Dass Husserl auch im Hundert-Jahres-Jubiläum der Ideen I tatsächlich „aktuell“ und für eine Reihe gegenwärtiger philosophischer Trends höchst anschlussfähig ist, das verspricht nicht nur der Titel, dies belegen auch eindrücklich die zwölf Aufsätze des vorliegenden Bandes. Das Buch stellt nicht nur eine hervorragende Ergänzung zu dem thematisch stärker fokussierten rezenten Sammelband Husserl und die Philosophie des Geistes (Frank and Weidtmann 2010) dar, zumal auch hier der Anti- bzw. Non-Naturalismus Husserls einen der Leitfäden des Buches bildet; insgesamt handelt es sich dabei (...) in Breite und Tiefe, aber auch was die Qualität der Mehrzahl der Beiträge betrifft, vielmehr um eines der gelungensten der neueren, und nicht nur der deutschsprachigen, Kompendien zu Husserl (vgl. etwa Ierna et al. 2010; Centrone 2013; Embree and Nenon 2013).Entlang einer klugen editorischen Organisation fügen sich die Beiträge gut in die drei Teile Ontologie, Sprachphilosophie & Philosophie des Geistes und Ha. (shrink)

ABSTRACT ‘We’ is said in many ways. This paper investigates Kurt Stavenhagen’s neglected account of different kinds of ‘we’, which is maintained to be one of the most sophisticated within classical phenomenology. The paper starts by elaborating on the phenomenological distinction between mass, society, and community by claiming that individuals partake in episodes of experiential sharing only within communities. Stavenhagen conceptualizes experiential sharing as a meshing of conscious experiences infused by a feeling of us-ness. The remainder of the paper focuses (...) on Stavenhagen’s distinction of various senses of us: when individual share preferences, have mutual respect, or emotionally evaluate the world according to a cultural tradition, they elicit a sense of us of different kind and, thus, form communities of different kind. Within phenomenology, Stavenhagen should be credited with the merit of having unearthed the aggregative, we-generating force of preferences, of respect, and of (certain) emotions. (shrink)

Recent publications on Alfred Schutz suggest the importance of his musical thought for understanding his general viewpoint on intersubjectivity. Developing this proposition further, my article focuses on one aspect of Schutz’s writings on music: his attempts to amalgamate the aesthetic oppositions of the Dionysian/Apollonian by Friedrich Nietzsche and inner duration/spatialized time by Henri Bergson. Despite the seeming distortion of the initial meaning of the Dionysian impulse, I suggest that Schutz’s employment remains faithful to the aesthetic and cognitive theory of early (...) Nietzsche. To substantiate this, I draw a link between Nietzsche’s early theory of aesthetic cognition and the neurophysiology of the mid-nineteenth century. Furthermore, the way Schutz applied the Dionysian/Apollonian opposition to the problem of musical communication made his musical thought prefigure some neuro-scientifically inspired discussions of the present-day, like the one on joint attention. Schutz tackled the key paradox: why the experience of music can be shared but not directly communicated. (shrink)