequate consideration because it requires us to rethink basic assumptions about the objects of perception. In this paper, I develop a novel account of these objects—the sensible qualities—which makes room for the straightforward view. I defend two primary claims. First, I argue that qualities like color and shape are “ontologically flexible” kinds. That is, their real definitions allow for both physical objects and mental entities to be colored or shaped. (...) Second, a single instance of these qualities can be attributed to more than one entity. Just as we attribute the same instance of a material property to a statue and to the clay that constitutes it, single instances of sensible qualities should be attributed both to the physical objects perceived and to the perceptual states that have those instances as their objects. (shrink)

Sometimes when we describe our own sensory experiences we seem to attribute to experience itself the same sorts of familiar properties – such as shape or colour – as we attribute to everyday physical objects. But how literally should we understand such descriptions? Can there really be phenomenal elements or aspects to an experience which are, for example, quite literally square? This paper examines how these questions connect to a wide range of different commitments and theories about the metaphysics of (...) mind. In particular, I consider whether there may be phenomenological reasons to accept or reject the idea that there are elements or aspects of conscious experience itself which instantiate familiar spatial properties. I also explore how some general theses about the nature of empirical properties can motivate different answers to these questions. (shrink)

The Introduction to Sartre’s Being and Nothingness (B&N) contains a condensed, cryptic argument – the ‘ontological proof’ – that is meant to establish a position ‘beyond realism and idealism’. Despite its role in establishing the fundamental ontological distinction of B&N – the distinction between being-for-itself and being-in-itself – the ontological proof has received very little scholarly attention. My goal is to fill this lacuna. I begin by clarifying the idealist position Sartre attacks in the Introduction to B&N: Husserl’s idealism as (...) interpreted by Aron Gurwitsch and Roman Ingarden. I then propose a new interpretation of the ontological proof that gives a central role to the transparency of experience. On this interpretation, Sartre argues from the ‘emptiness’ of consciousness – its purely relational nature – to the existence of mind-independent substance (being-in-itself). In assessing the strengths and weaknesses of Sartre’s case against idealism, I put him in critical dialogue with contemporary work in metaphysics and the philosophy of mind. (shrink)

Naïve realism is the view that veridical experiences are fundamentally relations of acquaintance to external objects and their features, and multidisjunctivism is the conjunction of naïve realism and the view that hallucinatory experiences don’t share a common fundamental kind. Multidisjunctivism allegedly removes the screening-off worry over naïve realism, and the relevant literature suggests that multidisjunctivism is one of the naïve realist responses to the worry. The present paper argues that the multidisjunctive solution is implicitly changing the subject, so the impression (...) that the multidisjunctivist is addressing the screening-off problem is illusory. (shrink)