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The Unskilled Zhuangzi: Big and Useless and Not So Good at Catching Rats

In Karyn Lai & Wai Wai Chiu (eds.), Skill and Mastery Philosophical Stories from the Zhuangzi. London: Rowman and Littlefield International. pp. 101-110 (2019)

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  1. Re-visiting the role of craft in Zhuangzi’s philosophy.Raymond W. K. Lau - 2021 - Asian Philosophy 31 (4):368-384.
    ABSTRACT In the ‘Cook Ding cutting up an ox’ parable, Zhuangzi advanced a doctrine on craft and its relationship with Dao. With reference to Merleau-Ponty’s philosophy in conjunction with an analysis of Zhuangzi’s epistemological position, we argue that Zhuangzi understood craft as involving the supersession of the cognitive. In craft, the relationship between human and world is non-cognitive and ‘pre-objective’, the living of this kind of relationship gives rise to a non-cognitive ‘practical sense’ which enables the craftsman’s movements to spontaneously (...)
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  • Critique of Imperial Reason: Lessons from the Zhuangzi.Dorothy H. B. Kwek - 2019 - Dao: A Journal of Comparative Philosophy 18 (3):411-433.
    It has often been said that the Zhuangzi 莊子 advocates political abstention, and that its putative skepticism prevents it from contributing in any meaningful way to political thinking: at best the Zhuangzi espouses a sort of anarchism, at worst it is “the night in which all cows are black,” a stance that one scholar has charged is ultimately immoral. This article tracks possible political allusions within the text, and, by reading these against details of social, political, and historical context, sheds (...)
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  • The Zhuangzi on Coping with Society.Paul J. D’Ambrosio - 2020 - Journal of Religious Ethics 48 (3):474-497.
    Stories in the Zhuangzi detailing expert artisans and other extraordinary people are often read as celebrations of “skills” or “knacks.” In this paper, I will argue that they would be more accurately understood as “coping” stories. Taken as a celebration of one’s “skill” or “knack” they transform the Zhuangzi into an implicit advocate of conforming to, or even identifying with, one’s social roles. I will argue that the stories of artisans and extraordinarily skilled people are less about cultivating one’s talents (...)
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